GiginthePark 2006

by Jo

5th August

I’m there for the Saturday of this weekend extravaganza. Today’s running order..

Sevillian
Raindance
Rowan and the Crops Failed
Rosalita
The Kites
Beamer – (who pulled out)
crushdeluxe
vinyl Wave
Skankt
Urban Voodoo Machine
The Pirates
Suzi Quatro

I got there at about 4.30, which should have been in plenty of time to see crushdeluxe at 5.. someone moved them! I could hear them when I got out of the car and had to make a run for it. Still, didn’t miss too much. Had a good bop to all our old faves in the glorious sunshine.. must remember sunblock before I dance, really. Ow. Now there’s something new.. Ian, topless! Got pictures of that… Storming energetic set as always, much enjoyed. You should really be on later, guys.

There was a bit of a musical interlude on a tiny sidestage.. 3 members of Scott Moods gave a short set before their full one on the Sunday. 1st electric violin of the day.

Vinyl Wave on the main stage.. Folky influence here, with some very nice melodies. I had just noted ‘haunting and melodic’ when it all got lively! They outdid everyone with 2 violins and a cello!

Skankt – the sort of heavy beat and brass section you expect from skankers, with changes of tempo. It wasn’t as fast as some I’ve heard, but they did wake the crowd up again.

Urban Voodoo Machine – Now that’s what I call a festival band. All in black with red shirts, the odd hat, and a fetching leopardskin guitarstrap. Stomping, crowd jumping stuff, putting a grin on faces and grass stains on dancing shoes. More in tune with skank and blues than anything previous. A violin, but also a washboard AND a gong, so they got the prize.. 2 drummers for the main part, joined by another for the last couple of songs. They were standing up giving their all, jumping around, just like everyone else on stage. Cor. Energy for the masses.

After that, it was just a shame that The Pirates let the hi-energy bubble float away. It was in all honesty, just dull, and they would have been better on the Sunday with an older crowd who would have appreciated them more. There was nothing wrong musically, but to be quite honest, I didn’t want to hear a band whose claim to fame was supporting a popstar who died 40 years ago. And milked it on stage. Wrong venue.

Well, only Suzi could drag it back up.. She did, entertaining with flawless ease, bluesy rock and ballsy attitude. You get what you see with Miss Quatro, one feels, and she tells you all about it. Yeah, a wild child, who has grown up, but not out of it. I’m only familiar with ‘Devil Gate Drive’ and ‘Can the Can’ from my youth, but it all seemed to go down pretty well. There was some new stuff from the forthcoming album. Do you know what was missing, though? The ground, shaking from the dancing.

It ended late, and I drove home through foggy bits, and behind someone who thought
it was funny to drive at 35 mph through a 60 limit.

Oh.. next year, can someone make sure that there’s a chip van? Cheers.

The band’s comment

by Jo

Taken from www.thedarknessrock.com

http://www.thedarknessrock.com/forum/index.php?topic=2351.msg115492#new

A message from the band
« on: 16.8.06 at 04:31:34 PM »

After Justin saw a doctor last week and was recommended to “cancel all professional commitments or work-related activities”, we had little choice but to cancel the band’s appearance at the Skanderborg Festival in Denmark, something that the band hate to do, but having been out on the road constantly for such a long time and having not had any time off over the past three years, that’s what Justin has decided to do and we are all agreed that his health must come first.

As everybody found out today, Justin has been admitted to a rehabilitation clinic. We would however like to make it clear that this emphatically does not signal the end for The Darkness, nor are their label Atlantic Records considering ‘dropping’ them. On the contrary they have taken up their option with the band and are looking forward to releasing The Darkness’ third album in early 2007.

We are not here to comment on Justin’s private life – or anyone else’s for that matter – but he is feeling better already and as soon as he is ready we will be going straight into the studio to begin recording album number 3.

We hope you would join us in wishing Justin well – and it is for you to judge if a platinum album, headlining and co-headlining sold out shows across the UK, Continental Europe and Australia, etc. to an audience of tens of thousands of adoring fans can ever be considered a failure!

Dan, Ed and Richie
x

SixSister on the telly! Maybe…

by Jo

It was a dark and stormy night… oops sorry, couldn’t resist..

It was, though, in Norwich, the night before this Six trotted off to London to see Justin in action the ‘Friday Night Project’, being recorded on the Thursday for Friday’s airing. This did not however clear the muggy weather at all, and the day looked to be a hot, sticky, sore one. I’ve got a blister the size of a £2 coin on the sole of my foot! Flipping hurts..

