British Whale – This Town Ain’t Big Enough For The Both Of Us

British Whale – This Town Ain’t Big Enough For Both of Us

by Fee

Rating 10/10

This single marks the welcome return of Justin Hawkins, the most charismatic front man of rock to be seen this side of 1984. His solo project ‘British Whale’ happened, claims Hawkins, because he was ‘lacking porpoise’. This song has got a real vibe and is really fun to listen to. It is a breath of fresh air in the room full of dank, boring and often depressing songs. It is silly but that is the point! If you are in any doubt take a listen to the equally awesome b-side ‘America’ which tells it exactly like it is. The video, featuring Phil (The Power) Taylor, is also well worth a look. So rush out and buy it before it sells out!

By Fee (the cat).

Rescue The Astronauts EP Review

by Emma

Rescue The Astronauts – Your Scissors/My Seatbelt

Your Scissors/My Seatbelt is the first EP available to buy from Derry sweethearts Rescue The Astronauts. The four-track disc produced by Neal Calderwood is a fine introduction to the raw talents of the ever changing five-piece rock outfit. I’m just a teeny bit disappointed that the awesome Crowds Of More Than One wasn’t included.

Track one I Am Your Sugar Rush trickles in with a strange movie-esque tinkle of bells and then suddenly blasts into action with grilling guitar and kick ass drums. The verses are brilliant with colourful and slightly aggressive vocals, lyrics to die for and are peppered with raw screams. The chorus is a little more gentle and brings down the pace a little, but in true RTA form is catchy as hell.

Second track Throwing Paper Airplanes is more pop-like and is a milder track with sweet harmonies and an inoffensive backing track. This song is a theme song for the young broken hearted and is a really cute little track. Lyrics are sweet and vocals are suitably enchanting.

Finely Tuned Frequencies is the third track and the eye of the EP and is such a quirky but beautiful ballad to tug on the old heartstrings. The song is expertly written and the guitar and percussion are perfectly executed to add a heavier undertone to the track. Ferris captures a rawness, intensity and versatility that shines through this track, but writing is the key and this is where the boys’ biggest talent lies.

Last but not least is Ideas To Resuscitate, upbeat and fluctuating between soft, high pitched vocals with a toned-down backing to powered throaty bursts of musical brilliance. There are parts of this track that are so well composed I wish I had written it myself!

In short, get yourself a copy (you can order online via the website) and I promise that you will love it.

 

 

Gratitude – Album Review

by Emma

Album Review: Gratitude: Gratitude

Gratitude was released on 20th June and is the debut album from US rockers Gratitude, label mates with the fabulous Funeral For Friend. Gratitude are supporting Funeral’ in their current UK tour and so they have a lot to live up to.

The feel of the album is fairly gentle with beautiful aching and screaming vocals brilliantly delivered by Jonah Matranga. Mark Weinberg, Jeremy Tappero and Bob Lindsey provide a combination of soft and blasting guitar whilst several guest drummers are featured on Gratitude.

The Greatest Wonder and Someone To Love are softer ballads, while Drive Away, Last and Feel Alright are gorgeously powerful roaring tracks with the same beautiful tone of vocals. Drive Away would have to be my personal favorite with it’s fantastic opening vocals and upbeat nature.

Gratitude are slightly leaning toward post hardcore, with a bit of a pop feel in a Jimmy Eat World kind of way. It’s easy listening and ideal for chilling out. With an apparently strong live performance and amiable songs these guys can go far.

The Basement ‘I Just Caught A Face’ single

by Davey

Now this is a rare thing; folk/country inspired indie pop from Ireland. You don’t much of that to the pound in this day and age, and I must say it’s refreshing. ‘I Just Caught A Face’ is an upbeat acoustic love song, complete with a banjo backing. Fresh and new, The Basement are prime suspects for cult fame, perhaps as the new Thrills – only I hope they last longer. The band were allowed the rare luxury of spending four years perfecting their sound before recording their first LP, ‘Illicit Hugs And Playground Thugs’, a stunning collection that was destined from the off to get the ball rolling for The Basement. If ‘I Just Caught A Face’ is anything to go by, they could be the band that stop all this nu-rock nonsense in its tracks and bring us something original. One can only hope.

www.thebasement.co.uk

 

 

Electrelane – Axes – Album Review

by Emma

To call Electrelane experimental is one big bloody understatement. A few seconds shy of an hour, I found Axes to be hard work. Unless you are a fan of 6-9 minute long instrumentals you may encounter the same problem.

