Gratitude – Album Review

by Emma

Album Review: Gratitude: Gratitude

Gratitude was released on 20th June and is the debut album from US rockers Gratitude, label mates with the fabulous Funeral For Friend. Gratitude are supporting Funeral’ in their current UK tour and so they have a lot to live up to.

The feel of the album is fairly gentle with beautiful aching and screaming vocals brilliantly delivered by Jonah Matranga. Mark Weinberg, Jeremy Tappero and Bob Lindsey provide a combination of soft and blasting guitar whilst several guest drummers are featured on Gratitude.

The Greatest Wonder and Someone To Love are softer ballads, while Drive Away, Last and Feel Alright are gorgeously powerful roaring tracks with the same beautiful tone of vocals. Drive Away would have to be my personal favorite with it’s fantastic opening vocals and upbeat nature.

Gratitude are slightly leaning toward post hardcore, with a bit of a pop feel in a Jimmy Eat World kind of way. It’s easy listening and ideal for chilling out. With an apparently strong live performance and amiable songs these guys can go far.

The Mascara Story

by Emma

The Mascara Story Interview – York Fibbers – 15 August 2005

Cheeky Irish boys…very attractive cheeky Irish boys…is what I was faced with when I went to interview The Mascara Story. After Daveit, Jay and Sean finished sound check and had their dinner we eventually managed to find somewhere relatively quiet to talk…after attempting to squeeze five of us into a dressing room the size of a matchbox!

E. Have the last few months have been a whirlwind since entering the Kerrang/Snickers Unsigned competition? What kind of reaction have you received so far, especially considering that you have only been playing together for 16 months?
S. Yeah it’s been really crazy, the last four months actually since the Snickers competition have been crazy, we’ve been doing a lot of everything.
J. It has taken us from the local scene to the sort of A list scene overnight, and it has really been odd, but it’s not to say that we didn’t work for it or that we just got it handed to us on a plate.
D. We’ve worked really hard for it. We’ve been working harder in the past couple of months than we have done for a while.
E. So did you all play individually before you got together as a band?
J. Well the story is that Daveit and Sean had a band called Crash before and we would all be in various bands, I was in this sort of metal band…
D. Shit band!
J. ..and I was just a laughing stock doing covers and then we were just so sick of it and then me and Dave were chatting on the internet we were like lets get together, lets do something
D. yeah bandwise… lets get together bandwise, nothing else!
J. and we took one jam and then he rang up Keddy and he was like ‘we got this two piece sort of thing going and we want a bass player’ so later we ended up being really good friends…and we just hooked up then.

E. This year has proved to be an excellent one so far for bands just emerging and people are really starting to embrace newcomers such as Bullet For My Valentine and Trivium. Do you feel that it was very good timing for you to make yourselves known on the scene this year while people are so receptive?
D. Yeah it was a great time that we actually emerged because as you say like Bullet For My Valentine and Trivium have just gone up really really fast so yeah I think it was great timing actually, couldn’t have been better.
J. The ideal time to come out is summertime, ‘cos you come out at Christmas and you bring out a single then you’re gonna have like Elton John bringing out a Christmas single and maybe a Michael Jackson greatest hits album and so it was good but there are a lot of bands pulling up this year, and it’s good to have competition.

E. Have you seen any change in your home lives yet – have you suddenly started receiving phone calls from old school friends and acquaintances?
D. That’s actually a really good question!
S. Not really, I don’t know it’s more of a thing where everyone you meet now back home, all they wanna talk about is the band, you know, so it seems like everybody is just band, band, band…
D. there’s no relationship talking.
S. So we’ve lost a lot in personal relationships, but people are just curious though.
J. There’s a lot of people you would never ever speak to, they wouldn’t really give you the time of day and then as soon as all this happened they would stop you in the street and they’re now your new found fucking friend! Then some of my old teachers were like ‘if you keep practising in the back of class on them drumsticks you’re never gonna get anywhere’ … and then every time I meet one of them and tell them about it their face just crinkles right up like! So yeah, you do get everyone wanting a wee piece, and they always ask ‘where’s Sean, where’s Dave?’ as if we’re joined at the hip the whole time. But no, it’s good…you get that a lot.

E. This is the seventh night of your tour – how is it going so far? Any funny stories you would like to share with us?
D. Excellent! Sean’s gonna tell a story about vases.
S. No, that’s like the next question
S. Yeah it’s been going excellent, were all enjoying ourselves. We’re actually touring at the moment with Brigade and we’re quite like family at the moment because we get on so well with them and it’s amazing, it really is excellent so I just hope that the rest of it is the same.
J. We like going to a new place every night, when you’re in the back of a van you wake up and you’re like ‘where are we?’, ‘don’t know’ but as long as there’s a subway in each town I’m happy!
E. Yeah Cheese Steak Melt!
D. That’s what he had
J. That’s what I had today man!
D. This is bonding!
J. As far as any funny stories… there’s just the story where…
S. There’s none!
J. There was Liverpool, when we played Liverpool there was this insane crowd, and you know the way they want drumsticks and plecs and set lists…well they came up on the stage after and took everything that was on the stage and they took about maybe seven pairs of my bloody drumsticks, so I was walking around today trying to buy new sticks and everything.
E. Yeah we saw you two (Jay and Daveit) wondering around the street when we got here
D. We were trying on new handbags, that’s what we were doing! No seriously. So the vase story Sean…oh wait will that tarnish your career?!
S. Oh yeah if we tell the vase story we’ll get arrested…I’ll get fucking arrested!

E. How did you enjoy playing Download (twice!)? Did you get the opportunity to watch & hang out with any of the other bands?
J. What do you expect us to say, it was amazing…it really was.
D. One of the best experiences we’ve ever had ever. We’ll never forget it. We met every band that we actually liked on the bill, we met every last one of them…really good guys.
J. I got to meet Reuben, the whole band and just hang out with them and ask them all the questions I ever wanted to ask.
D. My Chemical Romance
J. Yeah, everybody…The Bled, The Used.

E. Would you rather play at a huge festival, or play a day like Give It A Name or A Taste Of Chaos?
D. I’m definitely a big festival kinda guy
S. I think I would probably more like Taste Of Chaos and stuff because I don’t really like outdoor gigs, I think they lose a lot of sound. I like a good compact venue
D. Like the barfly’s
J. I love the big big big gigs like the Snickers stage…I just loved every minute of it. We go on stage and we have this little tiny amp but I had this big drum raiser and it was so powerful and I was ready to do it
D. You were in heaven
J. I loved it

E. You have been recording with Pedro to record This Is Not A Bruise single – do you have any plans to work with him in the future to record your first EP or album?
J. Well like, you know like, as far as recording the new single…we loved our EP version a lot more, but we were recording with this producer back home and we love him to bits he’s called Neal Calderwood and he gets a fantastic sound and for the money you pay and for the length of time you’re in there it’s just unbelievable, so you know, I’m sure Pedro is very good for the rock sound like The Darkness and maybe he would have done good for Magnus Blaze – if Magnus Blaze had of won.
D. Yeah … great
J. But we haven’t really stayed in touch…
D. And we don’t have any plans to work with him in the future, we love Neil Calderwood.