Dull train journey over, darklings collected. First stop the pub, natch. The Water Rats, which was indeed swimming in water last time we were there. Went to check out the venue, saw a few people sitting out in the blazing sun. Decided the pub was a better option (see the theme developing?) and stayed there. Our delectable Bex had been invited to ask Justin a question, which meant priority seating for her and her gang.. Longer in the pub as well! We trotted past the long queue and got nicely settled in. Took AGES to get everyone in.. needed the loo then, but decided I didn’t want to miss anything so didn’t go.. mistake! Spent an hour or so gossiping, saying hello to a couple of people, getting excited. Got our instructions from the warm up man Andy.. bet he says those things every week.. there was a lot of watching people run about, general boring stuff.. still.. Justin would be there soon..

We get started with JLC and Mr Carr arriving and do lots of clapping etc. then the moment we’ve all been sitting in sweat for.. Mr Hawkins! Looking very fit, lost a little weight, very sexy in his black suit and beautiful curly hair. Cute in his glasses, too. He does his weekly round up intro bit.. wtf writes this stuff? Not him, certainly. Not enough wit. Comfortably sat behind his desk, he becomes his fluent, sarky, funny self, with profanities strung together in a gracefully effortless way. Some of the banter was top quality.. always on the Hawkins side.. I think some of his wit may have been lost, but the darklings present had a good giggle. We often did laugh, but at things no one else would get.. you kind of get a double layer of insight, sometimes.

I’m not going to go through the whole thing, cos it’s on telly and will be taped by nice people. Just when we thought Jus was being sensible, though, we see him on a doughnut again.. aagahhhh!!! Watch out for his impression of Cherie Blair, and the wind up they did.. we met that guy at the tube station on the way home! Bless him, he was so nice. Quizzes, silly bits, the cash coat… all good fun.. banter with Kasabian, who were on the rosé. How amused were we to see a quiz category called ‘The Damp-ness’ ? hee oh happy memories.. Justin did fab for Charlie, winning her a holiday in America with his darts playing. Oh, there wasn’t a known thing about Jus that wasn’t exploited for our entertainment! Bex did not get to ask her question, which she mentioned firmly to him at the end. I did get him to admit to eating all the Monster Munch, and apologise. Bad boy..

Right, to sum up.. Jus was clever, witty, polished, smooth and charming. Looked bloody good, healthy and happy. He was so much more at his ease than on proper ‘chat shows’ and was thoroughly enjoying himself. He has a knack for this, but needs either just to open his mouth and let it flow, or have better written material. Yeah, I know, this show is not supposed to be comedy genius, but Justin has that, so it should be used. Give him the freedom to spout forth, and someone to spark off, and we’re there. Well done, Justin. More, as usual, please.

We milled about for a time, but really couldn’t be arsed to wait when the pubs of Camden were calling. Managed to get to a loo after about 4 hours.. Damn you Hawkins, no one said bladder control was a Darkling requirement.. and once I started, that was it, had to go every 5 minutes… Drinks, buses, bed. No sleep. Am dead on my feet typing this. All worth it though!

Many thanks to.. Chris with the red and black stripy T, Fee, Bex, Amy and Fi, Hollie and Co, Ian and Chris. Hi to Linda and Howie. Kazza.. where were you… so sorry we didn’t see you, girl.

X

Very dark doings

by Jo

Ok then.. only one more confirmed live date to go, this summer… The Skanderborg Festival, Denmark, 10th August, and then we’ll just have to wait.. We have something about the Finland appearance, and will have Liverpool up shortly.

We’ve got album stuff going on in the gaps, with Justin’s British Whale one well on the way.. ‘Snatching Defeat From the Jaws of Victory’. Apparently ‘it’s sounding fab and there will be 12 songs on it. ‘ 10 were finished the last time Justin held forth, so we expect a date anytime soon. Wooooooooooooooooo Justlings are bouncing excitedly… or they ought to be! Is there another video? Will there be promotion for it?

Jus’s Friday Night Project appearance went very well. He seemed far more relaxed than he has done previously. Review of that also in this issue.. I didn’t go into great detail on the content because people will have seen it. It’s a shame that all the set pieces were kept in, because it’s the other stuff that made our night so funny. The script wasn’t good enough for our boy!

Eagle eyes spotted Richie’s tatt during the windup bit.. hot off the press late last night.. he’s done a ‘tour diary’ (torture diary, surely) about it here with some good photos.. www.thedarknessrock.com/tattoodiary
Bless his heart. He’ll be very well decorated by the time he’s finished. I love that he consulted his girlfriend.. I wonder what she wanted him to have? Where?

There’s a lot going on. Can’t wait to see what happens next. More reports as and when.

***************************************************

Well.. Justin’s ill. Cancelled the last gig of the summer on Doctor’s orders, and now we’re told he’s checked into the Priory by the tabloids. Not what for, though.. drink, drugs, or an escape? Tabloids are printing their usual bollocks about The Darkness being a failure and being dropped by Warners. Sigh. Justin surely has enough stresses without even thinking about that possiblity. So much going on in his life.

