Amsterdam 23.03.06

by elusive

So – the last gig of the European tour. Amsterdam. My envelope of “forthcoming gig tickets” is empty, and it seems only yesterday that it was stuffed full. Better make the most of this final show then, before the band depart down under.

The Heineken Music Hall is pretty sparsely populated when I arrive, and Doomfoxx have just come onstage. I like this band, they’re a good choice of support for The Darkness, being good old-fashioned solid rockers, and their set is just right for getting the crowd warmed up. Nice touch is that the singer donned a Darkness t-shirt (and this gesture is reciprocated later when Justin does the whole show in a Doomfoxx t-shirt).

Just before TD step up, I scan the crowd and thankfully the place has filled up quite a bit, although it’s by no means a packed house.

Since the last gig I attended was the riotously successful Milan show, this one has a lot to live up to, and it doesn’t quite have the same magic, but it comes pretty close. There are a couple of technical problems (Dan’s guitar, Justin’s mic) but they don’t detract too much, and everyone seems on form tonight. It’s a straight rock gig, as many of the European shows have been – no boob chariot, no high wire, no pyros or flames. And much as I love the spectacle that goes with all that in the bigger arenas, this to me is better somehow – more about the music and the band’s performance and less reliant on image and effects, which a band this good actually don’t need. And Justin has shunned his stage trousers for his jeans! Yes, it’s dress-down-Thursday in Amsterdam.

I’m not going to analyse the gig song by song, as the set hasn’t changed and we all know the songlist by now, although I should just mention “Girlfriend”, which saw the crew emerge from the wings, in cheerleader-style shorts and tops, and doing their best “last night of the tour” Flashdance routine, which gave everyone a good laugh, including the band. And “IBIATCL” which saw a big gap open up in the audience just behind me as the Dutch fans punched each other and hurled each other to the ground – which is, according to the girl next to me “what they do here when they are really enjoying it”. Strange people, the Dutch!

But overall, a couple of things spring to mind – firstly, how tight the band have become, and secondly, how well Richie has fitted in over the months. I admit to having my doubts at first (aesthetically I had always thought Frankie looked the part), but over the course of the UK and European tour, Richie has really made his mark and it’s hard to believe he hasn’t been there since the start. UK fans didn’t get to see “Highway To Hell” on which he takes lead vocals, but believe me – it’s one of the high points now and is probably one of the best covers of a song ever done by anyone.

There’s really no-one to touch The Darkness live. They have the songs, they have the stage-presence and they work damned hard to put on a great show, so they deserve every bit of success they have achieved so far – in fact, no – that’s wrong – they deserve a whole lot MORE success than they have achieved so far.

So… over and out from the Heineken Music Hall, and don’t forget – The Darkness refresh the parts other bands cannot reach.

PS: thanks to the helpful person who recommended “this bus will take you directly and stop by your hotel”. It did. Except it went round the practically the whole of Holland first and took about two hours longer than the metro would have done. Was it all worth it? You bet it was!

Odd thoughts

by Jo

So.. thoughts on the tour? Well, every darkling thoroughly enjoyed the shows they went to, even if one or two had issues with the sound at some venue or another. There were so many new people there. New to TD, I mean… absolutely fantastic! But it’s so odd to be on the barrier and be the only one singing… I think they converted a lot of people with the music, the show, the humour, everything. All the TD virgins told me afterwards how great it was. And indeed, it was.

Did they enjoy it, though? They looked very happy to be back on stage, professional, tight, gorgeous sets, playing silly buggers.. but it can’t be easy playing to some half full venues and then still having to win over some of the (home) crowd. I had heard that the venues would be smaller on this tour, but they weren’t, not really.. They did a bloody good job, rocked hard, with grace and humour.

Dan’s European Tour Diary at TheDarknessRock.com/tourdiary shows just how much they are enjoying playing and winning over previously unsecure territory in their domination masterplan. And the rock and roll manner in which it’s being done.. with the odd casualty (something happens to them every time!) There are things there that the home audiences would have loved to have seen, though. Richie’s ‘Thunderstruck’, for one. Did all this evolve from the UK tour? Was it just not rehearsed cos it was an idea on the way? And only one pair of trousers, Justin? Were they Frankie’s sparkly shirts?

Dan notes that the venues are bringing back the old days for him. Me too! I WANT people to be converted, and to see them, but I want everyone to be willing them on too.. the atmosphere in a smaller place is hard to beat for that! It’s a flying v crowd walk thing, I suppose. SO jealous of the people getting the walk, right now!

It’s such a good feeling when you hear of the excitement and success they’re giving and having on this tour. It makes me wonder how they did feel about the UK one. I hope it wasn’t disappointment, after the results getting abroad. There are so many TD starved places that they might decide to stay where the thrills are, and that… would not be good..

One last thing.. there was someone missing from 6’s tour, without whom lots of the fun was lost. Love.

Dublin, London, Brighton

by Trina

Here we go again …
Dublin, 4th February 2006
So, here I am again, at the ninth Darkness gig of my gigging career (ok, so I started late), in Dublin’s fair city. This evens things up after previous tour dates in England, Wales and Scotland – I’ve always wanted to go to Ireland, and Dublin in particular, so I’m following my usual pattern of travelling to cool places to see The Darkness… and to coat another hotel bathroom in glitter.
Absolutely nothing wrong with that. The actions of a reasonable adult who should be allowed into the community without supervision.
After a slight missing ticket mishap, I was permitted in to see our lads open their European tour. And what a show it was! From the uber-sexy opening grind of ‘Knockers’ to the roaring finale of ‘Bald’ those boys rocked The Point Theatre to its foundations, off the quayside and into the river. And by coincidence, Justin was airborne for both of those tracks – something I was expecting due to a tip-off from Sixsister.
This show really has to be seen to be believed. I can describe it, but you really had to be there. For the price of a ticket (not mentioning flights, hotels, beer money, etc as it would make you cry) you can be rocked sideways, laugh your arse off and be squiggled senseless. Bargainous.
OK, so the stage set is new and different and in keeping with the whole Hell theme. The drums are on a platform shaped like the front of a hell train, and are backed with a pair of gigantic Devil horns. There is a sloping runway up each side of the stage, leading to a platform high up behind the drums.
Right, showtime.
Once JATL have stopped assaulting us, I leave my people-watching at the bar and take my seat. Fab position on the balcony, Dan’s side, second row. The growing crowd are occupied with lots of wonderful videos from my teenage years (and a bit of misty-eyed remembrance of my Morten Harket crush). These are followed by a Darkness video montage, accompanied by AC/DC’s ‘You Shook Me All Night Long’. Whoever put this montage together has my undying love and the use of my car forever, as its fantastic (the montage, not the car). A brilliant mix of the best old and new video clips, with the vital Justin pelvic thrusts (*scream*) and bum wiggles (*thud*). If there is ever a live Darkness DVD released, this montage and the 2004 tour montage MUST be on it. Please?
And now for another treat: the next thing on the big screens is the band apparently in the back of a taxi. The taxi turns out to be a helicopter, which lands in the dark. The band get out and race across to what appears to be an outside toilet, but which apparently is the stage entrance to the Norwich UEA. Yup, its video footage of the band arriving for the Norwich warm-up gig the previous week, but a lot of the crowd here thinks it’s the band arriving NOW and give an enormous cheer.