E. I have been reading the stuff on your website – Jay it seems you’re into Mathcore, whilst the other two are into less hardcore music. Do you think that your differing musical tastes is an advantage for you as a group, or have there been any differences of opinion whilst writing, over which direction the band is taking?
S. I think me and Daveit, we like anything at all
D. …with melodies and harmonies and stuff
S. My favourite bands are girl-singing bands
J. not to say that I don’t listen to everything, my dad used to like sit me down when I was a wee baby before I could speak and make me listen to Madonna and mum used to sit me in the kitchen and listen to country music with her on a Sunday when I was younger. I like the hard edge stuff like The Dillinger Escape Plan.
J. If we all listened to Motley Crue then we would sound like Motley Crue, but because we listen to Sixth and Silverchair, it does definitely help when everyone has their own differences and influences.
D. We’re all starting to settle now on sound that we want and on a song that we like and the way we want our choruses and the way we like our instruments…we’re starting to really set it all out.
S. Yeah we’re comfortable with our sound

E. If you had to describe The Mascara Story in five words what would they be?
J. Really…
D. Summer Sounding Sunshine Power Pop!

E. What role would you say each of you has on a personal level within the group?
S. Two of us are drunks!
D. Yeah two of us are drunks and the other one of us has to call us a cab at the end of the night!
J. We have things we all do when we’re on tour and we’re all gigging…Daveit takes care of all the internet stuff cos he knows his shit about computers, Keddy does all of the arty stuff and I look after all of the odd bits.
D. I am sounding more and more ridiculous, not only do I like Natalie Imbruglia, I like Computers…next you’ll tell her about my knitting obsession and stuff…

E. If you could collaborate with any band…?
D. Silverchair.
J. I think it’s a more personal, individual thing…Dave and Silverchair…but if we had to decide on one band together…
S. The Used
J. Or Brigade, just for hell of it ‘cos they’re nice people and they write good music

E. Are you planning to get involved with the Kerrang/Samaritans Rock For Life Campaign?
D. (flashing Rock For Life Band and one dirty arm) Yeah we’ve got them!

E. Daveit I noticed that the first gig you ever went to was Bon Jovi!! What was the BEST gig you have seen?
D. It was a learning curve…
J. Actually the best performance I have seen live was at the Virgin Day Of Rock so far, and it has to be Bullet For My Valentine, they just blew me away and I haven’t seen a better performance than that yet.
S. Funny enough I think Bullet too
D. I can’t decide….

E. Are you middle of the pit guys or standing at the edge guys?
D. I’ll be standing on the edge, leaning on the bar with my pint hoping that no-one will bother me
S. I guess we’re a bit of both ‘cos when we’re drunk we’re in there going stupid and dancing like, so… showing ourselves up!
D. So that question actually depends upon alcohol levels!

E. Have you got any guilty pleasures…eg is any of you a closet Backstreet Boys fan?
D. Oh Damnit!
J. I don’t know, it’s not like I think Avril Lavigne’s music is really good, I just think she’s really hot. She’s got some good music but I like to turn it on mute, and then watch the…
D. With your pants round your ankles!

E. What is the best thing EVER?
J. Drums
D. Writing Songs
S. Sex
J. Yeah!

E. So a couple of questions for all the girls – you’re all around 19/20 is that right? What are your Starsigns? Do you all have girlfriends? Who are your ideal ladies?
S. We’re all 19…what age did you think we were?!
J. I’m Taurus
S. Virgo
D. Daveit is a Libra…Libra
J. I haven’t had a girlfriend since the last three days… I think I’m the only single one here…
J. I like really petite girls who have a nice wee sorta dress sense, who dress really cool
D. Come on Jay you go for boobs and that’s it!
J. No I see petite and cool wee chicks and I like ‘em
D…and they got nice boobs!
J. Yeah okay and they got nice boobs…anyway I’m more of an ass kinda guy!
S. I just like rock chicks

E. Anything else that you would like people to know about you?
J. I’m a complete fucking drum nerd
D. I have an eleven inch penis, all round
E. Girth too?!
D. It’s just an apple! A granny smith, that’s what it is!
J. (about Sean) he really likes Teenage Mutant Ninja Turtles, he likes comics and cartoons and really cool kid stuff that people should still like when they get older.
S. I still wear nappies

E. What are your plans after this tour?
D. Yeah well after this we’re probably gonna take a little tiny wee break and then we’re just gonna get back on the road again, and back into writing seriously and we wanted to play in Manchester.
S. Yeah we wanna get gigs in Leeds/Manchester next.
J. We might be recording another two track
S. And we might be doing another Irish tour at the end of September but we’re not totally sure, we haven’t agreed on it yet so it’s just really up in the air.

On that note I thanked the boys for their time and switched off the Dictaphone! We hung out for a while and had a few beers and a chat with Sean, rounded Jay up too to play a prank on the support band Brigade by decorating their tour van, and generally had a real good laugh.

Support act Brigade put on an excellent show and impressed me thoroughly! This is a band worth paying attention to… I am sure you will be hearing much more from them in the future.

The Mascara Story then took to the stage and chugged through a blistering set, captivating their audience. These guys have a fantastic stage presence and as they blitzed through their excellent tracks, including favorites This Is Not A Bruise, Episode, About Last Night and Cue The Violins, it became glaringly apparent why these guys beat down the competition at the Snickers Unsigned comp. The show was awesome and the guys threw a massive energy into their performance, clearly loving every second of it. Their hard work and obvious talent is paying off and I hope that Daveit, Jay and Sean go all the way with this group, they certainly deserve it. To top it all off they are actually all really cool, sound lads, and I will definitely be making time to catch up with them again when they are next in town (unless of course they think I’m a complete weirdo)!!

Emma

My Awesome Compilation

by Emma

My Awesome Compilation – Leeds Joseph’s Well – 28 July 2005

What a night! I had wanted to catch a My Awesome Compilation gig for ages and so when I heard they were playing Leeds we were there with bells on.

We listened to the most strange and amusing sound check, replaced our evening meal with wine and were shortly after accosted by what must be one the friendliest and most genuine blokes ever – My Awesome Compilation’s own master of the skins Andy Driver. I say accosted…it may have been more the other way around as Andy started to set up the merch stand on our table and we fell deeper under the influence! We had a good chat about the band and their plans (MAC are about to embark upon a tour of Japan) and got talking to support act Fast Lane’s vocalist about gigging. I must confess my memory is sketchy on a lot of the conversation although we were there for a good few hours as band members flitted back and forth from the table. We were appointed responsibility for the merch stand for a while as Andy went off to have some food and we sat talking music and tattoos with Fast Lane’s gorgeous Adam Biffen. Adam talked about their spot at this year’s Download festival and showed his full support of the Kerrang/Samaritans Rock For Life campaign by accepting and proudly sporting a RFL wristband. Fast Lane were due on stage and so Adam went off to get ready and I caught up with MAC’s Woody Cobb for a bit before heading off to catch Fast Lane.