All of Sixsister’s love and hope for a speedy, but not rushed, return.

and… hot off press. There’s no substantiation for this as yet. Nothing on Atlantic website, though POD have confirmed. I don’t like to add rumours normally, but this one is odd.. no clue as to where the info comes from.

http://www.metalunderground.com/news/details.cfm?newsid=21158&comments=1

Ilosaarirock 15.7.2006

by Heidi

Few hours of sleep after Liverpool and I was on my way to see The Darkness again. I was too excited to sleep for the first couple of hours of the train ride but eventually just fell asleep. Five hours in the train were over and we were ready to take our place in the front row. Well, not quite so soon. There was a lot to see in the festival area and we had to make the most of it. We weren’t supposed to go to the front row til few hours before the show, but there was a perfect spot for us there and we just couldn’t let it go. So we ended up standing there seven hours before The Darkness came on stage. So there we stood, listening to other bands and artists, which were poo, I might add. Tuomari Nurmio was so god damn boring, and Mokoma… A Finnish heavy metal band. Absolutely horrible. I will never ever again be standing in the front row when a band like that is playing. It was pure torture. Not just the music, but the people around us too. Yeah… Enough of that. There was an hour wait after every band and it felt longer and longer after each band. Last artist before The Darkness was Maija Vilkkumaa. She was ok. I actually knew some of her songs and she did quite a good job on warming me up (I was freezing my arse off). Before Maija came on, we met Ella who’s a huge Darkness fan too. We first met when The Darkness were here in March and it was great to meet her again. We thought we saw Richie listening to Maija too, but we weren’t sure. All the same, we were getting excited. Maybe a bit too much lol

The last hour felt soooooo long. Ella was checking her watch every five minutes and always shouted to the crew: “50 minutes left”, “30 minutes left”, “25 minutes left”. When she finally shouted five minutes, I was literally jumping up and down. And then…

Arrival starts!

God how I love that song. It almost made me cry. This was what I had been waiting for for so long.

It was over soon and the guys came on stage. Dear Lord I screamed my head off. They started with One Way Ticket. This was a bit disappointing because Knockers was such a great song to start with. But it didn’t really matter, I was going to have the time of my life! Let me just say, Justin is one great frontman. He made me cry with laughter. At some point his trousers almost fell off, and Dan was laughing so hard at him. And I got a nice shot of his arse haha.

Richie was amazing. That man can really sing! He and Justin seemed to be having a lot of fun, specially during Girlfriend. Dancing around and just being complete twats they sure did make me and my friends laugh.

Ed and Dan were great! Not much more I can say about them. Just brilliant!

Way too soon the gig was over. Everytime I see this band live, I just love them more and more. This was my fifth time seeing them and I just want to see them again and again and again. Thank God I’m seeing them in Denmark too. I hope they rock Denmark as much as they rocked Finland.

Big thanks to The Darkness for giving me some of the best nights of my life. You guys RAAAAWK!!

August 06

Where did last month go? Gone in a flash of glitter and mayhem..

 

So.. we have some things for you… and we will have more. The GigInThePark isn’t till this weekend! Lets hope the weather lasts, it’s a bit dodgy today.

 

Enjoy what we have, and hold on for the rest. xx

Posted in OI

Dirty Pretty Things’ New Single

by Davey

‘Deadwood’ (single)

I’m not a fan of these trendy type groups, all style and no spunk, but ‘Deadwood’ is a surprisingly vigorous offering from Carl Barat and co, bouncy and Razorlight-y.

The general dullness of this sort of music has been buffed up and even rocked up – or maybe it’s my weakness for tambourine talking.

Nevertheless, the robust nature of the single is a sure-fire hitmaker, destined to make skinny-jeaned posers spazz out in the moshpits. The rest of us can stand by and nod along, content that we’re not twats, but we can still like this song.

 

Graham Coxon’s New Single

by Davey

‘I Can’t Look At Your Skin’ (single)

A tad more energetic than Coxon’s previous efforts, ‘I Can’t Look At Your Skin’ is a Jam-esque Cockney jig, and a middle finger at his Britpop beginnings, with a hint of aggressive punk and – heaven forefend – a guitar solo.

The simple sing-along style of this single, (a template adopted by the most recent batch of trendy bands such as Arctic Monkeys and The Kooks), is certainly a trick for successfully nuzzling into the charts; the difference being that Coxon deserves to be there. This song is too wonderfully English to ignore, with that much-loved colloquial phrase “it’s doing me in” chucked in a few times, in Coxon’s best common sneer.

The single truly belongs in the nineties, battling against Blur. If Albarn didn’t have Gorillaz, he might well be fucked.