The lights go down to a cheer, the stage is bathed in blue light (another cheer) and Abba’s ‘Arrival’ starts, so I have to phone the sister so she can share in the excitement and knee-trembling. As ‘Arrival’ ends, we see Ed scurrying into position behind the drums – cue big cheer from the crowd. He starts thumping out the beat to ‘Knockers’, then we are treated to a spotlit Richie (in rock god black leather trousers) on the high platform picking up the bass line. Very grindy, very sexy. Another huge cheer (are you surprised?).
The intro is extended a bit from the album version, as it gives Justin time to make his grand entrance. The sexiness factor goes through the roof (and dampness abounds) as the second spotlight flashes on to show Dan, on the other end of the high platform belting out the guitar part. As Dan and Richie come down the ramps to the stage, Justin takes to the air in the booby chariot and acknowledges the crowd with waves, kisses, wiggles and whatever else he can think of. In the break in the middle of the song, he says hello to the crowd, and asks for their opinions of the boob chariot. He asks for everyone to wiggle their boobies at him, but keep them clothed as this is a family show (ahem). As the beat thuds through the crowd, the nipples on the booby chariot flash in time, earning another deafening cheer.
As the song ends, Justin comes back down to earth and gracefully leaps out. He comes back to centre stage carrying the sitar, and shouts a big hello to the crowd. I get a closer look at his outfit – the strange hairy trousers and a sparkly white shirt (I really want to say blouse). Dan has sensibly got rid of his smart jacket but has kept his black Thin Lizzy t-shirt on. Pah.
The sitar means we are going to be treated to ‘One Way Ticket‘, which is quickly followed by ‘Is It Just Me’. The crowd get suitably involved, then erupts as ‘Growing on Me’ is played. Its great to see the band looking so happy and involved and generally glad to be doing what they do best. Justin is constantly wandering over to Richie’s side of the stage, and although we don’t know what he’s saying, it must be funny as Richie is constantly grinning and giggling. Jus doesn’t do as much wiggling behind Dan as I’ve seen at previous shows, but he wanders over to him a lot too. Let us in on the joke lads, please?
The show rocks on, with ‘Dinner Lady Arms’ and Givin’Up’ and Justin attempting to remove the sparkly shirt (blouse!) to show us his Beer Gut Of Fury – as usual he gets his hand stuck in the sleeve and has to go across to Stage Richie to have it pulled off by a member of the crew. The Beer Gut of Fury was frankly tiny, as were the moobs and love handles. Don’t believe what you read in the press, Justin is not porky, he probably doesn’t weigh any more than 12 stone – he just isn’t the wafer-thin waif he was previously. And from what I’ve seen from subsequent shows on the tour, the weight is dropping off him, so soon there won’t be a wobble left.
A weird change now. Next up is ‘Black Shuck’ then ‘Love on the Rocks’, both of which used to be played at the end of a gig and used to give me mixed feelings – joy because they are fab hard-rocking anthems and sadness because we were nearly at the end of the show. In the middle of ‘Black Shuck’, Richie shows off his guitar skills by making his bass make all sorts of weird screams and shrieks. I see what he means in the tour programme about going to the toilet before the show – its pure, brilliant “brown sound”. Of course, watching his black-leather clad trouserage and bass guitar in close-up on the big screen did wonders for certain ladies in the audience *insert angel smiley here*
We move on to the ‘Erection Section’ where anyone who came to the gig alone must rub up against someone in the audience. The piano is rolled out and Dan and Richie get a sit down to play acoustic guitar for ‘Love is Only a Feeling’. Cue the pretty blue and purple lights playing over the crowd, but still no falling leaves. This beauty is followed by ‘Seemed Like a Good Idea’ then Richie and Dan (and possibly Ed, I couldn’t see) leave Justin on stage with the piano. Justin plays and sings ‘Blind Man with only the piano for accompaniment and it is beautiful. I had my doubts as to whether this would work in their live set, with all of the lush strings and harmonies (and people either love it or hate it), but it works. Close-ups of Justin on the big screen suggests he is having a little difficulty keeping a serious straight face, but that’s ok. For the final chorus, Ed is hammering the drums and Dan and Richie are again up on the high platform. The lights come up and Dan and Richie come down onto the stage for a huge rock-opera type finish that raises goosebumps. Fabulous, and the huge cheer it earns is well-deserved.
An acoustic guitar on a stand is brought on for Richie, which he plays standing up for ‘Hazel Eyes’. I’d only ever heard this live once or twice, so I was interested to hear how it had improved as a live version. ‘Tis great, but you’d probably guessed that.
Cue a lot of prancing from Justin for ‘Get Your Hands Off my Woman’. Again, the crowd goes wild at this oldie, but they don’t seem to realise that their role is to scream “Motherfucker” as loud as possible when requested by Justin. Never mind. Maybe we should compile a gig guide so Darkness virgins know what is expected of them.
The piano is wheeled back on and we bop along to ‘Friday Night’, then a second keyboard is brought on for Richie. After yet more mucking about from Justin, we get ‘Girlfriend’ with twin keyboards, brass effects and Justin skipping around the stage, playing both his piano/keyboard and Richie’s. The crowd does its bit, rocking their arses off and clapping along. Good work.
The piano disappears again and Justin does yet more guitar chord twatting about (a bit of a theme here) before blasting out the opening riff to ‘I Believe In A Thing Called Love’ which gets the biggest crowd response of the night. The track kicks off with fireworks and includes Justin’s guitar hump across the crowd, but no request from Justin for thumbs at the “everything is A-OK!!” Spot the people who’ve been to a show before – they are the ones there with the double thumbs without being asked. The crowd redeems itself by getting their hands in the air for the synchronised handclap at the end.
The band leaves the stage and the lights go down. As usual, the crowd sets up a chant until the boys come back on. As the lights come up, Justin is revealed perched on the high platform, playing demonic chords on his enormous organ. And looking mightily proud of said organ.
There has been a costume change – Justin is now in the black and white catsuit and Dan has changed into a green t-shirt with white Thin Lizzy logo. And away we go with ‘English Country Garden’ followed by ‘Bald’, the closing track. This was another track I had doubts about hearing live, but not to worry because it is terrific. Very dark, very heavy, very loud. Perfect. Justin tops his previous crowd-walks atop a roadie and crowd-tiger rides atop the white tiger by coming out on a harness to sail above the crowd whilst playing the guitar solo. He doesn’t just hang there though … this boy has been practising his backflips and looks very graceful in his harness. Its also possible to see he is enjoying himself enormously as the crowd wave and jump up towards him, but he is just out of reach. The track ends with enormous amounts of heavy drumming, fireworks and the devil horns bursting into flame.
The band come to the front of the stage and acknowledge the standing ovation they so richly deserve. There are minor scuffles in the crowd as fans fight over the bits and pieces the band throw down to them, then everyone disperses into the night.
An utterly amazing gig, as expected. Thanks a million lads.

Alexandra Palace, 7th February 2006
Some might say I’m mad, but this is my second Darkness gig in four days, and I’m over the top excited. Why? Because its my birthday and I’m doing one of my favourite things – seeing The Darkness live. I have my sister with me, and she is talking to me (just) after I went to the Dublin gig without her.
We had a quick drink at the bar, bought a programme each and perched in a corner to read and drool over the programme. Buy one, its great. Lots of yummy new pictures. We managed to locate Fee and I had a birthday hug and frope, and we swapped glitter and body fluids. We also met with Webbie, who was lurking by the merchandise stall. The question “are you Rob?” to someone with Robert embroidered on their shirt will go down as one of the daftest ever, but he didn’t seem to mind. He is a pocket-sized sweetie. With a boob obsession, but we knew that anyway (joke Rob!).
As this was a standing-only gig, we managed to get very close to the stage and had a brilliant view. We were standing Stage Dan at the sister’s request, directly under the track, so we got a very close look at the boobies as they sailed over our heads. We also got a fantastic view of Dan – no complaints there (especially as he was almost constantly at the front of the stage, with his foot up on the monitor). We also discovered that Dan looks very good in pink, as he changed into a pink Thin Lizzy t-shirt for the encore. Bless, the static made his hair stand on end, so he had a fuzzy hair halo for the final two tracks. Soooo cute.
The setlist was the same as at the Dublin show, but that’s ok. I didn’t get a Happy Birthday wish from the stage (*pfffffft*) but we did get a wink from Justin as he hung over our heads at the finale. What a view.

Brighton, 15th February 2006
Woo and yay, another gig. Probably my last for this tour, as the funds and my boss’ patience are both running out, but its been fab whilst it lasted. This gig’s memorable moments include finally meeting with a member of Sixsister and almost drowning Sue Whitehouse with my pint of cider.
A word to the wise – if you ever go to Brighton, beware of the one-way system which eats cars. After the trauma of actually finding the hotel, I wandered downstairs to meet my lovely Darklings Emilystrange and Willow and was almost flattened by their welcome (literally!).
The Brighton Centre is a good venue, in my opinion. Its not too big, so even the balcony seating feels very close to the stage … and the bar serves Strongbow on draught. I regretted that the next day, when the hangover arrived. The good thing about being sick in the shower is that it gets washed away very quickly, so it wasn’t too bad.
This gig echoes the previous two by being rock-your-arse-off-fantastic. Memorable moments include the very short trip in the boob chariot (as the ceiling wasn’t strong enough for Justin to do a circuit of the crowd, he just hung there), Justin throwing the sitar to the side of the stage during ‘One Way Ticket’ and the introduction of a beautiful sparkly red guitar. I couldn’t tell you what sort of guitar it was, as I’m not a guitar geek. However, it was gorgeous and I want it. Justin’s voice sounded fine to me, even though he was complaining that it was as ropey as a piece of old rope.

So … The Darkness are back and doing what they do best. If you get the chance to see them live, grab it with both hands as the show is fantastic. The stage set is great, the lighting is out of this world, the effects are dazzling and it goes without saying that the lads are on top form. The band seem very happy and look like they are enjoying themselves. There is a lot more on-stage interaction between the band members, but the flipside seems to be a lot less interaction with the crowd compared to previous tours. Justin didn’t seem to be giving the crowd as much stick as I’ve seen in the past, with the exception of threatening to have the bar closed during the Erection Section at Alexandra Palace, as far too many people were leaving to go to the bar (although he did ask someone to bring him a pint if they were going to the bar). He didn’t once tell off the seated section of the crowd for being seated, and he didn’t really complain about lack of reaction from the crowd. Very un-Justin-like behaviour.
Thanks a million boys, I definitely had the time of my life.

Hamburg 11.3.06

by Eli (supported by Cora)

The Darkness-Concert review

The first German TD-concert of the OWTTHAB-tour took place in a club called “Große Freiheit”,a smaller venue for about 1000 people. Beginning: 19:00 pm.

We (Cora and I) arrived at 18:45 pm and heard the last song of the supporting act “Doomfoxx”.
As the club wasn´t overcrowded at that time, it was no problem to reach the first row, left side, immediately. During the break we considered the best way giving our birthday presents to Justin and finally decided to throw it on stage in a plastic bag, hoping not to hurt anyone.

For me it was the first time seeing TD live and although Cora has seen them several times live on stage, we were both trembling and full of expectations. Checking the cameras again and again…

Then the lights went down and while more and more people rushed in (the club was sold out),
the first tunes of Abba´s “Arrival” were played. The air was vibrating, a shouting and cheering crowd. And finally they entered the stage:
Ed took his place behind the drums and was mostly hidden, so we couldn´t face him for the whole show. What a pity! But we could hear his powerful drumming all the time.
Dan appeared and he stood right in front of us. So near, couldn´t believe it. Looking so gorgeous in his black jeans, black Thin Lizzy (what else) shirt and a black jacket, which he got rid of very soon.
Richie, wearing black leather trousers, well-formed and a black muscle shirt,
and finally Justin in his very tight and sexy black and white trousers and jacket and a black muscle shirt underneath. He took off the jacket and the shirt later, asking us, if we wanted to see the “Flames”. What a question! ( A German magazine called him “greasy”. Shame on them!. He is very proper and in a good form.)