The first track One, Two Three, Lots is a gentle melodic tune which features a few lines of choir girl vocals, mingling with track two which funnily enough shares the same back beat. The tunes escalate into a crescendo of pounding piano and grinding guitar.
Two For Joy, the third track features vocals again and they are admittedly rather soft and sweet ending in guitar carnage. The next track starts off quite well – nice bit of piano with electrics kicking in towards the end. Not bad, but for almost six minutes? It’s not really heading anywhere. Eight Steps sounds like some old school dance that your gran might have learned at Ballroom Dance Class. ‘Taxi’!!! The next track sounds like a traffic jam and not much else really. Track seven is a nice short instrumental, quite pleasant with some nice loud guitar.

The remainder of the album is made up of tracks that sound like a jumble of random notes with holes between, one track is almost ten minutes long and is frankly bland. During track nine my mum walked into the room and asked if they were playing on a biscuit tin! The final track Suitcase is actually alright, it’s a bit more up tempo and even has the odd ‘oooh’ thrown in.

Not quite music to get excited about – maybe tolerable as background music if you’re chilling out and can’t be bothered with words. Some will like it, but this one is definitely not for me.

The National – Alligator – Album Review

by Emma

I previously said about The National that I am reminded at times of Bowie in style. Having now listened to the third album release I now think the style is perhaps more in the way of The Divine Comedy who, for the record, I have quite a respect for.

Alligator was released on 11 April on Beggars Banquet Records Ltd, and creates quite a relaxed vibe. The album kicks off in excellent fashion with the lovely Secret Meeting, followed by the fabulous Karen and Lit Up. Track four Looking For Astronauts isn’t as good seems a little bland. Luckily the following track is much better and is a sensitive little number with Matt Berninger’s low key silky-smooth tones beautifully and seemingly effortlessly flowing.

The album continues in its graceful and curious manner, I’m particularly fond of All The Wine, an optimistic promise of life to come. Abel, the single taken from the album, is fairly up-tempo and a little rough around the edges as is the final track Mr November.

Of the thirteen tracks on Alligator I would say that 10 are great, the remaining tracks not being too far behind.


The Explosion – Black Tape – Album Review

by Emma

The Explosion have burst onto the punk scene and made quite an impact this year – the single Here I Am has gained regular play on radio and music television channels and quite rightly so. Touring with the big guns, Good Charlotte and New Found Glory, has added fuel to the fire and earned The Explosion a reputation they thoroughly deserve

The Explosion are a welcome wave of punk pop with the catchiest lyrics, powerful riffs and a sound that appeals to rockers universally. Every single track on Black Tape is excellent and this is one of the real goodies of 2005, released on 28th April.

Each track has a deliciously different tune – pounding drums on Deliver Us and No Revolution, anthemic riff and chorus on Here I Am and We All Fall Down, Filthy Insane and I Know both boast a wicked bassline. Throaty raucous vocals are key on Atrocity and Grace and Go Blank blasts us with a ferocious velocity. A couple of the tracks tend towards pop with a gorgeous effervescence – Mothers Cry the perfect example.

In short – Black Tape is excellent – go get a copy or miss out!

Queen Adreena – The Butcher And The Butterfly – Album Review

by Emma

The Butcher and the Butterfly is the third album release from Queen Adreena and is regarded as the best of the trio. Queen Adreena carry a haunting eerie feel throughout the album taking a number of serious personal and dark issues head on and emerging the winner.

The Butcher and the Butterfly features a range of tracks from racy upbeat tunes such as Black Spring Rising to the truly ghostly and disturbing feel of tracks Suck and FM Doll. This LP drifts from the raw and loud to bluesy and beautiful with ease and is a compelling listen. Birdnest Hair is a brilliant and delicate song and shines out as one of the best tracks, not just on this record but among the majority of recent chart releases from any band.

Queen Adreena are not background music, their music is made for intent listening for both the ear and the heart.

FULC – Embrace.Destroy – Album Review

by Emma

New mini-album, Embrace.Destroy is the latest release from FULC, up and coming UK rock metal quartet.

Embrace.Destroy consists of six tracks, and starts off with two softer tracks spilling raw emotion and intelligent thought. The music is gentle as required during the verse and blasts into a powerful surge of guitar at the chorus, accentuating the main lyrics beautifully. Duane Walker’s vocals are both smooth and raw, gritty and scratchy at the powerful parts. Track three, Wasting is a stronger track with a superb hardcore riff.