 

Alexisonfire – Crisis – Album

by Emma

Released through Hassle Records on August 21st, Crisis has a hell of a lot to live up to. Alexisonfire, known to anyone who knows me well as my absolute favourite band, have kicked out two previous albums each one magnificent in content and very different in style. Can the Canadian five maintain the standard for their third album Crisis? Oh hell yeah. This album is again completely different from either of the previous two, and is top quality. This is as good as music gets – this band. Alexisonfire have raised their game by not only contrasting the screamo vocals of George Petit with the smooth and delicate tones of Dallas Green’s, but they have pulled out a third set of sandpaper vocals from bassist Wade McNeil which contain a gritty rawness and complement the others brilliantly.

The album opens with a blast as Drunks, Lovers, Sinners and Saints rips through your being with a ferocity and complexity that leaves you in awe. What an opener! The song breaks with screamed verses from Petit, chorus double teamed by Dallas and Wade. As always the lyrics are pointed and mature and the technical quality of the composition is of the highest standard. The drum tails off and leads into the second song and first single from the album, the powerful This Could Be Anywhere In The World. This tune contains a catchy riff during the verse which goes perfectly with Green’s gorgeous voice, irregular drums which Jesse tears through the track with and are easily recognised. This is going to be a massive hit, a piece of musical genius right there. Mailbox Arson is one of those tracks that starts off sounding familiar to older Alexisonfire music but then quickly changes identity to form something completely new. Awesome lyrics, timed brilliant by George and supported by Dallas’ heartwarming tones and all wrapped in deliciously heavy and relentless guitar and drums from Jesse.

Boiled Frogs opens with a cool riff and a blast of shoutiness, then develops into a clicking track fronted by unusually fierce Dallas vocals at times and later shows off Wade’s gravel-like voice which he has kept well hidden over these past few years! The song tails into a slower beat and softer vocals to fade out. Next up is We Are The Sound, a torrent of fast beats, fast fretwork and lyrics to die for, effortlessly sang to perfection in triumph. This anthemic song is followed by You Burn First, a brand new style of track from Alexisonfire with a slow but very firm pace and appropriately smoky vocals spitting out the tormenting lyrics. All this served up on a bed of continuous, thick and heavy guitar. We Are The End is the next track and is a firm favourite with me. Led in by gentle vocals over a drums only backing, the track grows into a heavier and fast paced song which sees George shouting throughout and Dallas delivering his lyrics with feeling and style.

Title track Crisis is eighth up on the album and is an exciting track with an awesome build up and massive screaming climax of “yeah this town is going under” and the song sees screaming from the Dallas and Wade too. Excellent and effective is the sudden stop featured early in the song, and the threat of Steele’s bass to kick in during the build up parts. This leads us onto the excellent Keep It On Wax, another song which not only shows off Wade’s vocal prowess but is also another song that is totally new to their usual styles. And it works soooooooo well. To A Friend is another of my favourites, a beautiful song with the perfect balance of tenderness and aggression. The lyrics have a great depth as they do throughout the album and this pierces the soul. Closing the album is Rough Hands, another direction and another style of song. Accompanied by piano this track is musically brilliant and really well written.

No wonder these boys continue to gain new fans with every breath, they have the important and ingenious knack of being able to adapt and adopt new styles evolving their own sound and ensuring that they never sound samey enough to become boring. They still have the unmistakable sound of Alexisonfire though and with the new triple attack on vocals the guys are taking it to the next level. Crisis is like a book of stories, each one very different and would be just as good if on it’s own rather than part of a collection. And the best part of all…the imminent success and acclaim of Crisis will not alter their down to earth attitudes and their modesty one bit. These are nice guys and for them this is ALL about the music. It shows. This album is important and is essential.

Posted in OI

Milburn – Album

by Emma

Milburn have recently released single Cheshire Cat Smile, a quirky pop-rock tune which fits nicely into the niche populated by the likes of Arctic Monkeys. Their debut album is due for release on 25th September and I was sent a sampler of six tracks. Tracks What You Could’ve Won and Storm In A Teacup are fun and upbeat, beats steady and vocals unmistakably northern and pertty smooth. The lyrics take the centre stage and with nice little catchy backing tracks they could be really successful. This band have just the right kind of sound for the moment.

One track to look out for is Send in the Boys, a more daring and exciting track which displays a good variance of pace and switches the beat enough to really catch and hold the attention of the listener. Milburn are an easy listening band, with a good technical quality and sense of tongue in cheek energy which will carry them far.

The Needles – Summer Girls – Single

by Emma

Summer Girls is released on 14th August 2006 through Dangerous Records. This is a fairly mild mannered track with a deliberate old rock style that will sit well with a lot of of todays listeners. Vocalist Dave Dixon has a very soothing and mature voice that works well alongside the thick guitar and tame percussion. Second track How Come It Doesn’t Rain is substantially easier to swollow and is a sweeter and more gentle song that could almost be a cover of music by the likes of The Beatles. The last track on the single Starting To Worry continues the skittle-esque flow that suits The Needles but may take a bit of persuasion in the current market.