Then the first lines of “Knockers”. Hands up. The crowd was enthusiastic from the beginning. Justin´s voice sounded so powerful, he did a great performance, animated us. He seemed to be everywhere, flirting with us.
Dan played on the left side most of the time, very concentrated and full of passion, far away…( have a look at those “guitargasm”pics and you know what I mean!), wandering around and posing from time to time. And we were happy, if we could catch a view on his face without his long curly hair covering it most of the evening. Interesting to see that he changed his guitar after every song.

Richie had his position on the right side, but whirled around during the whole show with a happy smile on his face, played with fun and showed it. Shaking his hips together with Dan, playing in front of Ed. Richie fits 100 percent and you can feel the strong bondage and the vibes between all group members. A good team, enjoying it to play together.

That evening they really gave their best .They worked their arses off for us. They rocked us and so did we. The crowd was getting louder with every minute, jumping, dancing. And what a marvellous light show! We were electrified from head to toe, everyone joining the TD Family, singing every line of each song, no matter if old or new:

“One Way Ticket”.., “Is it just me?”,” Growing on me”,” Dinner Lady Arms”, “Giving up”, “Black Shuck”, “Love on the rocks”, “Love is only a feeling”.
Dan´s solo at “Seemed like a good idea”:and Justin´s voice at “Blind Man”: Very touching.
Then “Hazel Eyes” and “Get your hands off”. We were animated to join in again and Justin shouted out: “ You are so loud” (Of course we were!)
Then a short episode in German language: Justin´s question:” What is “Motherfucker” called in German?” is answered by a vibrating crowd. He didn´t get it three times and so the microphone wandered around and a friendly German chap finally gave the answer.

Rocking through” Friday night” and “Girlfriend”.
Richie started a solo: Beginning with AC/DCs: “Thunderstruck” turning to “I believe in a thing called love”. Everyone´s shaking again.

Then at least Justin´s ride on the shoulders of some strong men with his blinking guitar. He came very near to us. Cora reached his shoulder. I failed taking a pic of him( without his head, but his nipple on). Nevermind!

They disappeared from stage after their last song and were called back so loudly to give us two more songs: “English Country Garden” and “Bald”.

Our ears were still ringing afterwards and we went hypnotized to the bar and took some drinks, then had a short look at the merchandise (nice men behind the counter, by the way)
and went to the wardrobe.

I should tell, that we managed to give the birthday presents to Justin in the second half of the show. Cora grabbed out her shirt with “Sexgod” on it, shouted three times at Justin and he took notice of her. The presents were handed to him. He looked at the shirt, called out:”Oh, Sexgod!”, grinned and gave us to understand that he would open the other presents later.

We met some friends and decided to wait for the group at the backdoor. Hamburg didn´t have so much snow for ages and it was icy cold outside . Who cares? The things you do for your favourite musicians!
We talked so much, that we nearly missed them. They were already standing there and we hurried up.
They were good-humoured with a bottle of beer in their hands. We took photos, autographs were given and we had a little chat. Cora outed herself as the shirt girl and Justin even asked who gave him the little giraffe (one of my presents). He was pleased and friendly.
Richie was very open-minded. He asked, if we enjoyed the show, said that he loved Hamburg; but not the weather. He was very interested in what he was looking like in our pics. His comment: “Oh terrible” (We don´t think so!)
Oh and I have to apologize Dan for not asking him about his injured wrist (Tour diary Helsinki). I was too excited. I forgot it. Sorry!
Finally they all slipped into the tour bus and we were left behind very, very happy.

At the end of the review, I want to thank TD for their awesome live show and the little time afterwards.
Hope you´ll soon come back to Hamburg and play another hot show ( so hot – like Dan said in his tour diary – “ that their trousers had to be prised after the show!”)

The Darkness at Birmingham

by Davey

Birmingham NEC, 19th February 2006

I nearly didn’t make it to this gig. Stood in the middle of Birmingham, freezing my scrattocks off, I was fearing the worst; that my chauffeur had gone AWOL on me.
Luckily for his general health, he turned up only an hour late (by this time my limbs were encased in solid ice), and by the end of the night I had forgiven him (well, he did pay for my t-shirt…)
We arrived on the venue floor just as Juliette and her band of merry Licks hit the stage. I’ll take this opportunity to express what a fantastic live band they are, and what a breathtaking frontwoman Juliette Lewis is. Not only a talented singer, but with boundless energy on the stage, her body rocking with the music. I’m not usually keen on skinny girls, but I must admit to having a bit of a crush on her…
I loved the fact that the spaces between acts were so short, so there wasn’t any time to get bored and/or narky. Same with the night before in Manchester, it was only a half hour wait after Juliette et al, with some classic rock videos for entertainment, whether laughing with or at them. It was glorious to hear once again the magnificent ‘Arrival’ softly curling through the crowd, as we all gazed upwards in anticipation. There was a beautiful moment when I looked around and everyone’s eyes were fixed on the stage, wide smiles across their faces, genuinely elated and safe in the knowledge that they were about to have a shit load of fun watching one of the best live acts on the planet.
You just couldn’t fault The Darkness that night… we made a point of standing on Richie’s side, and had decided early on to give him a warm welcome home. Not once did I think, “this is weird without Frankie…”; quite the opposite. Richie fits so incredibly well in the band, there’s no doubt and no denying it. There’s a constant air of “nice bloke” about him, but that doesn’t mean he can’t rock out hardcore style with the best of them. He’s got energy, aggression, and he loves what he does. You just know that he’s genuinely happy to be there, to entertain you as best he can. And, naturally, we gave our all in return, if in the slightly more subtle way that the NEC crowd conducts itself.
Justin (who’s looking better with a bit of meat on him), pranced, danced, and shook his ample arse as generously as ever, melting some stunned faces with the use of Philip the Ibanez, prompting us to sing along (perhaps to compensate for the fact that his throat felt “as rough as a bear shit rolled in fish hooks”). In fact, we were close to singing the whole of ‘Growing On Me’ without him until we were stopped and treated to the original (and best) version. Dan and Ed carried themselves with the quiet dignity we’ve grown to know and love… that is, until Justin made a spectacle of young Edwin and he was forced to shy away from our screams of admiration. Bless his cottons. He’s improved so much; after all the stresses of his band almost falling to pieces, having a ray of sunlight (namely Richard Edwards) entering the band seems to have given him some extra confidence, and he’s got a lot more power behind his unique drumming style. You’ve just gotta love ‘im.
I didn’t see much of the younger Master Hawkins on the Sunday, but I was more on his side the night before – and how on earth does he make such violent head banging look so graceful? You can’t say he’s not ridiculously talented, dextrous with his weapon, and with such lovely hair to boot.
The highlight had to be ‘Seemed Like A Good Idea At The Time’, with some surprisingly gorgeous backing singing from Richie and Dan (sitting on stools in a rock ‘n’ roll Westlife style – but this can be forgiven), and Justin on piano, with tiny flames dotted about an otherwise shadowed crowd creating a truly outstanding ambiance.
That said, all the songs from ‘One Way Ticket To Hell… And Back’ and the equally outstanding ‘Permission To Land’ were played with all the vibrant intensity we’ve come to expect, which left me and thousands of others with a cathartic sense of satisfaction. After it all, I felt nice and warm skipping back to the car at silly o’clock on an eventful Sunday night.
Take heart, lads; some of us get it.

Gay icon?

by Jo

Icon? Maybe not today..

So.. how did this question come about? I have absolutely no idea. Perhaps it’s the long-wondered and never voiced issue amongst darklings.. The ones that think further than flames, anyway. Gay icons… what makes one? I did ask. Purveryors of fine dancing music. Arbiters of style. Both, even… Groups or singers who are openly gay, pushing back the boundaries. Well, you know all that. Tastes differ, though. Some bi boys of my acquaintance really couldn’t give a toss about Madonna, Kylie, Audrey, Marilyn, or the Scissor Sisters. Their tastes lie in anime, yoai, goth and arthouse. They don’t see their music as relating much to their sexuality, and don’t care at all for Old School icons. It means nothing to them.

Gay iconicity is in the eye of the beholder, now, not in the hands of the hype machines. I’ve seen many articles with young actors and singers, our own Nicolai amongst them.. speculating on their potential, and designating them as pinups at the very least. Well.. McFly are going to get a mixed bag of fans! (Apparently they’re a good looking bunch of lads) Definitely interesting to read their views on being fancied by their own sex .

Sexuality and taste do not go hand in hand. Arts are still a great leveller – should you wish to call most of the pop music we have now ‘art’. Sexual attraction doesn’t give someone icon status either. For example, what makes Nicolai (formerly of Do Me Bad Things) deserving of pinup status, and Justin not? He’s been interviews in axm (sexy, sharp,gay) after all..They’re as gorgeous as each other. Justin is about as full frontal a showman as you’ll ever see. Too much, perhaps, to ever be pinup or icon, but he’ll always be sexy. Dan – well, he’s astoundingly pretty. He’s not in the public eye enough, so not deemed interesting enough, to non-darklings – a grave error. He’s as thoughtful, incisive and considered as Justin isn’t. Together, they’d be perfect. (Apparently the would be, but these musings aren’t about the incestuous homoerotic fantasies of the few). Nicolai, however, has that indefinable spark – lithe, quietly beautiful, changeable and sweetly innocent of his own appeal. The Hawkins brothers play on theirs to an enormous degree, and ham up their slashiness. Nik’s DMBT music, stomping, rousing rock/disco is more likely to find appeal amongst the more staunchly stereotype queens of my acquaintance than the Hawkins falsetto (in my opinion), as there’s something far more undrground and diva-ish about it. We wish him well in his solo career.

I’ve spent this whole article talking about straight men , but I can only write about what I know!