System is another fine track with gentle vocals layered over hammering guitar and blasting drum. Track five features some wicked synth and scratchy guitar, fantastic roaring vocals. The final track Entrapment is a mature and sad depiction of a bittersweet relationship.

Embrace.Destroy is an excellent mini-album and showcases the fine talents of Duane Walker, Rik Clay, Mark Cooke and Kris Kilmore. An added bonus is that these chaps are pretty easy on the eye too! I recommend adding FULC to your collection, and I really hope to hear much more from these guys soon.

Idlewild – I Understand It – Single Review

by Emma

Released 2 May, I Understand It is a harmless ditty from Idlewild, most likely to be hitting notes with fans of REM and the like. It’s quite catchy and laid back but I think it lacks energy – uptempo but not really capturing.

Despite this being in contrast with my personal tastes, it is undeniably well written and produced and goes down well in the mainstream.

Suffrajets – Sold – Single Review

by Emma

The Suffrajets are back in action following a recovery period – the girls’ tour bus was involved in a serious road traffic accident earlier this year – and on top form for the release of their third single Sold. With Gemma Clarke back on board having made the decision to quit much speculated band Babyshambles recently, Suffrajets are heading towards the limelight at a hefty pace.

Sold is fast in pace, thick with guitar and loud and raucous on vocals! This track with its catchy riff is a confident comeback to the preceding two singles. One to get your feet moving to I think this is a dance floor winner!

The Kills – Love Is A Deserter

by Emma

Love Is A Deserter was released on Domino on 30 May is taken from The Kills’ second album No Wow. The track keeps in form with previous hit The Good Ones with an electro sound infused with strange calm yet punky vocals.

The track is quite laid back and although it is carried by an upbeat tune it does lack excitement and fails to peak at any point, instead maintaining a constant level throughout.
A favorite at live performances this is definitely one for fans of the kooky disco-come-rock sound.

We Are Scientists

by Lou

‘Nobody Move, Nobody Get Hurt’

The first UK single from New York three-piece ‘We Are Scientists’ was released on June 27th and quite frankly should do bloody well!
The title track instantly captivates you with an infectious hook and grabs a firm hold of you to take you along for the ride.
Oozing with screeching guitars, very likeable vocals and a powerfully charismatic melody; a combination that’s very difficult to go wrong with.
Whilst ‘Mucho Mas’ runs its course with nicely simmering instrumentation caressed by smooth vocals with a certain take-notice edge to them.
I see very good things ahead for this band – watch out for them!

The Blue Van

by Lou

‘Revelation of Love’ is the first UK single from Denmark’s hottest new export; ‘The Blue Van’. And don’t their influences shine through like a blinding light?! The Kinks, The Small Faces, The Rolling Stones, The Who….all blatantly embedded in the foundations of The Blue Van’s sound. It’s quite a change to hear this sort of mod-reminiscent music being created by new bands. Well, with bands like The Darkness, Young Heart Attack & Hurricane Party on the scene today, we’ve definitely fallen for a classic rock revival, so maybe these guys are starting the mod revival….before you know it there’ll be thousands on Brighton sea front, clad in parkers or leather pelting one another with fists and glass bottles!!

Switchfoot: Dare You To Move

by Emma

Dare You To Move is the first UK release due 18th July from multi platinum selling US outfit Switchfoot. It will be followed up swiftly by the album A Beautiful Letdown on 25th July. Switchfoot have proved to be hugely popular overseas and are planning to work their magic on the UK this summer.

Dare You To Move is a gentle power ballad on all accounts but without the cheese of many other power ballads! An easy listening track which would appeal not only to soft-rock kids but probably to their folks as well! Tame enough to play for your granny, thoughtful enough for most people to like, it’s easy to see why this has already sold by the bucketload in the states.

Nice and easy, no need to get your air guitars out just yet, guys.

(This also appeared in August 2005 – issue 9)

engerica: My Demise

by Emma

New to the scene trio Engerica are preparing to whip up a storm. New single My Demise will be released on 25th July and is not the first taster of this fun-fuelled three piece that we have heard so far.

My Demise is a nicely noisy track with a wicked opening riff and fist throwing shouts of ‘Hey!’ and fast paced quick changing hooks that let you know that this band have been working together for a fair few years. Vocals are wild and pretty damned variable as the track demonstrates soft vocals, punky verses and rampant screams!

The second track Arsehole is straight down the line punk and professes to be nothing besides that!

Engerica have recently supported the ever-rising Million Dead on tour and look set for success.