Good Shoes – All In My Head – Single

by Emma

Good Shoes are truly delightful. The single All In My Head is a wonderful and wildly extravagent tune which rides out like a fairground rollercoaster complete with bends, twists and sharp halts and most promonent of all the punk vocals of Rhys Jones which I am sure will become notorious in time. I’m not certain whether we have a child vocalist or a very clever young man, and this is a very intentional sound as by the time you reach track three Wrong & Right its clear that he is the latter. The music and the form and timing of the tracks is quite intricate but the overlay of words sang in such a childlike and casual manner throws a whole new spin on it. Don’t be misled though – the writing is tight and very well organised with lyrics sharp and funny.

I really like this band a lot, their style is fresh and young and spirited and I look forward to seeing how this comes across in their live performance.

STORM 2006

by Sherilee (sixsister 3)

July was the month I went to my first live music festival in nearly two years and even though I was only able to stay for 2 hours, a wonderful time was had by myself and Riley. As we made our way to the park that was the hosting venue, the music was loud enough to hear from about half a mile away and in fact was helping me find my way there! As I got closer I could hear some kind of “pop” music and resigned myself to the fact that I would just have to make the most of it. Suddenly everything went quiet, and then the unexpected happened – LIVE ROCK MUSIC! Yes, in THETFORD!!!!! I finally arrived at the park and found my friend Louise (not the Sixsister Lou, another), her husband Adam, baby Eddie and Adams friend from work. We plonked ourselves on the grass to the side of the stage and in close contact with the Dunkin Donuts stall and the burger stand and I really did feel like I was at a “proper” festival – less the stinky toilets! There were quite a lot of fellow music lovers in the vicinity too ranging from Goths, colourful Emo types and hardcore rockers covered in tats – just my kinda place and I was a bit miffed that I had missed most of the day and would also have to leave early to put Riley to bed for 7pm. I was not even going to attend at all earlier in the day as I had expected a crap fair and lots of pop music, I only went due to the fact I didnt want to be stuck in all afternoon! Around 5.45 pm another band was about to come on so me and The Boy made our way to the front of the stage to watch, especially as he was fascinated by the giant yellow blow up thingy on the top of the stage! As the band (Raised) came on my first thoughts were that they werte quite “fresh faced” and that I would be subjected to some kind of Busted/McFly imitation (not that theres anything wrong with Busted or McFly of course) but when they started I was very pleasantly surprised, their sound actually reminded me slightly of the Glitterati, which is ALWAYS a good thing! Riley absolutely loved it and moshed away (well as best he could for a one year old in my arms that is!). A jolly good time was had by all – not bad for an event that was, I found out a few days later, actually organised by a church!!!

Razorlight – In The Morning – Single

by Emma

Razorlight have made an excellent choice in new single from their current album. In The Morning is an upbeat, jingly and amusing song which speaks for the majority of the nation in that it’s about getting blind drunk and forgetting about whatever it is you did the night before! I can definitely say that I for one can identify! And so with a skip and a smile In The Morning will rock you into a cheery mood and probably a bit of a dance. The tune is quite regimental and will have you marching along in no time! The other tracks on the single are not quite so upbeat though…Doctor, Doctor is a bit of a ballad – tender vocals accompanied by piano only. What’s It All About? is a short and sweet track, again very gentle and harless. Razorlight can pull this style off, but they are much much better at kicking out fun and lively tunes … good job they picked one for the A-side then!

Adem ‘Launch Yourself’ single

by Davey

Straining away from the man with the mould once again, Adem returns with his second solo single, ‘Launch Yourself’.

The song is chock full of oddities, busy with percussion, half of the emphasis on clicking, ticking and knocking, the other on simple, quite monotonous layered vocals. It’s the first time Adem has written a rhythm orientated song, rather than a melodious one, and is a risk he takes bravely.

The song is like a broken up Muse record, all love and space, but so simplistic about it, rather than epic and sweeping. It’s certainly a highlight from the ‘Love And Other Planets’ album, which is worth the money if you can find it.

Saves The Day – Sound The Alarm Album Review

by Emma

It’s an accomplishment that Sound The Alarm was completed at all considering the amount of chaos and upheaval the band have managed to work through with the departure of original bassist and problems with their record label. The result? Saves The Day give us another major album and fans will not be disappointed. The album spits in angry bursts and is quite aggressive at times (the first few tracks led by Head For The Hills are fast and pointedly furious in this way).

Sound The Alarm does soon take a turn for the sweeter though, and Eulogy and Dying Day riff their way into a much happier mood although the lyrics still show a sadness and vulnerability. The tracks on this album are all solid and the composition is difficult to fault. Percussion is particularly good and I am impressed with the great thrashes and beats pounded out on the drums during the majority of the tracks.

Saves The Day once again prove their worth and I am sure that Sound The Alarm will contribute to another great year for this band after all it took to get there.