Onto music genre then. My small but admirable pink pool mostly really do love disco, 80’s cheese (me too!), Elton, Maddy, divas, and all the rest. One does one’s best, but it doesn’t work enough! The rest are of the gothic persuasion. A genre full of gender realignments and as much androgyny as you could wish for. And still, that has no part to play in their love of the music. Just for each other, it’s how they met, after all.

Pages of notebook later, I still haven’t answered the question.. Are The Darkness gay icons? The answer is, no. Even if one of their songs is called ‘Bareback’, which has other connotations. When pushed, my mates will admit to Dan’s beauty and Jus being a potential bit of rough.. but in this non-battle, Nicolai bears the crown. He gets a second look from everyone.

Oh well. It’s probably not a crown they worry about unduly. Just idle curiosity on a dedicated darkling’s part.

pics… Dan, Jus, Nik in action

On tour with The Darkness

by Tigerlily

My tour began on Friday 3rd, when I jumped on a train, then on a car and finally on a plane to go to Dublin, Ireland. Arrival at 23.45, local time. 7 hours from my home to my destination…
But I don’t regret it…

The Point Theatre, Dublin, Saturday 4th.
Since a show (not by the boys) in Paris in February 2002 or 2003, I’m not keen anymore on waiting for I don’t know many hours outside in the cold. Especially when it’s still easy to make it to the front…
This Saturday, I missed half of the Ark’s set and I have yet to decide if I have to regret it… I didn’t find the second part of their set outstanding. And I vaguely remember Juliette Lewis and The Licks from that night…
Even by being that late, I still managed to make it to the 2nd row, center. I had to fight a little, but nothing too terrible…

Shortly after setting myself in my spot, a video compiling extracts from Darkness videos on “You shook me all night long” by AC/DC announces that the boys will soon hit the stage.
The venue goes dark, and Arrival by Abba confirms that the moment we’ve been waiting for a so long time is finally here.
Ed is the first to take place and begins immediately to beat his drums on Knockers’ rhythm. He is shortly followed by Richie and Dan, who both appear at the feet of the biggest horns.
Justin… Justin appears on the left side of the stage, flying in a pair of giant boobies. With flashing nipples! For those who doubted that the band would be able to top up their last tour, there isn’t any doubt left now… They’re going to show us that they’re back. For the best!
And I have to admit that seeing this pair of giant knockers over our heads is probably a thing that I’ll remember for a very long time…

One Way Ticket is the first song that really takes the crowd, shortly followed by the Darkness’s next single Is it Just Me? The crowd is alive and begins to push hard in my back, reminding me that I’m definitely not made for mosh pits.
Anyway, the band is great and mixes old and new songs. Growing On Me, Black Shuck, Love On The Rocks, Love Is Only A Feeling, Givin’ Up, I Believe In A Thing Called Love, Get Your Hands Off, Girlfriend, Seemed Like A Good Idea, Hazel Eyes, Dinner Lady Arms, English Country Garden, Bald, Blind Man. All the main songs are here. But no b-sides. At all…
By the time the boys set up for SLAGI, dizziness has taken over me and a nice security guy lifts me out of the crowd, maybe allowing Dan to see more of my ass (hidden behind fantastic stripey black and pink thights) that I ever wanted him to see… That’s the moment I want to “thank” the charming blond lady beside me who refused to call the security when I asked her to and said to me “I don’t believe you”. I truly hope this will never happen to her…
That’s on the far right of the stage that I finish to watch the show, mainly on the screen. That’s the first time that I think that I would love to see a dvd of that tour…
The show ends on an incredibly good and loud version of Bald. As soon as they left the stage, the lights are turned on and the familiar tune of “I’ve Had The Time Of My Life” blows up the speakers… It’s time to leave the venue, with a little pinch in the heart, even if I know that I’m going to see them again very soon…
My best friend, who was there for his first Darkness show says to me that it’s been one of his favourite show. EVER. And we’ve both seen quite a few big bands!

30 minutes of walk to my friends place (Dublin is really a small city), debriefing with a few friends, transfer of photos from camera to iPod… And it’s time to go to bed, I’m leaving for London in a few hours…
I check-in at 8.30 at the international airport of Dublin, where I’m soon joined by one of my touring friends. We both chat about the show, comparing our impressions. Our flight is delayed by 45 min, and as soon as the plane takes off we both pass out and wake up only to see our plane doing rounds over Heathrow. We finally land and it’s with a kind of relief that we see our friend arrive to pick us up. Before leaving Heathrow, we manage to buy the last issue of Total Guitar in which our boys are pictured. Eye candies. But we’re too tired to read the article anyway!
A few hours later, I finally settle in a charming house in Kent, where I’m going to spend the next few hours. At this moment, I think I can’t be more tired. The future is going to prove me that I’m wrong.

On Monday 6th, we head to Heathrow to pick up another friend arriving from abroad. We go directly to Ally Pally to check out the venue. It’s just too weird! The building looks like everything but a rock venue! In the greyness of London, it looks odd, even a bit scary. And I have difficulties to imagine that tomorrow, this place will be illuminated by The Darkness’s magic.

Alexandra Palace, London, February 7th.
And finally, the first London’s show arrives. Our cab picks us up at 5pm and drives us directly at the feet of Ally Pally. But it’s still too early for us to queue. And it’s bitterly cold outside. So, a stop by the pub is required. We finally join the queue just a few minutes before the doors open. And we go directly to Richie’s side of the stage, 2nd row.
The Ark enter the stage. And I find them even more boring than in Dublin. I don’t know. They were like… not here. I know there are plenty of fans of them around, but I’m sorry, I still can’t understand what people find to them. Finally, their last song, and the only “good” one (to me, once again): One Of Us Is Gonna Die Young. And because I’m a good girl and I know how difficult it is for a band to play and be great when the crowd doesn’t react, I sing. Yes, I sing on this song with them, when the singer ask us to sing. I’m that good.
Time for Juliette And The Licks. I love Juliette’s presence on stage. You might not like her music. But you can’t deny that she gives 200% of her when she’s here. I love her attitude. If you like Avril Lavigne, she’s definitely not for you! Since I didn’t pay attention to this band in Dublin, that’s like my first time, this night in Ally Pally. And I admit without any shame that I had much more fun with them than with the Ark.
But it’s time for the openers to go back in the backstage areas. Roadies empty the stage and set up the boys’s gear. Test everything. While they try to keep us occupied with videos on the huge screens on the sides of the stage. A-ha, Robert Palmer, Huey Lewis (for the song from Back To The Future), Aerosmith, Kiss, Led Zeppelin etc… and… Green Day. Odd! Finally the mini video with them arriving by helicopter. We’ll learn later that day (or the day after?) that they taped this part a few weeks earlier in Sweden. A couple of videos, and the medley is on again, on AC/DC’s song. At this moment, I think that after 4 nights, I might get bored of all those videos…
Anyway, the venue goes dark and Abba’s song blows in the speakers. I still can’t believe that people thought that was the pan pipes from the album. No, Abba. 70’s cheesy band. That my parents loved.
A little light behind the drums announced us that someone is showing his way to Ed. Seconds later, he begins to beat Knockers’s rhythm. I’m as excited as 3 nights before. No. I’m MORE excited that 3 nights before. I keep telling to my friend to look on the left of the stage, where Justin is going to appear in his boobies chariot.
Richie enters the stage, still at the foot of the right big horn. My heart jumps when he begins to play the bass line. He’s shortly followed by Dan who appears at the foot of the left big horn. It gives me shivers when he throws the riff. And Justin…
Justin. He’s flying in his boobs over our head and I can feel that the mood isn’t here. There’s something wrong. I can feel it. I don’t know what it is and I will never know. That’s maybe the fact that from where he is, he can see that the venue is far from being sold out. I don’t know. Anyway, I raise my eyebrow and hope that I’m wrong.
One Way Ticket, Is It Just Me, Growing On Me… The show is there. And the show is good. But not as good as expected. I’m shocked when I see Justin being lost in the setlist. It takes him foverer to figure which song they’re supposed to play. I’m confused. He finally finds what he was searching for. And the show continues. I don’t like his jokes about his belly. He isn’t fat. He’s put on weigh, none of us is going to say the contrary. But he’s NOT fat. He’s even far from that. And that’s nothing than a tour could “arrange”, anyway. But he seems so self-conscious that he makes me feel uncomfortable and sad for him…
From where I am, I can see Richie trying to relax his erm… left? wrist. He is all smile and happy and obviously enjoying the show, but he seems a bit uncomfortable with his wrist. My advice: before the show, put away all gentleman’s reading material, ok?
I can’t see Dan or Ed from where I am. Not that I wouldn’t like. But there is a giant young man on my right that blocks my view for the left side of the stage. Which annoys me terribly. I only see Dan when he switches his side with Richie, which happens ONCE during the show. And Ed… Well, he’s as usual hidden by his drums, and being the short woman that I am, I CAN’T see him. But I can hear them, that’s the most important thing, isn’t it?
I Believe In A Thing Called Love is the last song before the encore. A few minutes later, they come back on stage. And Justin begins to play on the giant organ a classical and ultra known theme that I can’t remember the name right now. The Walkiries by Wagner? Well, something like that… Shortly followed by English Country Garden. It’s a bit odd to have him up there, back to the audience, playing and singing. The organ is a great idea, décor wise, but I don’t know, it’s a bit weird when it comes to actually use it. We can see smoke going out of the pipes when he plays. That’s funny.
They finish the show with Bald. I’m completely blinded by the fireworks. Justin finishes the show as he began it. Flying over the crowd (but without the boobs). It’s funny to see him soloing upside down. He’s great! But it’s a bit tough to look at him flying in the air, while the others are still on the stage. Maybe they could all fly over the crowd, next time?
The show is finally over. It was great but… I don’t know… Something was lacking that night and I’m not sure what it was.
We slowly go out of the venue, to discover the weather has turned rainy. Cold and rainy. We’re a bit lost, none of us really knows what to do next. And we’re standing under the rain for a few (long) minutes… Finally to decide to go back to our hotel. We could have waited for a bus, but we decided to go down the hill, walking, under the rain. In the cold.