(This also appeared in August 2005 – issue 9)

Millionaire

by Lou

‘We Don’t Live There Anymore’ is a seductive track that’s dripping with dirty, grungy licks and an overall air of bad-ass cool. Hoarse guitars grate their way through a sleazy bass line and a complex drum back-bone to invite all listeners into a heaving bosom of filthy-rock. It’s no wonder admirers of this band include Josh Homme and Matt Bellamy. –They know their stuff.

Levellers – Truth & Lies

by Lou

It’s great to see bands standing the test of time like the Levellers have. Formed in 1988 and still going strong with their trademark upbeat-folk-indie-pop-bit-of-something-for-everyone sound. Defining vocals front a healthy, happy concoction of easy listening music that really can appeal to all taste-buds. The Levellers have achieved so much in their careers and this album is just another triumph to add to their collection.

Electric Eel Shock – Beat Me

by Lou

Being previously unfamiliar with Electric Eel Shock’s sound, I’m very pleasantly surprised and can confirm for the other EES virgins out there that it’s just as the name suggests; high power, high energy, riff-fuelled, lively music with a dollop of funk mixed in.
The rabidly vivacious riffs and electric funk make for a remarkable and vibrant sound. Almost like Primal Scream dowsed in heavy rock and proudly set ablaze.
Album opener, ‘Scream For Me’ is an attention-grabbing & infectious number, the rest of the album is of similar calibre and their cover of Sabbath’s Iron Man is brilliantly charismatic and brings the album to a momentous close.
-That, in case you couldn’t tell, was a very positive review!
I definitely recommend these guys!

Various…

by Dave

Clor – ‘Clor’ (album)

To the untrained ear, ‘Clor’ is just a big messy mash of nonsensical
music oddities with a constipated singer wailing over the top of it
all. But being an experienced music freak, I can see past this. The
opening track ‘Good Stuff’, is almost perfect; gentler than the other
songs, an experimental bombardment of sound, Barry Dobbin’s strained
vocals complimenting the slick sharpness of the production. Each song
has it’s unique style, often bursting into strange and interesting
crescendos.
Clor bring The Stranglers-esque 80’s eccentricities back to the fore.
About time too.

Idlewild – ‘El Capitan’ (single)

It seems the lovely Idlewild have gone all romanticized on us. ‘El
Capitan’ glows with joyous positivity, while the lyrics bear an
unhappy sentiment. The latter isn’t so uncommon with the band, but a
smile-worthy song from the lads? Blimey. The layered melodies cascade
in that unmistakable soft-rock indie way, and if you’re looking for a
chill-out track, the b-side is an acoustic version of ‘El Capitan’,
drenched in violins and nimble piano work. This song is surely the
jewel in any Idlewild performance.

Headrush – ‘A Thousand Pictures’ EP

You know when you stand up too fast and you go dizzy? It’s called a
headrush. Listening to the band of the same name, you’re more likely
to have a minor haemorrhage – and I mean that in a very good way.
‘Just Bring It On’ strides fearlessly into a drum intro that shows the
unsuspecting listener exactly what Headrush are made of from the very
start; and that’s pure balls-out rock. In a similar Glitterati vein,
the band create an incredibly raw feeling to their music, much sought
after by all fans of groin-led metal.
In a very Guns ‘N’ Roses, the whole EP is an unpredictable ride. Just
when you think things are slowing down, an enormous riff will smack
you in a face.
Headrush’s catchphrase (yes, they have their own already) sums ‘A
Thousand Pictures’ up perfectly:
“Back again… Rock ‘n’ roll.”

The Redwalls – ‘De Nova’ (album)

This is American indie at its purest. Across the pond, indie is a much
overlooked genre. That is, until The Redwalls escaped the confines of
Chicago and let the Brits know that they can do it too. A hot choice
for supporting Oasis, this band’s laid-back approach to music, as
displayed in ‘Falling Down’ is the trick. They don’t try too hard.
This comes naturally to them, these relaxing rock riffs and
smile-inducing melodies. I just hope they don’t turn into egocentric
sods like The Killers did.

Morning Runner – ‘Gone Up In Flames’ (single)

What a wonderful choice for their second single. ‘Gone Up In Flames’
is the warm, light-hearted chewy centre in the midst of all the
darker, soulful stuff of the past EP, ‘Drawing Shapes’. Very
Starsailor, very ‘Drops Of Jupiter’ (Train), very big, and very
clever. It’s like a Coral b-side that got lost somewhere along the
way. Bouncy, energetic and passionate, putting their own spin on
modern indie pop.
Too damn good to be supporting Coldplay. They should be headlining
their own stadium tours