Fast Lane proved to be excellent – their set was good-humoured light-hearted and lots of fun. I will be checking out Fast Lane at the next possible opportunity as I thoroughly enjoyed their set. This London based band is not particularly heavy but the music is excellent and they definitely deserved to play Download. More to come on Fast Lane in next month’s issue.

My Awesome Compilation took to the stage next and clearly enjoyed every second of it! Andy wore a huge cheeky grin all of the way through the gig and brother Chris delivered flawless vocals and guitar as Woody literally pounded the keyboard and his brother Darius backed up with cool vocals and a good solid bass. My Awesome Compilation delivered a mellow and happy post-hardcore performance and they lived up to every hope I had of them being as great live as their EP The View Is Amazing would suggest. MAC played a number of new tracks from the then forthcoming album Actions and delighted the audience with terrific renditions of As Always, Our Lives: The Sequel and Wish You Well. Their effortless style never fails to make me smile and their music is refreshingly upbeat and cheery for their genre.

An excellent night, money very well spent and I can’t wait for the next time around. I hope these guys get the recognition they deserve because they are just awesome.

Emma

Bullet For My Valentine

by Emma

Bullet For My Valentine – Leeds Cockpit – 7 July 2005

2005 is Bullet For My Valentine’s year, no doubt whatsoever. My last Bullet review from February closed with the words ‘This was undoubtedly the single most amazing gig I have ever attended, and the guys surpassed my every hope and expectation of them’. Well since February I have been fortunate enough to attend a number of the best gigs and this year so far has been totally amazing, but Bullet have just gone from strength to strength. Not only are they supporting Funeral For A Friend on their fantastic UK tour, they are also simultaneously headlining their own tour, fitting in dates between the Funeral dates. There is just no stopping these four Welshmen! They are certainly up to the punishment and grueling hard work is no feat for Bullet For My Valentine.

My first round of Bullet was on June 30th supporting FFAF, where they kicked up a storm and created such a wild frenzy in the pit that you would be forgiven for thinking that they could be the main act if we didn’t all know better. This was round two, a night at the Leeds Cockpit slotted in before going back to support FFAF in Manchester the next night (which also kicked big time ass…I proudly even instigated a nice rough circle myself at that one!). Supports for the Bullet tour were New Legends and Beyond All Reason, both deliciously heavy ‘proper’ rock bands. The crowd was really receptive to both support acts, and the pit was in full swing during both sets. My favorite moment during Beyond All Reason was when one of the many crowd surfers landed on stage and managed to kick the microphone into the frontman’s teeth! He took it well, joking about nearly getting his teeth smashed out and playing on though it must have hurt like hell. So much so that he soon had to move to the back of the stage to vomit, but the show went on and he came right back to rock through the remainder of the excellent set.

No sooner had they left the stage than the hardcore including my group moved straight in to the front lines and the atmosphere was brilliant between the crowd, people getting complete strangers up onto their backs and shoulders, chanting for Bullet and singing their songs triumphantly…and all this before Matt and Co even threatened to walk onstage! As soon as Bullet’s intro music started, the crowd moved around and created circle space, all holding each other back until that very first beat of Hand Of Blood, when the room immediately transformed into one almighty pit. Bear in mind that the Cockpit is a pretty small venue, this was off the scale and I have never ever seen anything quite like it! Rough, but with everyone in such high spirits everyone was looking out for each other, boys and girls being hauled up from the floor every couple of seconds and hoisting each other up for the surf. It was incredible and Matt proudly commented on how fucked up it was! Bullet stormed through a set including a couple of brand new and consistently heavy tracks from the forthcoming album (due for release in September). Bullet are undoubtedly technically superb and are masters of their art. In full command of their instruments and of their fans they ruled the evening. Cries In Vain was played to a growling audience who pumped their fists and rock fingers in the desperately hot and sweaty air as they sang along with every single word. Just Another Star followed to the absolute joy of everyone present. As Matt announced that they had time for just one more song people turned to one another deliriously yelling ‘No Control!” And we were right. The circle reached it’s peak at this point as this track, favored by most for its genius riffs, seriously thumping beat and throaty roars obliterated the audience and every last drop of energy was thrown into this last tune. What an amazing night, Bullet just get better, and the happy exhaustion on the faces and bodies of all who emerged from the Cockpit was enough to signify an awesome, awesome night. I really can’t wait for the next time.

Emma

Finch

by Emma

Finch – Leeds Metropolitan University – 5 July 2005

I had been waiting a long time for this and I finally got to see Finch perform before my own adoring eyes. From the first time I heard their debut album What It Is To Burn I loved Finch and knew they were something special. Their follow up album Say Hello To Sunshine released only last month surpassed all expectation and showed off a much evolved and more mature Finch with a completely different sound and darker tones.

Tonight’s support was Million Dead, who wowed an appreciative audience with a high energy, high rock and high standard set. It was clear that the crowd contained a lot of Million Dead devotees who threw themselves around excitedly and created a good pit just ahead of the stage. I was impressed with this band, who have headlined with their own tour recently.

The atmosphere built up, the anticipation for Finch hung in the air and the tension was so tick you could cut it with a knife. This soon dissolved the very second that Finch walked onto the stage and burst into a truly awesome set opening with New Beginnings to which the pit freaked out and the craziness commenced. Finch spat, roared and completely ripped their way through an array of tunes comprised of a delicious mix of new and old, Nate quite cheerily announcing that ‘we are not doing Letters To You, we’re not doing Stay With Me’. The set featured the Ink, the inspiring Insomniac Meat, Awake Without You Here, Revelation Song, Grey Matter, the superb Reduced To Teeth, Three Simple Words, Brother Bleed Brother, Hopeless Host, A Piece Of Mind, The Casket of Roderick Usher, Ravenous, and closing with the beautiful debut title track What It Is To Burn, during which the majority of the room including myself screamed the words until there was no air left in our lungs.

The sound was heavy, the pit was furious. Nate Barcalow’s vocals were flawless, pulling up some of his screams all the way from his feet and delivering them with such a force I was blown away. Randy Strohmeyer frequently interacting with the crowd and all five members putting their all into it.

I am so pleased that I was there for this tour, it was really one of the best gigs I have been to so far and is right up at the top with the likes of Alexisonfire, Funeral For A Friend and Bullet For My Valentine. I definitely give Finch an enthusiastic recommendation.

Emma

Once in a lifetime

Once In A Lifetime

by LC

“Well, how did I get here?” That line from the Talking Heads song was on a constant loop in my head that beautifully sunny June day. Indeed, it had been less than four days before that I was even aware of British Whale, here I was, on my way to a West London studio, about to be part of Mr Justin Hawkins first solo video shoot.