Finally, minutes later, we settle in our room. We’re 4 to stay here that night. 4 girls. If you have difficulties to figure what “fangirling” means, try to imagine 4 girls in the same room after a show talking and talking forever of THIS show, each of them with the tour programme on their knees, screaming when they look at the photos / read the text about their “favourites”. Because the “worse” thing of that night at the hotel, where 4 of us were staying, is that each one of us actually “fancies” a different member of this band. We had in the room a Justin, a Dan, a Ed and a Richie. Weird! But funny! (And I can tell you that Ed and Dan slept in the same bed that night)
We finally went to bed and I thought I was going crazy when an alarm clock went on a few hours later. I had the feeling that I had sleep for only a few minutes. Anyway, 2 of us left the room early to queue for the 2nd Ally Pally show while the 2 others stayed in bed. Guess what I did?…

So, a few hours later, we finally took the direction of Ally Pally. At 5pm. With a cab driving us here. Yes, because walking down the hill is cool, even under the rain, but walking it up is not cool. At all…

Alexandra Palace, London, February 8th.
For that night, the international crew (composed by me, the French one, an American girl and a Finnish girl) doesn’t have any ticket. Well, I HAD one, that ticketmaster never sent to me. Well, they sent it to me, but way too late. I’ll discover later that I received it, in France, on the 9th….
Anyway, as none of us as a ticket, we decide to queue earlier than the day before, to be there at the opening of the doors and of the box office (which is INSIDE the venue…). A little more than 1 hour in the cold. Very long. And when the doors open, we think that we’re saved.
In fact, we aren’t. The box office hasn’t opened yet, and the security asks us to wait on the side, until it opens. And we see all the people who arrived after us enter the venue. Really annoying. And when we’re finally let in, I’m completely pissed off at the venue, the organizers, ticketmaster and basically the entire world.
We get our tickets and walk quickly to our favourite spot. The right side of the stage. But so many people have entered before us, we’re on the 3rd row, behind some kind of a hairy giant. Not fun. By the time The Ark begin their show, we’re already on the second row. There are some nice people in this world.
The Ark. They are so MUCH better. Probably because there is a bunch of Ark fans here tonight. I can see them jump and sing and everything. They’re much more enjoyable than the shows before. And the singer finally discovers our side of the stage. After 3 shows…
The audience is all bouncy and the time flees quickly. It’s already the time for One Of Us Is Gonna Die Young. All the crowd sings. That’s great.
Juliette And The Licks. Same as usual. I have the weird feeling that she recognizes me. I enjoy their act, but I’m incredibly impatient for the boys to take the stage. Even more impatient that the nights before. This is really weird. You could think that after a few nights, you’d be jaded and bored. Not at all!
The videos put me at the agony. And I’m about to punch a guy behind me when he says “oh, they’re coming” when the video with the helicopter is played. No, they’re not. We still have to wait for another couple of videos.
When Abba is finally played. I can feel all the adrenaline runs through my body. I’m tensed, eager to see them, ready to rock.
And they’re finally here, with the same routine. Ed, then Richie, then Dan and finally Justin in his knockers chariot. As soon as he begins to sing, I can feel the night is going to be different. He seems in a good mood. In an excellent mood. That’s good, because we all have decided to have a blast tonight.
And the show is crazy. At least for us. The international crew. We had created the crappiest banners ever (we made them 30 minutes before leaving our hotel, no time to be really crafty). But they seem to enjoy them. They make them laugh. That’s the most important thing to us.
I don’t know how many picks are sent in our direction that night, but that is surely an impressive number. None of us is able to catch one, which annoys us deeply.
Not only the mood on the stage is excellent, but the crowd is also reacting to the show. Singing, jumping, dancing. Alive. The band encourages us. Richie makes us clap in our hands for every song. And after 4 or 5 songs, my hands already hurt so much that I have to blow on them to calm the pain. They keep us going, and I eventually forget the pain in my hands, in my throat (for too much screaming) and the bag between my thighs that prevents me to go with the crowd as I want.
And the show is different. For me, this is probably one of my best Darkness’s shows. They were great and that’s how I love them. Rocking furiously, but also funny and cute. Yes, that night they were utterly cute.
And when the last notes of Bald are heard, a part of me cries. This was too good and it can’t be over now. The next few minutes are like a blur for me. All I remember is Richie on his knees trying to catch his very first (I think) stage gift. A big thank you to Ricky the security guy for his help. That was really nice. And I hope our lovely bassist enjoyed his present…
At the end of the show, we are more or less pushed outside by the security, because the roadies are already disassembling the stage and the barrier. We just have time to see big blue eyes Sue W. and a charming little strawberry blonde guy. Well, we saw him the night before too, as he spent the beginning of the show at our feet, kind-of. Absolutely charming. A real cutie!
We waited outside for a few minutes. Lost. We finally went back to our hotel. Only 2 of us were staying here that night, but it was as crazy as the night before with the 2 of us chatting endlessly until we realised it was 4.30 and we were supposed to wake up 5 hours later.

That’s on Thursday, on our “day off” that I realised that we were on tour, while we were waiting for “our” car in the lobby, completely exhausted. And the drive “home”, even with 2 of my best friends in the car, was really really long… None of our chats, jokes and whatever were able to make me forget how tired I was. How broken I felt. But being on tour means also that you’re with your friends, having the time of your life. So, even if you’re tired and the only thing you want is to hide under blankets for then next 24h, you keep going, and chat and laugh and enjoy every seconds of your time.
After watching recorded tv shows and videos, I finally went to bed. Before midnight!! Woohoo! To wake up 2 hours later, having nightmares and hallucinations. Fever. Sickness. Pains in the whole body. A tour is also that. You’re so tired, you’re fragile and catch whichever bugs that were around at that time. The funny thing is that when I went downstairs to find something to calm my fever, Is It Just Me? was on TV. And I wondered for a few seconds if I weren’t hallucinating. I only remember the bum wiggling part of the video!

I woke up 7 hours later, feeling poorly and a bit afraid of the long journey to come. From Kent to Yorkshire (South east to erm North, kinda, for people not aware of UK’s geography), by London. A long day. Very long, especially when you’re sick as a dog. I was ok until St Pancras station. But everything went worse after that. And I’ve never wanted that much to be in a bed. I’ve discovered muscles in my lower back that I didn’t know they existed.
We finally arrived in our hotel. It was something like 16.30. I went directly to bed and only went out of it 22 hours later, completely voiceless with a really sore throat.
At this moment, I was seriously afraid that I wouldn’t be able to make it to the show. And when we were waiting outside in the cold, I thought that I was crazy.

Hallam Arena, Sheffield, February 11th.
I’ve been lucky enough to have been offered as a very early birthday present a ticket for the front standing area of the venue. I had a rear standing ticket (that I never received, thanks to ticketmaster, royal mail and the French post services) but that was really annoying me. And I was really relieved to have a front standing ticket when I saw the barrier in the middle of the venue. I’m still trying to figure out the reasons of this barrier…

The openers, the videos, everything went on my nerves that night. Especially when Juliette jumped over me and hit me with her shoes. As if I wasn’t feeling bad enough. But finally, after what seemed to me a very long time, the lights went off. And they were there. On stage.

And then, I immediately forget how ill I am. How sore my throat is. How tired and broken I feel. No, I’m just enjoying the show, like any other nights. Well, I don’t sing as much as the previous nights. But the feeling is here. And I feel good.
The setlist is the same. And as soon as a song finishes, I’m already waiting for the next one, knowing exactly which one they’re going to play. I laugh at Justin’s jokes. And by the middle of their show, I’m finally able to drag myself on the front row. I can finally see Ed. And Dan. I find myself staring at Ed, he’s so funny to look at. And Dan. Dan is always the same. Head banging. With hair flying all around. I don’t see them, but I can feel that the Dan crazy fans (no offence here) are on the edge of a collective orgasm.
I can feel the heat of the flames during Black Shuck. And I wonder how they do to manage it, because they’re all really close from the flames. Especially Ed, who’s just under them. I also curse the security for not having water. With the heat of the pyros and my cough, I really could do with a bit of water.
I know I don’t look like I’m enjoying the show as I used to do the nights before. But in my head, I am enjoying it, it’s just that I don’t have the physical strength to jump and dance and sing along all the songs. And I’m keeping my strength for my favourite song (from their last album).
Finally it arrives. Girlfriend. I know it’s the last time in a (very) long time that I’m going to hear it live. My heart is pounding. I don’t know if it’s the fever or just a mix of very strong emotions. I dance, and jump and sing as much as I can. I love this song. And the live version is even better than the studio one.
But it’s over soon. The show is over soon. That’s my last show on this tour, and I already feel sad and nostalgic. But with plenty of excellent memories to keep me warm.
I walk out of the venue with one of Richie’s picks in my pocket. It has fallen just at my feet, after hitting the barrier just where I was. And a security man has been nice enough to give it to me.
I think it’s still in my purse, more than 2 weeks after the show!

We finally went back to our hotel where we celebrate the end of our tour together by having Champagne and Cake. We also decide to check out early and have a king’s breakfast in one of the poshiest place in Sheffield.
We all passed out in the car (except our driver, thanks god) on our way back to London. The mood at Heathrow was weird. Everything went so quickly and it was hard to believe that it was already over. A bit difficult to think that the day after, we were all going back to our “normal” lives.