Moneen – The Red Tree Album Review

by Emma

Moneen – The Red Tree

Recent release The Red Tree is an outstanding album from the fantastic Moneen, following up the Switcheroo split EP they released last year with Alexisonfire. Moneen have made a massive musical leap and The Red Tree really is something to behold.

The album kicks off with the magnificent sounding and just as cleverly titled Don’t Ever Tell Locke What He Can’t Do, a statuesque song that truly dazzles. This just begins to show us what Moneen are capable of and the rest of the album only builds on this and gets better and better. I find it almost impossible to decide on the best tracks as they are pretty much all anthemic, watertight monsters of songs. The music is grand and Kenny’s vocals are bursting with feeling and are pretty much flawless. I can just manage it though and I think that Bleed and Blister does stand out as an awesome, epic track with enough twists and turns to keep it active and exciting. The album closes on the beautiful The Song I Swore To Never Sing.

The Red Tree is perfectly orchestrated and carefully written, Moneen have put so much into this and as a result anyone listening to the album will get so, so much out of it as I have. This is without a doubt one of the best releases of this year.

The Longcut – Norwich Arts Centre

by Jo

22.7.06

My god, the hottest night in history, and we’re indoors. The massive stone walls of this former church are not providing a chill, they’re holding the heat in and multiplying it! It’s not too bad for starters, so we get in place for the first support. The Shadow Project, local lads.. I dunno what we were expecting, but certainly not instrumentals for the first two songs! Made us sit up and take note.. they’re certainly tuneful, unlike many bands with a technical bent, and they don’t sit about messing with knobs and switches, either. Energetic and eccentric, ambient in a rock way. Their ‘Voices’ EP is available online, and is selling out. They’re very good, and should go a long way. Hope so.

www.myspace.com/theshadowproject

Mumm-Ra were on next.. managed by the same peeps as the Kaiser Chiefs, apparently. They were coming out of soundcheck when we arrived, and were promptly accosted by an enthusiastic fan. The five from Bexhill-on-Sea met at school, and have been a band ever since they knew what one was. It all sounded pretty good, but I’m really sorry lads. The heat was just too much, and we had to have a breather.. missed some of the set. They were very popular, and no doubt will be back.

www.mumm-ra.com

By now I was drinking water. Can’t stand the stuff, but needs must.

Right, here we go. The Longcut. These boys are emphatically not from Manchester, they met there. They’re not in the ‘Manc sound’ pigeonhole, and don’t want to be labelled as anything, one feels. Everyone in the place is too hot to move, but suffer gladly, especially the band, who bravely entertain. This is deeper, rockier and has a dirtier sound than the other two bands, although the ambient tones complement those of The Shadow Project. if you like Loop, it’s like a harder version of that, and faster. I wondered how Stuart was going to manage drums and singing, but it goes surprisingly well, switching from one to the other with practised ease. Keyboards thrown in as well! It’s pretty loud, good fun, the band are tight, and if it weren’t so hot there’d be an impressive moshpit. You really should see this lot live before they outgrow these venues. They’re getting a shedload of attention.

Hot off the press:

“We have an online EP available on 21st August. The EP includes four tracks, Idiot Check, Vitamin C, Lonesome No More! and The Kiss Off, which were recorded at Airtight studios. Available for the bargain price of £1.50 from iTunes/ Napster or free if you’re on the mailing list.
Our next single is out in Oct, ‘A Tried and Tested Method’. More details about the release dates and b-side details will be sent soon.”

Off you go and have a listen then.

Setlist:

Vitamin C
Late Night Bus
Gravity and Crisis
Transition
Evil Dance
Lonesome No More
Tried and Tested
Quiet Life
Spires

www.thelongcut.com
www.myspace.com/thelongcut

The pleasures of touring with German glamrockers

by Louise

Last month I went on a mini-tour of the UK with German glamrockers; THE PLEASURES. It was their first time gigging in the UK and it was cool to see how people reacted to their wild shows… The UK isn’t used to that much glitter!

I intended to keep a Tour Diary whilst we were actually on the tour, but I’m afraid debauchery prevailed… Thus, the following article was written once I’d (mostly) recovered from the excitement and sleep deprivation.

What an insane four days!

The tour kicked off on Thursday July 13th at Nottingham’s Junktion 7. Quite frankly, after so many logistical amendments to the action plan, it’s a wonder we even found one another and made it to the venue! But we did, and did The Pleasures ever leave their mark on that place?! And I don’t just mean sticking & scattering flyers all over the place, which, of course, we also did.

All of the bands were present and correct at the venue for around 6pm. The headlining band, King Lizard, had been drinking aaaaall day with their manager, who soon slipped into booze-induced slumber during sound-check and was subsequently made an example of for several photos.