After checking in, I proceeded into the dark realms of the studio. No one really knew the premise of the video, only told to dress up like they were going to a darts match, and speculation was confirmed when to the left was a well-lit stage, complete with “BW” sign, huge darts, a winner’s cup, and various other trappings of a match. Only when I’d found a spot to stand did I realise that Justin was also atop, practicing his throwing techniques against the hushed backdrop of the focused crowd. Those that had arrived on time were provided with various bits by wardrobe, which included dowdy shirts, loads of costume jewellery, and funky hats. Since there no one was filming yet, I took a walk outside, where I saw Dan and Richie at the reception desk. And upon returning, I’d seen that not only were the full band there, various friends and family were also taking part. Phil Taylor the darts champion, was also present, along with his own group of fans. And the ultimate coup, the Mael brothers were also there.

After a bit of meeting and greeting between family, friends, and fans, the lot of us were corralled outdoors for Health & Safety reasons as more equipment would be put into place. It was to be the first of many times where everyone looked as if they were all part of some family reunion. Those from the boards were soon escorted out of the sun into an adjacent studio, where everyone got to know each other’s names, both screen and real. The make-up artists came to touch up our faces, but mostly we just waited to get the call back.

Once that came, we were back in the main studio and took our places at the dressed and complete tables. Some of us, however, were re-directed to a new table in front, which flanked the Friends & Family table on one side, while Phil Taylor’s fans occupied the table on the other side.

The first scene to be shot was the bit where Russell Mael mimes “Flying, domestic flying” and introduces Justin then Phil. We were on instructions to cheer madly for The Hawk, but even more so for The Power. After a couple run-throughs, we were ready to roll. Scene 1, Take 1, the clapperboard went, but as the guy with it ran out of scene, so did the cord, causing the mic to fly out of Russell’s hand, yellow rubber ball no longer sat on top but rolling across the stage. Somewhat amusing start to the day.

Perhaps because of the heat and lack of air circulating, or the overwhelming of the senses due to so many of Justin’s inner circle being there, the shooting sequence became somewhat of a blur to me. In regards to that, I will point out highlights as per sequence in video:

First audience scan: One of the last shots of the day. Considering that we were hot, tired, and had had a few to drink, I think the audience came out looking remarkably fresh and enthusiastic.

Justin walking in with bodyguards: Audience didn’t participate, so can’t confirm when it was shot.

Russell introducing the players: Covered above. The growling sequence was filmed separately just after the intro scene, and after several takes it’s a shame that the audio to it was off, because Justin’s growling became increasingly silly. He also seemed quite proud of the gaudy jewellery required to wear.

“Game ON!”: Also one of the last shots of the day. As was “Bullseye!”

General darts playing: Happened at various, indistinct times.

Electronic scoreboard manipulation: Early in day.

Streaker scene: Nick Abrahams was quite comfortable to strip for this vital shot, but dismissed an audience-wide request to go the Full Monty. First shot failed as the Flasher’s flash didn’t go off.

Close-up shots of Phil, then Justin: Later in day, using a white reflector that nearly blinded me because of where I sat.

Anticipated audience: Shot toward end of day. This is where the director asked us to show off our acting skills. I’ll be waiting for Equity’s call.

Bullseye: Justin’s very first attempt for this shot landed him one, however, the camera angle wasn’t right, so he had to do it again. After a couple falters, he managed to do two more bullseye’s in a row. Skillful lad! During a break in filming, Russell had a go as well, and despite the impression he gave of never handling a dart in his life, he also landed a bullseye after a few shots.

Enthusiastic applause: Filmed early in the day. Full of real enthusiasm, naturally.

Confetti and winner’s cup bit: Don’t remember this at all. Must’ve been when the majority of us left.

To give the impression of a smoke-filled room, a special machine was enlisted to add the atmosphere, but that meant that the doors and curtains all had to remain closed, which made the room incredibly warm and stuffy. This led to copious amounts of alcohol being ingested by the Friends & Family table, and increasing merry spirits from the occupants, particularly when someone managed to break the lamp on their table, or when the last crowd scene was filmed and a group of them nearly fell over like dominoes. It also led to a community spirit to break loose when Ed gave me a bag of ice, then orange juice, to share amongst the tables. Break times were an added relief, if only to be able to go out into the fresh air again. The buffet spread both times was substantial and varied, and because we were all in the car park of the studio, there was a family-reunion BBQ feel to these times, especially as everyone seemed to mingle about with everyone else. We all had to collect our own food, and most ate outside on the benches. Justin was the only one who didn’t participate, assumingly because he was busy shooting various scenes, and I felt quite bad for him. Still, towards the end of the day after constantly working, he was very kind to sign autographs and pose for photos during a break in filming. What a professional.

To break the boredom of setting up shots, Charlotte began making, then selling, sculptures made out of Styrofoam cups and pens. She wouldn’t accept anything less than £1 and made a tidy little profit. Other boredom busters were the odd statements coming from the Friends & Family table, the most memorable from Mrs Hawkins commenting when the female wardrobe assistant had to pull Russell’s shirt down by unzipping his trousers, and she shouted “I wish I had your job, love!” which goes down as my favourite quote of the day.

Cringeworthy moment? Just before a shot, the one and only mobile phone to go off. A deeply embarrassed Sue apologised to everyone.

At long last, sometime after 11pm, the director announced it was a wrap. It had been a wonderfully memorable day that I didn’t really want to end, despite the heat and exhaustion, so after 11+ long hours, it was time to re-join the real world once again. After goodbyes and thanks to various people, I started the long journey home by walking back towards the Tube station. Even though I had felt like I had lived in a whole other world for just a day, the people and streets of London were still there. Same as it ever was.

LC

Rampaging with Frankie

Rampaging with Frankie

by LC

Saturday, 9 July 2005. It seems longer than just over a month ago the news was announced that Frankie Poullain would no longer be bassist for the Darkness. Word was that he retreated back to his chateau in France and people wondered if they would ever see him again. All this would change on this warm summer night in London. He was going to make his first public appearance as a guest DJ at Kerrang magazine’s Club Rampage.

I arrived at the club at about 10.30, not sure if and when Frankie would be there. I still had doubts I would see him there in person. Even seeing his name on the list of performers and DJ’s couldn’t completely convince me; I needed solid proof. To calm my nerves and doubts, I proceeded to the bar for a drink and settled to watch the Glitterati, who had just begun performing.

After their very impressive set, I walked past the bar and found a quiet spot near the entrance to talk to a friend on the phone, mainly to keep myself busy and sober. Another drink may have clouded my senses that were already leaning towards disbelief. Let the others drink themselves silly, I had to make sure I wasn’t hallucinating!

And it was whilst jabbering away on my mobile that the first encounter occurred—Frankie had arrived! There he was in the flesh once again, lovely fluffy hair, characteristic moustache, dark-haired girl beside him, dark-haired girl in front of him (me!), and a group of about 15 people trailing behind which turned out to be punters who either; 1) had the good fortune of arriving at exactly the same time as Frankie, or 2) were hanging around the entrance until he did. He arrived looking very happy with himself, which was a relief. After he had his bag checked by the security guard, he made a dash upstairs. At his point I didn’t feel right approaching him, so I stayed behind. I knew where he’d be at 1am when he was scheduled to man the decks.