I’m back here. It’s been 2 weeks. And all I can think about is “When are we going to do that again?” “Following” a band like that is more than just going to shows and enjoying their stage presence. It’s also being with your friends and having a lot of fun.
This tour cost me a lot of time and money. I could have spent my week off work tanning on a beach of Tunisia or Morocco, that even would have been cheaper… I’m not tanned, I’ve been sick like I’ve never been before, and my bank account is slightly scaring, but I don’t regret it one single second!

The Darkness at Manchester

by Jo (Pics by Lou!)

Manchester Evening News Arena – 18th February ’06

I couldn’t get to many of the gigs, and this is the only one where I’ll get to see the flying, the chariot, both supports, and Six. So after 4 and a half hours by train, and a lovely meeting with Fee and JWN, and Cora and Dori, I’m getting excited. Then my girls arrive, and it gets worse! *Bounce*

Due to a.. mixup.. with the hotel I end up getting changed in the Hard Rock Café toilets. Interesting.. but they are playing the whole of PTL so it could be worse! I can’t believe they make me ditch my biscuits on the way in to the MEN. no food? They’re not food! We had an interesting bit of ‘my mate fancies you’. I wonder how that’s going.. I want one of those red and black striped t shirts still, but I can’t afford one.

Oooo The Ark, all the way through. I rather liked them, actually, especially the wings .. it’s a slow start, but they do get the crowd singing and bouncing eventually. Not been to MEN before, it’s huge, and scarily empty to start off with. Still, it fills up nicely while we wait for other people to arrive. If I’d known my water would come in a pint glass I’d have waited..

Juliette and the Licks are on, and during that it’s time to head off to the front. We stop and hear the rest of the set, planning to move on in the interval. My word. Yes, lots of energy, and rocking, etc, but they do take themselves awfully seriously. Lighten up. Darkness fans don’t really want ‘serious’. We want fun, and laughter, and rock with it.

Off to the front then. I make it, thanks to some polite young men, and I’m at the barrier in plenty of time. OOO who’s that with a photo pass? Our own Lou. We had a quick chat until Arrival started. You know what? I love it when TD gig virgins are just overawed from the beginning, and that’s what happens when the chariot rises. You can hear the clunk of jaws dropping, then giggling. I guess that’s what TD wanted.

It’s another barnstorming gig. Better, I think, than Brighton, which others said was one of the best. Justin’s interaction with Rich is funny, endearing, and you just know they’re mates having a ball. On the other hand, the pratting about with Dan hasn’t been there. These two gigs, they’ve barely looked at each other, and I’ve never seen that before. Justin’s throat is obviously still playing him up and he apologises. I’m sure an expert could tell, but it did sound fine.. The crowd rocks hugely, and by the amount of people that come out, it’s rough, in the middle. I don’t just stand to one side cos of the view, you know.. Jus does his introducing Rich bit, which is fantastic. The funniest bit… Jus picking up a purple thong, finding out it’s for Rich, and seeing Rich choking on his bottle of water as Jus announces that. He’s very embarrassed.

I hate it when you know the gig’s going to end soon. All this superb, one off entertainment will soon be over and fade into memory, and it’s my last one of the tour.

That flying, though.. it’s worth waiting for, and who better to entrust it to than Justin? Rich and Justin starting from opposite sides though.. now that would be good, jamming (musically) in the middle. Oh yes.

What else can I say? Separate dressing rooms, apparently. We waited to wave the bus off, as the lads were travelling back to Birmingham for the next gig. We knew they were going to drive straight out, but we had gossiping to do to keep us busy. They stood at the one window that wasn’t blacked out, looked at us waving, and.. well, nothing, really.

Then the fucking taxi took me to the fucking wrong hotel.


New Site

Hi folks,

 

We hope you like our new-look site! We’re still working on a few things at the moment, but we promise we’ll have some exciting SixSister blurb on here very soon! In the meantime there are plenty of reviews & articles to keep you going, so have a browse around and enjoy.

 

Keep it rock.

Posted in OI

Humanzi – Long Time Coming (single)

by Emma

Long Time Coming, released on 13th February, is the first ever full scale release from Irish rockers Humanzi.

Humanzi have sparked a whole new wave of excitement with their electric and bold style that screams with a fiery aggression rarely seen from Irish bands. Long Time Coming is no exception to the rule and is a fast-moving raucous song with a firm and fearless dose of twangy guitar, quick bass and often-ignored keyboard.

Watch out for more from this band – their debut album is expected around May and might just ignite a new movement.

Fony – Waco (single)

by Emma

Waco is the first single due for release from Fony’s forthcoming album Mercy After Fiction and kicks off with good twangy guitar and bursts into a strong riff and there follows the opening line, bursting with energy and confidence.

Waco is the perfect choice of single and has everything you want in a song – memorable tune, powerful and raw vocals with a style unique to Fony, deliciously loud drums and lyrics written with thought and intelligence.

Fony have already proved that they have what it takes and this single re-affirms this and tells me that they are ready to show the world that it doesn’t stop here. Roll on the release of Mercy After Fiction, I can’t wait to here it.

Sandy Dillon – Pull The Strings LP

by Emma

The seventh album released from Avant Garde artist Sandy Dillon is due for release on 24th April, and is interesting to say the least!

Title track opens the LP and is unconventional yet strangely drawing. Odd scratchy vocals are somewhat overshadowed by the eerie dialogue of the puppeteer over a mismatched beat. And so goes the album as it switches from manic and crazed to calm and bluesy. The musical styling is at times reminiscent of 1960s skittle with a basic ringing guitar and the cheery addition of harmonica and keyboard.

Sandy Dillon’s vocals are certainly different, childlike yet aggressive in places. One thing is for sure though – they, like the lyrics are full of heart and soul. Of a generous sixteen tracks my favourites are the sing-song Why? and Pull The Strings.

Fans of experimental avant garde will really appreciate this record. It isn’t quite my cup of tea though, and for those like me it would take time for this to grow on you.

The Bleeding Hearts – ‘You Bring Me To My Knees’ (single)

by Davey

Surprisingly upbeat and honest, ‘You Bring Me To My Knees’ is a light hearted indie pop anthem, with a subject matter everyone can relate to – saying “I love you” and not meaning it. The Bleeding Hearts take the anguish that follows in their stride, soothing ones guilty conscious. I was expecting a My Chemical Romance type affair, but a slice of Brit pop is much more welcome, with gentle Arctic Monkeys-esque riffs and simple, poetic lyrics: “You blinded me with your arrows, Cupid; shoot them to my heart and not my eyes this time”.
Gorgeously addictive, The Bleeding Hearts have everything going for them.

Jeff Klein – The Hustler (album)

by Davey

Jeff Klein, one of the most honest and intimate songwriters around, still riding the wave of success following his second album ‘Everybody Loves A Winner’ is all set to release a new completely different album. Why? Because he can, and because he wants to prove he’s not just the one trick pony that made that stripped down sexy album a couple of years back.
‘The Hustler’ is rich and languid, atmospheric, and just a little bit uncomfortable to listen to. Klein drew the inspiration behind his relaxed acoustic style from the New Orleans culture; it’s a cliché thing, but it seems to work for Klein, who etches velvet images of the sunsets and hot cracked streets of the city with his voice. Deep and sincere, Klein has the talent and the attitude to take him places, provided he wants to visit them. I get the feeling he’s very much his own man.

Kid Ego

by Louise

Liverpool Barfly, March 11th 2006

Kid Ego Are:
Zakk – Vocals
Birdy – Lead Guitar / Vocals
Phil – Rhythm Guitar / Vocals
Rookie – Bass Guitar / Vocals
Nickky – Drums

It was a VERY cold, half rainy/half snowy March evening. Hordes of classic rockers, metal rockers & punk rockers congregated outside Liverpool’s Barfly, waiting to be let in to what would hopefully be a warm, dry haven…with a bar!
After a short wait, I was led backstage and upstairs to a room with walls caked in posters and graffiti brandishing a wide assortment of band names and logos and pictures. It was here that Zakk and Nickky of the mighty Kid Ego were chillin’. After introductions and some discussion of the whereabouts of the rest of the band (out mingling with the fans or on a quest to find some eyeliner), the interview began…

The band have been together for just over a year. Asked how their lives have changed in that time they describe it as a rollercoaster. A good rollercoaster.
Zakk: It started with just me & Rookie in a drug-riddled squat house dreaming about having a band. Nickky, Birdy & Phil were our mates anyway, and we finally got a band together. It’s just really taken off. People enjoy what we do and we enjoy doing what we do.
Lou: So, no members have come and gone, you’re all the same from the start?
Zakk: Well, we auditioned quite a few people. It went from being a dream to like ‘we could really do this’. So it took a couple of months and we auditioned a lot of people, and finally found the right line-up. We were all best friends anyway.

Proceedings were interrupted by a charismatic, long-haired, eyelinerless guy. Rookie. He was invited in to say a few words…
Rookie: Are you recording now???
All: Yes!
Rookie: Oh really?!!
He promptly set about closing the door behind him & joining in on the fun.
Rookie: Right everybody, I’m angry with Zakk because he’s nicked my eyeliner. I’m bitter about it now.
Zakk: Me and Rookie are like husband and wife.

It’s here that I learnt that rock boys don’t like to buy their own eyeliner. Apparently it looks like they’re stealing it. Kid Ego mothers are the ones to thank for their sons having a good supply of eyeliner. Although on this particular occasion the supply has run dry.

Lou: When I first saw a picture of Kid Ego, I instantly thought of Motley Crue. Are they a big influence?
Zakk: To be honest, when we first started the band I didn’t have that much knowledge or experience of those kind of bands, it was Rookie who influenced me. He got me addicted to them. So we agreed we’d go for a classic rock sound, and that’s what we enjoyed doing best, it’s what comes naturally.