Sound-checks went smoothly for King Lizard and Sweet Seduction, but The Pleasures had a few technical issues, involving various band members getting streams of electric-shocks from their equipment and one another. But after some technical wizardry, about which I know nothing so that’s all the explanation you’ll get, the problem seemed to be under control… Though I will later find out that, during the show, Lord (guitar & vocals) received several shocks after hurtling himself to the floor in the throes of musical passion and subsequently found himself draped in an electrically-charged Dancette (vocals)!

The backstage room was a tiny, hot, humid kitchen of sorts, cluttered with the bands’ affects. Various musicians milled in and out, but The Pleasures kept it occupied until their stage time and made very good use of the single wall-mounted mirror. I watched with intrigue as the band got ready for the show, changing from jeans and t-shirts to lycra and sparkles. Dazzling colours, make-up, glitter and fake blood everywhere!

Sweet Seduction was first on the bill at 8:45, warming up the crowd very nicely with that feisty rock n roll. Then finally, after months of planning and organising (and waiting), The Pleasures were set to play their first ever UK gig. Excitement, anticipation and adrenaline coursed speedily through my veins as I watched the guys drape feather boas over their mic stands. And finally, FINALLY ‘Lollipop’ exploded into the room, bounced off the walls, reverberated in my gut… Fantastic!

The show got off to a rather dramatic start when, surely no more than 30 seconds into the set, Dancette got a little over-enthusiastic with the swinging of his mic stand and subsequently sent a large ceiling tile crashing to the floor in several pieces. In a split second, a bolt of panic sliced through me as I suddenly feared everything would go hideously wrong. But I was foolish to worry. The show went on without hesitation and a song and a half later, Junktion 7 had fallen in love with The Pleasures, rocking out to every tune, applauding and cheering riotously.

The rest of the 30 minute set passed without incident, but with bundles of the energy and enthusiasm I had expected from The Pleasures. Band and audience bounced off one another, kindling an undeniable buzz, which made that night a fantastic and very memorable first-UK-gig.

King Lizard followed. They’ve got style and charisma, they play trashy, sleazy fast-paced rock n roll and they have a band name that inspires intrigue. The grand finale to a great night.

A lot of loitering, mingling, photo-taking and general merriment later, we headed to our lodgings (Tour Promoter James’ house, conveniently situated in Nottingham), sorted out who would sleep where, faffed about some more and eventually collapsed into bed at around 2:30am.

Friday, July 14th

Day of the London gig. Early start. For everyone else, about 8am. For me, 5:40am. Curse my bizarre sleep(less) patterns.

Eight of us piled into the tour bus (rented minibus) at around 11am and began the journey south. Didn’t get off to the greatest start when we found ourselves heading North. But it’s ok, our driver had an excuse; “I’m German!”
Soon travelling in the right direction, a somewhat raucous and very entertaining journey ensued. Various bad-taste jokes were made about a neighbour of our host’s, who had given us an earful that morning about the level of noise she had endured upon our arrival at around 1:30am. Hell, it wasn’t me! I’d made a speedy retreat indoors to relieve my bladder. It must have been the Germans. Amongst the jokes, the rock trivia, the sing-a-longs and the unnecessary violation Mr. Pleasure (three inch tall teddy bear sporting a ‘The Pleasures’ t-shirt), we witnessed a truck transporting a skip with the legend “METAL ONLY” etched into the back of it. This entertained us all massively. Though the driver of the truck didn’t seem to appreciate our displays of rock fingers, thumbs-up and general enthusiasm as we sailed passed him. He obviously didn’t appreciate quite what he had.

A brief(ish) stop at some services, for food, saw Dancette discover the apparent phenomenon that is the massage chair. Hold that thought – we will later have much more fun with said chairs.

And so, we arrived in London, after only another one or two minor navigational glitches, at 3pm. Shortly thereafter, I was tasked with guiding Lord & Dancette across London to Totalrock radio station where they were to be interviewed at 4pm. Getting to the place was the easy part, finding the right studio in that maze of a building was another story… But eventually, with help, we triumphed. We walked into the cool calmness of the studio and were greeted by the charming DJ Twang, who played a couple of The Pleasures’ tracks (Yes It’s Us & Parade Parade) before interviewing the guys live on air, with a couple more album tracks (Honeymoon In Venice & Well Cum) thrown in at intervals.

A little over half an hour later, we were on our way back to the venue, hurrying across London in sweltering heat.

I had time to snap a few shots of the band in the beer garden before they had to sound-check. Impressively, the sound engineer was Austrian, thus spoke the guys’ lingo, so I had no idea what was going on, but nothing blew up, so I guess it went ok!

With a few hours to spare before the show, there was plenty of time to ‘chill’ for a while… Then the band were interviewed by the very lovely Nix from Pure Rawk fanzine before it was time to glam-up. No backstage room at the venue, so the guys undertook their transmogrifications in the pub. As all the other bands on the bill that night were indie types, our glam boys caused quite a stir. On stage at 9pm. The crowd weren’t quite so enthusiastic as the Nottingham lot, but The Pleasures definitely made an impression, had a good time, sold some CDs and at the end of the night had seemingly converted a handful of indies to glammies. Not bad for a night’s work. Their performance was even described as “mesmerising”. Quite!