The magic hour of 1am had come, but there was no sign of Frankie at the decks. No one seemed to mind as the alcohol was blurring time and space for everyone there apart from the staff; yes, even I had succumbed to my second Vodka & diet Coke. I had found another quiet corner in the hall left of the bar to rearrange my paraphernalia when simultaneously someone approached me to ask where the toilets were, and Frankie walked through an ‘Exit’ door in said hall. Encounter number 2, but still not time to approach him. I showed the drunk guy where to find the toilets, all the while keeping the eyes in the back of my head open to make sure Frankie headed towards the decks, which he did, still looking pleased and relaxed with himself.

His set began just 15 minutes late, but nobody seemed to mind. He began with a few words and proceeded playing a few bog-standard rock tunes, none of which I was familiar with, but still got the crowd going. It was when he put on “Back in Black,” however, that the crowd really became responsive, and from then on the familiar tunes came thick and fast, as did the reactions. More AC/DC, notably from the Bon Scott era (yes!), GnR, Aerosmith, Def Leppard, Thin Lizzy, and my personal favourite of the night, “War Pigs” by Black Sabbath, to which I witnessed the unthinkable; someone dancing to that song! The selections got better and better, and the crowd reacted accordingly. Frankie looked very comfortable, posing for the few who took photos, and busily changing discs. His set lasted longer than the hour that was allocated, and he finally left the decks at about 2.30. It was then that I had encounter number 3, which I felt was time to finally speak to him.

As he was leaving, I asked if I could just have a couple moments of his time, and he very congenially obliged. I gave him the card my friend had written to him and told him that there was a huge contingent of admirers that were still very interested in what he was doing. I asked him if he had his own website or address to gain information from, but, sadly, he said no, not yet. I thanked him for his time, and he abruptly bent over and gave me a kiss on the cheek, which I found rather sweet as I hadn’t asked him for it!

After having my fill, I decided to leave the club for the short walk to my hotel, but only after a trip to the ladies. On my way out, thinking that my night was pretty much a success, I saw him again! This time, I decided, I really should top the night off by having my photo with him, especially as I hadn’t taken any during his set and I felt I should really have my personal souvenir. He very kindly agreed, only he began to act very silly with me and literally tried to get his leg over me, which made me burst out in laughter, hence the cropped photo. Laughing hysterically is never my best side. I thanked him for the last time and left the club at last, glancing back as I crossed the road to see him and the brunette get into a cab and speed away.

Verdict of the night? It made a change not to see him playing his bass, but I think he did an excellent job. He looked happy and well, was in good spirits, and the crowd obviously still love him. I don’t know if he has long-term plans for a career as a DJ, but whatever he does, he will still be a crowd-pleaser.

Rampaging with Frankie

by LC

Saturday, 9 July 2005. It seems longer than just over a month ago the news was announced that Frankie Poullain would no longer be bassist for the Darkness. Word was that he retreated back to his chateau in France and people wondered if they would ever see him again. All this would change on this warm summer night in London. He was going to make his first public appearance as a guest DJ at Kerrang magazine’s Club Rampage.

I arrived at the club at about 10.30, not sure if and when Frankie would be there. I still had doubts I would see him there in person. Even seeing his name on the list of performers and DJ’s couldn’t completely convince me; I needed solid proof. To calm my nerves and doubts, I proceeded to the bar for a drink and settled to watch the Glitterati, who had just begun performing.

After their very impressive set, I walked past the bar and found a quiet spot near the entrance to talk to a friend on the phone, mainly to keep myself busy and sober. Another drink may have clouded my senses that were already leaning towards disbelief. Let the others drink themselves silly, I had to make sure I wasn’t hallucinating!

And it was whilst jabbering away on my mobile that the first encounter occurred—Frankie had arrived! There he was in the flesh once again, lovely fluffy hair, characteristic moustache, dark-haired girl beside him, dark-haired girl in front of him (me!), and a group of about 15 people trailing behind which turned out to be punters who either; 1) had the good fortune of arriving at exactly the same time as Frankie, or 2) were hanging around the entrance until he did. He arrived looking very happy with himself, which was a relief. After he had his bag checked by the security guard, he made a dash upstairs. At his point I didn’t feel right approaching him, so I stayed behind. I knew where he’d be at 1am when he was scheduled to man the decks.

The magic hour of 1am had come, but there was no sign of Frankie at the decks. No one seemed to mind as the alcohol was blurring time and space for everyone there apart from the staff; yes, even I had succumbed to my second Vodka & diet Coke. I had found another quiet corner in the hall left of the bar to rearrange my paraphernalia when simultaneously someone approached me to ask where the toilets were, and Frankie walked through an ‘Exit’ door in said hall. Encounter number 2, but still not time to approach him. I showed the drunk guy where to find the toilets, all the while keeping the eyes in the back of my head open to make sure Frankie headed towards the decks, which he did, still looking pleased and relaxed with himself.

His set began just 15 minutes late, but nobody seemed to mind. He began with a few words and proceeded playing a few bog-standard rock tunes, none of which I was familiar with, but still got the crowd going. It was when he put on “Back in Black,” however, that the crowd really became responsive, and from then on the familiar tunes came thick and fast, as did the reactions. More AC/DC, notably from the Bon Scott era (yes!), GnR, Aerosmith, Def Leppard, Thin Lizzy, and my personal favourite of the night, “War Pigs” by Black Sabbath, to which I witnessed the unthinkable; someone dancing to that song! The selections got better and better, and the crowd reacted accordingly. Frankie looked very comfortable, posing for the few who took photos, and busily changing discs. His set lasted longer than the hour that was allocated, and he finally left the decks at about 2.30. It was then that I had encounter number 3, which I felt was time to finally speak to him.

As he was leaving, I asked if I could just have a couple moments of his time, and he very congenially obliged. I gave him the card my friend had written to him and told him that there was a huge contingent of admirers that were still very interested in what he was doing. I asked him if he had his own website or address to gain information from, but, sadly, he said no, not yet. I thanked him for his time, and he abruptly bent over and gave me a kiss on the cheek, which I found rather sweet as I hadn’t asked him for it!

After having my fill, I decided to leave the club for the short walk to my hotel, but only after a trip to the ladies. On my way out, thinking that my night was pretty much a success, I saw him again! This time, I decided, I really should top the night off by having my photo with him, especially as I hadn’t taken any during his set and I felt I should really have my personal souvenir. He very kindly agreed, only he began to act very silly with me and literally tried to get his leg over me, which made me burst out in laughter, hence the cropped photo. Laughing hysterically is never my best side. I thanked him for the last time and left the club at last, glancing back as I crossed the road to see him and the brunette get into a cab and speed away.