By now we were joined by another eyelinerless guy sporting dreds, getting his band mates to sign things for their fans who were waiting patiently downstairs. It’s Phil. Again discussion turns to eyeliner, as Phil wields a felt-tip pen that he was just given on the premise that it is, in fact, eyeliner. We’re all a little dubious.

Lou: So, your debut album is out in April?
Zakk: Yes.
Rookie: We haven’t got an exact date for it yet…
Lou: How excited are you, about that, on a scale of one to ten?
Zakk: Me & Rook keep talking about it, because, in 12 months we’ve gone from being sat in a room thinking “aw, imagine if we had a band” to having a band and…
Rookie: A CD with our picture on it! It’s just fantastic.
Zakk: It’s very surreal, I would say.
Rookie: I think the best thing is, in the studio, to here our songs played back to us, it was the weirdest thing. The first three songs we recorded I just drove home listening to them on repeat.
Lou: So you like listening to your own music once it’s finished?
Rookie: Oh yeah, definitely!
Zakk: No, I don’t. It’s like hearing your own voice on a video recording that a family member made at a party or something.
Lou: Yeah, it’s the same when I type up these interviews, I don’t like my own voice.
Zakk: Well, it doesn’t get any better when you’re a singer!

Lou: And the album’s called Ignite The Tide. Where did that title come from?
Zakk: Well, I wrote the lyrics (to the title track) based around the general experience of being in this band. The song’s actually written in more of a poetic form, and it just describes the really surreal feeling of being with four guys on stage, who were just your mates but are now more like brothers, and it’s also about how the crowd becomes part of the band and it’s all just one big atmosphere in the room, so to speak.
And I suppose that was a good way to describe the album, as a whole.

Lou: And you’re playing the Whisky…
Zakk: Aw, go on, say it again…
Lou: You’re playing the Whisky A Go Go in LA, on July 15th, how excited are you about that?
Zakk: We still have to keep… Are we REALLY?
Phil: It’s something you think about going to, like “oh yeah, one day I’m gonna go to the Whisky”, and now we’re playing there, it’s like…wooah..
Zakk: We said that even if we don’t get anywhere with this band, all we want to do is say that we’ve stood on the Whisky A Go Go stage. And now that’s gonna happen…

We all shared a moment of awe. I tried to get an invite to the gig, but alas, I think I’ll have to wait a little longer for my time to visit the Whisky.

Lou: Does the band have a motto?
Zakk: Work hard, play hard. We always say that. We are a sleazy rock band and we do love to party, we like to have fun, we like to have a drink, we do like…ladies. But on the other hand, we look at our idols and where they went wrong… There’s not a lot of drinking that goes on before show, but afterwards we like to PARTY. We do work hard, then we play hard.

Lou: So what’s your coolest or funniest Kid Ego story?
Zakk: I don’t know if I’m allowed to say!! Just listen to the lyrics in like…half of the songs, and there’s about a million stories in there! Listen to Heartbreak Hooker. That’s about a trip…it was Rookie’s 21st birthday so me & him went to Amsterdam and had a blast.

Lou: Is there a question that you never get asked in an interview, but you’ve always wanted to answer?
Zakk: Uuuummmmm….good question!! I’m actually having to think now! Uumm…Kid Ego is speechless. Well, this is another thing! I mean, doing interviews, for us, is quite weird. We might be called Kid Ego but we have no ego. We just have fun, we don’t dis anybody, we don’t judge anybody, we don’t slate anybody else’s music, we’re just…
Lou: Nice boys? What like to rock…
Zakk: Well, you see, I don’t know if we should be called bad boys, we’re more like cheeky boys. We’re just really naughty and cheeky, we don’t slag anyone off. We try not to have fights.
Lou: You need some hot pants and stilettos, then.
Zakk: Ah, there’s a story for you! I danced with both of the Cheeky Girls in a nightclub. I was completely off my face and I told them I was a big promoter and I could get them a show at Wembley or something.

This anecdote is discussed in some detail, and I can confirm that Zakk was sandwiched between the Cheeky Girls, and I’m pretty sure he didn’t get them that gig at Wembley!

Lou: Describe Kid Ego in three words.
Phil: “Kid Ego Kid…”
Cue lots of thought
Phil: “I am Phil”
Zakk: Why are we limited to just three?
Lou: Five?
Zakk: Can’t we have 27?
Lou: No, because that just defeats the point!

At this point, Birdy walks into the room…

Zakk: Birdy, describe Kid Ego in three words.
Birdy: “Rock and roll”
Much laughter
Zakk: Aaww, come on!! How about….”sleaze is back”..?
Birdy: Good one.
Phil: “Have you farted”.
Zakk: How about you be generous and give us two extra words?
Lou: Ok. Describe Kid Ego in five words…
Zakk: “Sleaze is back, with avengeance”.
Lou: Do you want to add another word or two?
Zakk: Can I have another…ummm…
Lou: Ok, describe Kid Ego in a sentence…
Zakk: “Sleaze is back, with avengeance. I need a pint.”
Lou: That’s two sentences.
Phil: Use a comer.
Birdy: No, it doesn’t work.
Zakk: When did you learn punctuation in the last five minutes??!!!

Lou: Ok, any final thoughts or words you’d like to leave us with?
Phil: See you later.
Zakk: Everyone out there, right, rock n roll is alive and well. There are so many bands out there that are amazing. There’s a lot of people trying to redefine different genres of rock, this going on and that going on, we’re not dising any of that, but if there’s people out there who want some good old classic rock with a bit of a modern twist, want to come and have some fun, everyone’s welcome to come party with us, come rock out with us. We just like to have fun.
Lou: You’re just cheeky boys.
Zakk: Weee aaare the cheeeeky boooys.

All that remains to be said is that the gig that night was awesome. Kid Ego are brilliant!

(This also appeared in April 2006, issue 17)

Robin Black

by LouisePurveyors of some of the catchiest rock tunes ever, Robin Black combine sleaze, leather, leopard print, blue hair, make-up, and of course, masses of talent to create something vibrant and raucous and shimmering with brilliance. And they have a real rock n roll attitude and a loyal fan-base to complete the package.

Robin’s half beautiful half beautifully gritty voice is superb, somewhat spine-tingling, even, in the mighty “Better Off That Way”, which is just one of a whole album full of instant classics. Incidentally, the album is called ‘Instant Classic’, how convenient.

As their impending UK tour draws ever closer, Mr. Black was kind enough to answer a few pre-tour probing questions for Optimum Impact…

How are you?
Thirsty. Can’t wait to get to the UK, have some Lager, and rock.

What has the band been up to since you were last in the UK?
We released INSTANT CLASSIC, our greatest album to date, in Canada and
toured the whole beast, bringing vicious, honest, rock and roll to
Canadians. Now we’re gonna slay the Brits with The Rock.
We’ve also drunk thousands of beers, and excited tens of thousands of babes.
Ky smoked all the pot. Life is good.

Are you looking forward to touring the UK again?
Uh, YEEEEEAAAAAAAH!
Man, this will be our FOURTH tour of the UK. And it will be our biggest yet.
And the best.
The crowds LOVE their rock, and we are the best there is at it. The Lager
flows plentifully. The venues treat us great. And we will treat you all to
the party of your lives.

Are there any particular gigs/venues you’re looking forward to playing?
We have really LOVED playing there before. The Limelight in Crewe was
awesome, JB’s in Dudley has been GREAT for us, and they have always
treated us well. A couple of our most memorable shows have been there. I
have a scar to prove it.
Bradford Rio’s is a great club. Junktion 7 in Nottingham is an AWESOME
party, and Nottingham has become like a home town gig for us. We start the
tour there, and have our wrap party there, where Kidd and Creep and I will
get WASTED and watch Ky and Starboy do an acoustic gig. Fun. If we’re not
too annihilated, we may all do a short set there, with some special guests.
I’m personally REALLY looking forward to The Camden Underworld. I love
London, love the crowd there, and I hear that it is selling out FAST, and
they are throwing a kick assed after party for us. You’re all invited.
There’s a couple of new towns for us on this tour, and we wanna slay those
dragons too.
Fuck, this whole tour is gonna rock.

Do you have a favourite song to play live?
All of our songs kick ass, live. All of ‘em. All killer, no…….you get
the picture, bitches.

Will we be treated to fancy pyrotechnics on the tour?
In your pants.

You pride yourselves on being ‘different’, how much has that
helped/hindered your rise to rockstar status?

Ya know, different is just a way of life for us. And for our fans.
We represent all the outcasts out there, all the rebels, all the
individuals. Some seasons it’s “in” to be different, some seasons you are
considered a freak. We don’t give a fuck. And neither should you. Do your
thing. Be yourself.

How old were you when you knew you had to be a rockstar?
I’ve never wanted to do anything else. When I could speak(ish), I started
putting on little shows for my neighbours.
Everybody should just do what they dream of doing. The world would be a much
better place.

What’s the most rock n roll thing you’ve ever done?
Seriously, although we DO think it’s cool to be naked, covered in
blood and vodka and drugs with naked chicks everywhere, and we HAVE done
that and worse (better), and will do it again, undoubtedly on this tour,
that’s not what rock and roll is. That’s cartoon rock and roll and, yes,
it’s fun as hell.
That 50 year old couple who blows off work, gets a babysitter for the kids,
breaks out their old leathers to come to the Robin Black show and fucking
LOSE IT are rock and roll. That chick who follows her dream and makes
sacrifices to continue following her dreams is rock and roll. That guy
sitting at home, right now, smoking a joint, writing a song on his shitty
old guitar is rock and roll. The young dude looking for answers in an
Aerosmith record is rock and roll. That old guy down the street who cranks
his old records and refuses to cut his hair is rock and roll. You are ALL
rock and roll. And we’ll lead your party.

If you were a super-hero which would you be?
Robin Black

If you were to be left on a desert island & could only keep three things,
what would they be?