So, Nottingham bound we were. Though not without a stop at Castle Donnington services, where Dancette re-discovered massage chairs. I got the impression this was an entertaining encounter, but as I was too busy trying to sleep in the bus, I can only speculate as to what went on in those services…

Back at James’ house it soon became apparent that the shower was leaking fairly spectacularly, which meant it was now out of order. No showers for us sweaty lot then. Nice.

After a bit of relaxation followed by hysterical giddiness, everybody eventually retired to bed. I turned the lamp out, expecting darkness to descend, but all I got was a daylight-drenched room… it was 5am.

Saturday, July 15th

So much for being at the tattoo place for midday. I woke up at 12:15, and I was the first to wake up. No matter, we did eventually make it to the tattoo place, where a few of our rabble got new tattoos, including Lord Viv, who had a pink star tattooed on his arm, to mark the tour.

For some of us, the rest of the afternoon was largely spent sitting in James’ garden talking crap, singing silly songs and painting fingernails, whilst the others went to buy coach tickets for the bands’ journey back to Stansted Airport the next day. Oh the glamorous life of a glam-rock band.

Eventually at the venue in Leicester, I sat comfortably and watch the guys lug equipment around and sound-check. Third time witnessing it and I hadn’t tired of hearing Lord scream his guts out for several seconds, into the mic, then, cool and calm as a boy could ever be, says; “That’s the loudest I get”. Mic check done. I love it.

The line up for the Leicester gig was:

Firebrand
New Generation Superstars
The Pleasures

I was looking forward to seeing New Generation Superstars, as I’d heard only good things about them. I see why. They rocked. I particularly enjoyed their rather impromptu performance of The Ramones’ Blitzkrieg Bop, which apparently they’d previously vowed never to play again. I’m glad they broke the vow.

When the Pleasures took to the stage, there was a stir similar to that of the London gig. You can see people giving their friends a ‘wow, look at these guys’ kind of glance as they wonder what to expect from the performance.

The set-list varied each night, but it’s certainly safe to say that The Pleasures’ gloriously deep and heavy cover of T-Rex’s ‘Children of the Revolution’ went down a storm each night. And well it might, it’s fantastic.

As ever, the band gave their all and had a ball. For me, their was an air of finality to the night, as it was their last gig and the band would be going home tomorrow, but in a strange way that made it extra special, and we were all in very high spirits.

After the gig, some time was spent in the bar downstairs, basking in the brilliance of Appetite For Destruction as it blared like pure bliss through the speakers. Eventually though, we were Nottingham bound again on a mightily fun bus journey which was host to many a sing-a-long, courtesy of the Rocky Horror soundtrack and Bohemian Rhapsody. Here featured a truly classic Wayne’s World moment, when suddenly a small sea of heads before me were banging. A moment I shall likely never forget, for its comic and rock n roll value.

A detour took us to Castle Donnington services, for the guys to use the shower facilities. Needless to say, the massage chairs were re-re-discovered. And abused this time, when James, in his intoxicated wisdom, decided it would be a good idea to lie face-down on the vibrating chair. It soon became apparent to everyone within a five mile radius that this was a very pleasurable experience for James. It proved a very amusing experience for all onlookers.

Several rounds with the chairs later, we finally left at 2:40am. Once back at James’, the party kept on rolling – with an interview for OI thrown in for good measure – until the band had to leave at 5:30am to begin their journey back to Germany. No-one wanted it to end but, of course, it had to. All good things…

And so, it remains for me to summarise; it was an awesome, riotous, rockin’ few days that left us all thirsty for more.

Massive thanks to James, for being a general star, and to The Pleasures for being an inspiration and the cause of/reason for such a brilliant experience. I love you all.

Check out The Pleasures here:

www.thepleasures.de
www.myspace.com/thepleasures

Posted in OI

A perfect venom

by Louise

Her name is simply; Steph.

She’s a London based singer/songwriter, managed and produced by the legendary Stuart Epps, who’s worked with Led Zep, Elton John, Oasis, Robbie Williams and George Harrison to name but a few.

When you hear Steph’s music you can see why he snapped her up. She’s extremely talented. Her music is full of soul. Her lyrics beautiful, her voice gorgeous, smooth… Floating effortlessly through beguiling melodies.

Venom is a particularly beautiful track, to which I’m currently addicted. It starts out with lazily seductive vocals and gentle string-strumming that promises so much… and delivers. Striking elegance with a spiky edge and a voice like caramel make this a gorgeously emotive track.

You can listen to Venom and three other tracks on Steph’s Myspace page: http://www.myspace.com/stephandshwepp

Posted in OI