Verdict of the night? It made a change not to see him playing his bass, but I think he did an excellent job. He looked happy and well, was in good spirits, and the crowd obviously still love him. I don’t know if he has long-term plans for a career as a DJ, but whatever he does, he will still be a crowd-pleaser.

 

What’s On?

by Emma

What’s on?

Forthcoming unmissable events…

Korn
August 23-24
Manchester Apollo, London Brixton Academy

Death From Above 1979
August 23
London Charing Cross Mean Fiddler

Leeds/Reading Carling Weekend
August 26-28

Trivium
September 10-27
Leeds Cockpit, Oxford Zodiac, Brighton Concorde, Newport TJ’s, Manchester Academy 3, Glasgow King Tut’s, Stoke Sugarmill, London Charing Cross Mean Fiddler; Wolverhampton Wulfrun Hall, Colchester Arts Centre, Belfast Limelight, Dublin Music Centre, Liverpool Academy 2, Nottingham Rock City, Portsmouth Wedgewood Rooms

The Offspring
September 12-17
Glasgow SECC, Manchester Apollo, London Brixton Academy

Million Dead
September 14-23
Exeter Cavern, Oxford Zodiac, Bristol Louisiana, Nottingham Rock City, Glasgow Barfly, Manchester Roadhouse, Birmingham Bar Academy, London Underworld, Southampton Joiners

Bullet For My Valentine
October 18-25
Cardiff Coal Exchange, Wolverhampton Wulfrun Hall, London Charing Cross Astoria, Glasgow Garage, Manchester Academy 2, Nottingham Rock City

Alexisonfire
October 19-29
Portsmouth Wedgewood Rooms, Cardiff University, Brighton Concorde 2, Manchester Academy 2, Leeds Cockpit, Newcastle University, Glasgow King Tut’s, Sheffield Corporation, Oxford Zodiac, London Charing Cross Mean Fiddler

My Chemical Romance
November 1-11
Wolverhampton Civic Hall, Portsmouth Guildhall, London Brixton Academy, Glasgow Carling Academy, Newcastle Academy, Manchester Apollo, Dublin Ambassador, Newport Centre

Bloodhound Gang
November 4-15
Portsmouth Pyramid Centre, Cardiff Uni, Birmingham Academy, Nottingham Rock City, Leeds Metropolitan Uni, London Charing Cross Astoria, Manchester Academy, Glasgow Garage, Newcastle Academy, Norwich Waterfront, Bristol Academy

Taste Of Chaos (Feat. Funeral For A Friend, Killswitch Engage, The Used, Rise Against, Story Of The Year, Reggie and the Full Effect)
November 6-14
Manchester Apollo, Birmingham NIA, Glasgow SECC, Brighton Centre, Cardiff CIA, London Brixton Academy

Posted in OI

Ben’s guitar corner

by Ben Dickinson

Hello again my peeps!

This time my guitar corner’s about finding the right guitar.
First thing is to do some research, what music do you play, what style do you want etc. There is no point buying a Gibson explorer fitted with EMG humbuckers if you are going to play rockabilly music!

Then set yourself a budget, and stick to it, although don’t be afraid to spend a little more or not spend as much as you have budgeted for.

This is the most important tip, don’t buy because of reputation or how nice it looks, try it, feel it. Is it for you? If not put it down and walk away.

There have been a number of occasions that I have settled for a cheaper guitar because it’s more comfortable. The name on the headstock doesn’t matter; if you have money to burn have one custom made. Alternatively have a crack at building your own, its not as hard as you think but it takes time but think of what you will have!

Anyway that’s me done for this time, take it easy folks, and remember keep practicing and play your heart out!

Posted in OI

Mother and The Addicts

by Jo / Mother

Mother and the Addicts, Norwich Arts Centre

Well, I was escorted away from my books one night, not entirely willingly as I was completely knackered and had lots to do. Still… one night out won’t hurt, I thought, I can manage tomorrow.. (We had actually gone to see Sons and Daughters, who acquitted themselves well and certainly did themselves no harm with the eager Norwich crowd.)

I happily settled into my customary place in the Arts Centre.. at the back, up the stairs, overlooking the mixing desk. Good place for a tiny wench. Support due on any minute.

Just a few minutes later, I was grinning from ear to ear. What where they called again? Mother and the Addicts.. my word. I just could not help laughing as the set went on, but laughing in pure pleasure, not at the band! I haven’t enjoyed a gig like that for sooooooooo long. I liked the songs. There was banter. There was Kendall’s dancing. And it was FUN!! Bloody bands these days forget how, sometimes.. and there was good old fashioned boogieing and singing along. (well, not me, the stairs were a bit toooo near). Fantastic. Go see, as they’re touring in September, I think.

I spoke to Kendall afterwards, who was obviously relieved and bemused by the fact that the bands had a night off. And, by dint of my charm and nice manners, the nice Mother condescended to do us a piece on what they got up to that night… although on sober reflection I’m not sure if it was wise to ask. See below. We don’t recommend that you try it at home…. Go touring instead.

www.motherandtheaddicts.com

single “Oh yeah… you look quite nice” is out on 1st August, debut album on 22nd August –
“Take the lovers home tonight”

There’s a free download single on the website. Enjoy!

Mother and the Addicts – notes from the road.

Yesterday I had been dreaming about a small frog I had managed to trap inside a test tube. Half asleep, I thought the frog kept jumping around my bed so I was thrashing around trying to catch it. Kendall, at this point, was ejected from the bed.
Of course I don’t normally share my bed with other men, but touring is one of those rare opportunities where the normal modus operandi of life is suspended to be replaced by male camaraderie, self control and an evolving group harmony fortified by bawdy conversation. My girlfriend, and quite rightly, has forbidden me to taste the fruits of the road: I reluctantly resist.
“What do you expect darling?” I say “Young bucks caged like animals, made to dance for their supper then placed in a room with nothing but each other and unlimited quantities of alcohol. It’s a miracle I’m still standing.”
“Quite” she quips: biting her lip and placing her teacup awkwardly in the saucer, the conversation turns to the church jumble sale. I give up and head for a cold shower.

Apart the wonderful audiences, vigorous plethora of fanzines and street drinkers another wonderful thing about Norwich is the nice cosy and very English pubs. See, in Glasgow your pubs selling real ale in quaint surroundings are a rarity. Dark rooms serving fizzy weak larger tinged with the threat of violence, however, abound. A couple of the Sons and Daughters party also found this a point of mutual appreciation and joined us over the road for a couple of pre-show pints.
Now the Arts centre scores pretty well in terms of hospitality, the food and the beer’s good, and supplied in ample amounts. Being treated like a human being, apart from being more conducive to doing a good show, means you’re more likely to spend the rest of the evening tripping the light fantastic with an bottle Bollinger stuffed down each trouser leg and a girl in each arm. Some promoters however work for darker forces.
Now it’s fairly hard to describe what it’s like being on stage, unless you’ve done it yourself, but most of the times you can’t see the audience, it’s a bit like playing to a large black void. When the lights do go down though, suddenly you get a glimpse of four hundred people, all eyes on you and you’re left thinking, “Oh hello, this is an odd thing to be doing, what the bleeding hell are they looking at me for? Oh I’m on a stage. Ah ha! 1,2,3,4.”
That night my hand was up the spout and I was dropping notes all over the place, so I was a little narked with my performance, but the rest of group kept it all together and the crowd were warm and cheered etc. So there you go, who gives a damn about the mechanics of my wrist. Afterwards I retired to the dressing room, had a wash, and hit the fridge. We hung around upstairs for a while, drinking and strumming guitars while Sons and Daughters applied make up and hair grease. Kendall and Pete as per usual headed out to watch the show; I popped down and watched a couple of numbers but spent most of the time upstairs with Ian pretending to be fraudulent Doctors. A robot appeared in the corner of the room.
We had the following day off so the whole touring party, us, Sons and Daughters and the crew decided to hit Norwich’s decadent underbelly. Finding a suitably dark basement playing a general mix of punk and electronica I donned my enormous electric thong and began to dance, Douglas came over, all leathers and good intentions. We partook in a swift fox trot then followed it with a shocking rendition of the opening pages of ‘all that fall’ by Samuel Beckett. Ian swung from the lighting rig and recited wild poetry. Kendall danced with strangers in huge platform shoes.
A few minutes later Peter approached, there was something wrong with his trousers and he had a strange glint in his eye. He was accompanied by a seven foot Nordic goddess dressed in the uniform of a nurse, she was sweating profusely. “Try one of these, man” he said proffering me a blue tablet that said ‘tower hamlets 1974”.
“That’s not drugs is it I said?”
“Hey Mother, relax, if the shoes fit”.
I dropped the rum and coke, and suddenly the sound of drums got louder and soon a crazed web light, sound and colour enveloped me. Voices began to echo and soon it seemed as thought the whole world was laughing, I screamed as saw the virgin mother bearing down on me. Before I knew it I was two human gorillas. Ian gazed back, a life size vision of the ‘Man from Del-Monte’. I screamed, “Great mother of god!”
Getting taxis back after words we met some of the more down to earth locals, one of whom tried to steal Ian’s take away, he wrestled it back however leaning out of the taxi window as we sped off into the night. The tour so far had been rolling along quite nicely on a wave of ‘white russians’ and continued to do so when we got to the lodge. After parking ourselves in Dave’s (S&D’s drummer) room I remember things getting a little overexcited. The Addicts are fairly high spirited, most of the time, so Kendall leaping on Dougie and simulating something animals do seemed pretty par for the course, as far as I was concerned; but the S&D’s tour manager who was sharing the room was beginning to look a little worn baby sitting nine fully grown adults, so we re-located.
With the volume from the Mother and the Addicts camp showing no sign of decreasing and not wanting to be implicated in any clandestine activities I left the group and hid away in a cupboard; in there, I met the surviving members of ‘Peter, Paul and Mary” who had been trapped there since the late sixties.
Earlier on Peter had managed to get himself floored outside by a certain lass (I will name no names) and ended doubled up on the stairs with a bottle of Rum. Gradually he entered the strange dimension we know as ‘tramp space’, when asked if he was alright, he used ‘blue’ language, so we dragged him back to his room and tied him to the shower. Later, taking an early hours stroll as I often do, I found Ian wandering the corridors covered in blood, apparently he’d found the towel cupboard decided to steal some towels, he then felt guilty, returned them then ‘something’ happened. But that’s secret. I retired and awoke none the worse for wear. Ian had passed out on the couch still dressed; this made me feel incredibly sophisticated. I showered and went to see what had happened to every one else. All was calm.

Mother

Posted in OI

The Basement ‘I Just Caught A Face’ single

by Davey

Now this is a rare thing; folk/country inspired indie pop from Ireland. You don’t much of that to the pound in this day and age, and I must say it’s refreshing. ‘I Just Caught A Face’ is an upbeat acoustic love song, complete with a banjo backing. Fresh and new, The Basement are prime suspects for cult fame, perhaps as the new Thrills – only I hope they last longer. The band were allowed the rare luxury of spending four years perfecting their sound before recording their first LP, ‘Illicit Hugs And Playground Thugs’, a stunning collection that was destined from the off to get the ball rolling for The Basement. If ‘I Just Caught A Face’ is anything to go by, they could be the band that stop all this nu-rock nonsense in its tracks and bring us something original. One can only hope.

www.thebasement.co.uk

 

 

Funeral For A Friend

by Emma

Leeds Refectory/ Manchester Academy
30 June 2005/ 8 July 2005

What a lucky girl am I…Funeral For A Friend not once but twice in a week! And what a top class performance they put on for us. There is no doubt that I have just had two of the best nights ever, nights I will never ever forget.

First supports were Gratitude (also see album review) and A Static Lullaby. I have to come clean at this point and admit that I didn’t get to see Gratitude on either night – in Leeds I was busy interviewing Funeral drummer Ryan Richards on the FFAF tour bus, and in Manchester an error on the tickets meant that the gig started an hour and a half before stated! Nevertheless I did hear from a friend that they played an impressive set. A Static Lullaby are considerably more upbeat and began to really woo the crowd with their grinding emo tunes.

Next on the bill were Bullet For My Valentine, and the fellow welsh rockers proved to be hugely popular with the crowd; in Leeds before they had even began to play a note there were several circles formed waiting excitedly holding one another back until the very first note! In Manchester Bullet received a smaller scale but equally enthusiastic welcome. Bullet ripped apart the room and furiously ploughed straight into Hand Of Blood whipping the crowd into a frenzy. In Leeds the whole room went mental and the jumping and screaming spread right to the edges of the room. The pits were rough as hell and by the time they finished their set the crowds were dripping in sweat and already exhausted. Funeral For Friend couldn’t have selected a better and more appropriate warm up act. See my Bullet For My Valentine review from their Leeds Cockpit gig for more!

A well deserved beer later and Funeral took to the stage to the delight of a wildly excited audience. Kicking in with Streetcar in Leeds and Juno in Manchester, the welsh rockers blistered through an absolutely amazing set featuring a mix of songs from latest album Hours, debut album Casually Dressed And Deep In Conversation and the fantastic EP Seven Ways To Scream Your Name. The circle pits resumed and everyone went crazy jumping crowd surfing and singing/screaming along with every single word that Matt, Gareth and Ryan sang. I was most impressed with Ryan’s ability to beat the skins like there was no tomorrow and scream his lyrics from the pit of his stomach at the same time.

Funeral’s superb set included a gorgeously heavy Recovery, The Art of American Football, Rookie of the Year, All The Rage, Bend Your Arms to Look Like Wings, She Drove Me To Daytime Television and of course Red is The New Black. More chilled and definitely emotional moments were the heart wrenching performances of Roses For The Dead, the beautiful History, The End of Nothing, and Juno (the screamo version). The guys also blessed the audience with a cracking rendition of Alvarez, and then of course Escape Artists Never Die to close. Throughout the gig Matt Davies giddily spoke to the audience, yelling ‘Are you guys having a good fucking time?’ and clearly having a great time himself, joked ‘Can Everybody sing along to the next one if possible? That was fucking terrible! Can everybody sing along to the next one please? Can you all sweat a lot too?’
A truly awesome experience – I can’t tell you how much you need to experience Funeral For A Friend firsthand. There aren’t many better ways to spend your money, trust me. I walked out of these gigs feeling enriched and totally contented.

Electrelane – Axes – Album Review

by Emma

To call Electrelane experimental is one big bloody understatement. A few seconds shy of an hour, I found Axes to be hard work. Unless you are a fan of 6-9 minute long instrumentals you may encounter the same problem.

The first track One, Two Three, Lots is a gentle melodic tune which features a few lines of choir girl vocals, mingling with track two which funnily enough shares the same back beat. The tunes escalate into a crescendo of pounding piano and grinding guitar.
Two For Joy, the third track features vocals again and they are admittedly rather soft and sweet ending in guitar carnage. The next track starts off quite well – nice bit of piano with electrics kicking in towards the end. Not bad, but for almost six minutes? It’s not really heading anywhere. Eight Steps sounds like some old school dance that your gran might have learned at Ballroom Dance Class. ‘Taxi’!!! The next track sounds like a traffic jam and not much else really. Track seven is a nice short instrumental, quite pleasant with some nice loud guitar.

The remainder of the album is made up of tracks that sound like a jumble of random notes with holes between, one track is almost ten minutes long and is frankly bland. During track nine my mum walked into the room and asked if they were playing on a biscuit tin! The final track Suitcase is actually alright, it’s a bit more up tempo and even has the odd ‘oooh’ thrown in.

Not quite music to get excited about – maybe tolerable as background music if you’re chilling out and can’t be bothered with words. Some will like it, but this one is definitely not for me.

The National – Alligator – Album Review

by Emma

I previously said about The National that I am reminded at times of Bowie in style. Having now listened to the third album release I now think the style is perhaps more in the way of The Divine Comedy who, for the record, I have quite a respect for.

Alligator was released on 11 April on Beggars Banquet Records Ltd, and creates quite a relaxed vibe. The album kicks off in excellent fashion with the lovely Secret Meeting, followed by the fabulous Karen and Lit Up. Track four Looking For Astronauts isn’t as good seems a little bland. Luckily the following track is much better and is a sensitive little number with Matt Berninger’s low key silky-smooth tones beautifully and seemingly effortlessly flowing.

The album continues in its graceful and curious manner, I’m particularly fond of All The Wine, an optimistic promise of life to come. Abel, the single taken from the album, is fairly up-tempo and a little rough around the edges as is the final track Mr November.

Of the thirteen tracks on Alligator I would say that 10 are great, the remaining tracks not being too far behind.


The Explosion – Black Tape – Album Review

by Emma

The Explosion have burst onto the punk scene and made quite an impact this year – the single Here I Am has gained regular play on radio and music television channels and quite rightly so. Touring with the big guns, Good Charlotte and New Found Glory, has added fuel to the fire and earned The Explosion a reputation they thoroughly deserve

The Explosion are a welcome wave of punk pop with the catchiest lyrics, powerful riffs and a sound that appeals to rockers universally. Every single track on Black Tape is excellent and this is one of the real goodies of 2005, released on 28th April.

Each track has a deliciously different tune – pounding drums on Deliver Us and No Revolution, anthemic riff and chorus on Here I Am and We All Fall Down, Filthy Insane and I Know both boast a wicked bassline. Throaty raucous vocals are key on Atrocity and Grace and Go Blank blasts us with a ferocious velocity. A couple of the tracks tend towards pop with a gorgeous effervescence – Mothers Cry the perfect example.

In short – Black Tape is excellent – go get a copy or miss out!

Queen Adreena – The Butcher And The Butterfly – Album Review

by Emma

The Butcher and the Butterfly is the third album release from Queen Adreena and is regarded as the best of the trio. Queen Adreena carry a haunting eerie feel throughout the album taking a number of serious personal and dark issues head on and emerging the winner.

The Butcher and the Butterfly features a range of tracks from racy upbeat tunes such as Black Spring Rising to the truly ghostly and disturbing feel of tracks Suck and FM Doll. This LP drifts from the raw and loud to bluesy and beautiful with ease and is a compelling listen. Birdnest Hair is a brilliant and delicate song and shines out as one of the best tracks, not just on this record but among the majority of recent chart releases from any band.

Queen Adreena are not background music, their music is made for intent listening for both the ear and the heart.

FULC – Embrace.Destroy – Album Review

by Emma

New mini-album, Embrace.Destroy is the latest release from FULC, up and coming UK rock metal quartet.

Embrace.Destroy consists of six tracks, and starts off with two softer tracks spilling raw emotion and intelligent thought. The music is gentle as required during the verse and blasts into a powerful surge of guitar at the chorus, accentuating the main lyrics beautifully. Duane Walker’s vocals are both smooth and raw, gritty and scratchy at the powerful parts. Track three, Wasting is a stronger track with a superb hardcore riff.

System is another fine track with gentle vocals layered over hammering guitar and blasting drum. Track five features some wicked synth and scratchy guitar, fantastic roaring vocals. The final track Entrapment is a mature and sad depiction of a bittersweet relationship.

Embrace.Destroy is an excellent mini-album and showcases the fine talents of Duane Walker, Rik Clay, Mark Cooke and Kris Kilmore. An added bonus is that these chaps are pretty easy on the eye too! I recommend adding FULC to your collection, and I really hope to hear much more from these guys soon.

Idlewild – I Understand It – Single Review

by Emma

Released 2 May, I Understand It is a harmless ditty from Idlewild, most likely to be hitting notes with fans of REM and the like. It’s quite catchy and laid back but I think it lacks energy – uptempo but not really capturing.

Despite this being in contrast with my personal tastes, it is undeniably well written and produced and goes down well in the mainstream.

Suffrajets – Sold – Single Review

by Emma

The Suffrajets are back in action following a recovery period – the girls’ tour bus was involved in a serious road traffic accident earlier this year – and on top form for the release of their third single Sold. With Gemma Clarke back on board having made the decision to quit much speculated band Babyshambles recently, Suffrajets are heading towards the limelight at a hefty pace.

Sold is fast in pace, thick with guitar and loud and raucous on vocals! This track with its catchy riff is a confident comeback to the preceding two singles. One to get your feet moving to I think this is a dance floor winner!

The Kills – Love Is A Deserter

by Emma

Love Is A Deserter was released on Domino on 30 May is taken from The Kills’ second album No Wow. The track keeps in form with previous hit The Good Ones with an electro sound infused with strange calm yet punky vocals.

The track is quite laid back and although it is carried by an upbeat tune it does lack excitement and fails to peak at any point, instead maintaining a constant level throughout.
A favorite at live performances this is definitely one for fans of the kooky disco-come-rock sound.