My band, an audience, and my girl.

Do you have any goals/hopes for 2006?
The number one priority now is to KICK ASS all over the UK. Find a label
in Europe for INSTANT CLASSIC. We are already looking at trying to return
to the UK around August for another tour because you’ll all already
be desperate for more.

Any final thoughts to leave us with?
Come see this beast live. We will give you everything we have,
everything you need.
We can’t wait to see ya all………………….

Catch Robin Black & co in the UK in April.

Mirror

by LouiseMirror are a three-piece gothglamrock band based in Germany.
They have a cool, heavy, unique sound and frontman, Mike, has some wonderful, shiny, pvc trousers!
Check the band out here: www.myspace.com/visualmirror
And here: www.veddma.com/mirror

And check out our interview, too…

How are you?
MIKE: Thanx, I am alive!

RAMIN: At the moment? Tired! But this refers to my job, I had a lot of private work to do the past weeks. Now, I´m in holidays and keep my guitars in tune.

IAN: In general I am fine. I´ve been really practicing a lot since summer. Playing in 3 bands as drummer means four or five days or evenings practicing and some gig every week. And every coming musician knows that you don’t earn money in this time. You have to pay for your practicing room, drums-equipment, bus that you drive, recordings…. So I really have to work a lot to make things happen…
These days I have a little flu, not bad. But I have big troubles with my back. So I also have to do sports; some gymnastics…

Who’s who & who does what in the band?
MIKE: I am the leader and do pretty much everything except drums and some lead guitar. It makes vocals, piano, keys, bass, balalaika and some guitars.

RAMIN: Mikey is the guy for the lead vocals , main songwriter and last but not least bass-man and piano-player. He also does the business stuff. Ian plays drums and percussion, and here and there, contributes on the vocal-lines. I´m the guitar-ass, second songwriter and do some lead and backing vocals. Mikey is the founder and the band-leader behind the scenes, I´m selling Mirror live on stage!

IAN: I am driving the bus, collecting the guys inside, carrying big black boxes and, between, playing the drums

How long has the band been together?
MIKE: I founded the band in the 90s, but Ramin’s been there since 2001
and Ian’s been in the band since 2004.

RAMIN: The band-thing `Mirror` has existed for more than ten years and was founded by Mikey in 1994. I´m the second or third guitar-player, I joined the band in 2002. The constellation with Ian refers to April 2004, while we were searching for drummer no. X. This constellation recorded `Shocking Debut´ in December 2004.

Who/what are your main influences?
MIKE: Bands and people who don´t give a shit and do what they believe in
without hurting the innocent.
I am talking about Manowar, Queen, Motley Crue, X Japan, Dir en grey, The Pleasures
and heroes like Martin Luther King.

IAN: Main infuences? There are a lot. I think my roots base between the late Buddy Holly 50s and late Deep Purple, Led Zeppelin, Cream, Thin Lizzy, Queen. Over the last years I prefer hearing more drumming styles that I call “filling the holes”, like Counting Crows, Dave Matthews Band…

Describe your sound/style in 5 words..
MIKE: Versatile – visual – music – glitter – rainbow

RAMIN: Versatile, Fist in your face!

Are there any bands/artists you’d like collaborate with?
MIKE: I collaborate with Leif (Dancette) from The Pleasures all the time
and I am not going to stop it because it´s the most exciting collaboration
since Queen / Bowie´s “Under Pressure”.
But I´d love to perform “Mitsu No Tsuba” with Kyo as guest on TV-total.

RAMIN: Not really, in the past two years, we joined several gigs with different bands. In my opinion, we have to do our stuff ourselves, because none of them fit our style! There a lot of big names on the heavy rock heaven, but it will take some time to become rock giants!

IAN: There are several, I agree with Mike’s statements!

If you were to get a stage costume designed & made especially for you, what would it look like?
MIKE: Actually, I have the most of my stage costumes custom made.
Black and red, bat wings looks pretty cool.
But I think I will create something else in the future…

RAMIN: Nothing special, I´m always dressed in black and play black guitars.

IAN: I have a very special self made collection of jeans with some snake- cow- or comic inlays and I love self made shirts. I think I would really like to complete these clothes together with a designer…

What three things can you not live without?
MIKE: Girls, music, alcohol

RAMIN: My honey, my babies (especially the ‘Pauls), good food!

IAN: Love, music, coca cola

What made you smile today?
MIKE: Reading about George Bush´s 2 dogs and 1 cat and their peace in a magazine.

RAMIN: Me playing `little wing` (SRV-version) correctly!

IAN: A turn into Northern Germany´s Harz montains. Nature pure with my love.

What has been the highlight of your time in Mirror, so far?
MIKE: Doing a classical piano concert all alone without the guys
in Kiel but seeing the hall filled with fans and with Leif (Dancette) as special guest.
But the Mirror gig in Berlin with The Pleasures was great too thanx to the fans and only to them, despite dreadful sound and dreadful management.

RAMIN: Playing in Berlin with a correct working tube-head while totally losing control in a cool atmosphere! `Dearly Screw´ was awesome!

IAN: The support of Mike’s mom. And to complete an album with 3 people who live up to 100 kilometers away from each other with several recording sessions also 100km in a totally different direction.

Do you get nervous before a gig?
MIKE: A little bit, not too much, but not completely cold.

RAMIN: Never, I`m always half-drunk and I like to get on stage!

IAN: Since I was 14.

What’s your favourite Mirror song & why?
MIKE: I love all my children, so to speak, but “Golden Blues” has a special meaning to me personally.
And “Night On Broadway” is crucial due to exposing the band´s concept
through every band member writing and singing at least one verse of it.

RAMIN: I like `Valentine´s pleasure´, previously unreleased, cool sleaze rock, and I also like `Animal´ ´cause my guitar kicks ass in this song!

IAN: I like the percussive style and sound of Don Quijote

What are your hopes/plans for the future of Mirror?
MIKE: To be the biggest band in the world! And to never give up our hopes and dreams. To bring joy to ourselves and our fans.

RAMIN: Release the CD, the DVD, get on stage again, get a 45-billion-dollar contract and buy Hef´s Villa with all the bunnies!

IAN: To be big in Japan and later in the rest of the world is a nice dream when I think about Mirror
…see on the stages of the world…

The Boy Least Likely To – with BC Camplight

by Jill

Thursday 23rd February
Night & Day Café, Manchester

“I’m happy because I’m stupid”

A gig I almost didn’t make. It sold out literally moments before I tried to book. Then an Ebay fiasco left me high and dry on the day without a ticket, while the friends I’d hoped to go with chose instead to head off to the Academy for Goldie Lookin’ Chain.

What the Hell! I went down anyway and picked up a ticket from someone at the door. I got in just in time for the quirky melodic BC Camplight, fronted by the supremely talented Brian Christinzio, a man with the voice of an angel, and the soul of a true poet. I will admit that the musical meanderings of the first couple of songs left me slightly bemused, but by the end of their amiable and enthusiastic set, including stand out tracks Hide, Run Away and Couldn’t You Tell, I was left wanting to hear more. In addition, the bearded, besuited, bowler-hatted Mr. Christinzio, bringing to mind a Mr. Benn who has really let himself go, became the only artist I have seen to use gargling as a vocal technique live on stage. And I’ve seen The Pogues a fair few times.

A short break later and headliners The Boy Least Likely To took to the stage, opening with the sublime Hugging My Grudge, swiftly followed by a crowd-pleasing rendition of Fur Soft As Fur. Between numbers, the band chatted affably to the appreciative crowd. “Is anyone hot?” Jof asked, prior to revealing that he was wearing long johns. Peter suggested that he remove them for our further entertainment, before launching into the first single, Paper Cuts. Whatever trials I’d had in reaching the gig were quickly washed away in waves of country guitars, soothing xylophones and tales of lost loves and dreams. Meanwhile, Amanda Applewood’s contributions made us realise that there was point, after all, to all those primary school recorder lessons. As they showcased the beautiful and touching tracks of their debut album, the crowd could only grow to realise that here was a band on the cusp of something great, tight musicianship and lyrical mastery coming together with more magic than an evening round at Paul Daniels and Debbie Magee’s. Admittedly it wasn’t a set without its problems. The Battle Of The Boy Least Likely To became The Battle Against The Collapsing Microphone, and Jof had to hand vocal duties briefly over to Peter which, encouraged by all, he managed with aplomb. Hirsute engineer Nigel swiftly saved the day. But time passed all too swiftly – before long we had nodded our way through all of the album favourites: I See Spiders When I Close My Eyes, I’m Glad I Hitched My Apple Wagon To your Star and My Tiger My Heart among them until we suddenly found ourselves faced with the set closer, an exuberant rendition of forthcoming single Be Gentle With Me. Showered with bubbles, we bounced along then called for more. The Boys obligingly returned to the stage, albeit with the cheeky confession that they were about to repeat Hugging My Grudge, disguised with a different intro in the hope that we wouldn’t notice as it had been so early on in the set. Nobody minded. How could you? It would take a heart of stone.

And then they were gone. I heard via text that it had all kicked off across town at GLC, with scrapping down at the front. No chance of that here, I thought, judging by the beatific smiles on so many of my fellow audience members as they passed me on the way to the door. Glowing inside, we spilled out into a chilly February night, where we were further warmed by the news that tickets were already on sale for the return to Manchester on April 30th. Catch it if you can. But make sure I get my tickets first, please.

The Alive

by Jet

The Alive
17th Feb, Brickmakers, Norwich and 21st Feb, Edward VII, Norwich

I don’t think you can deny that a band that has such awesome guitar solos is not good. ‘The Alive’ are a newly spruced and primped up version of their former identity of Yankee Nine Niner. When Yankee split up I thought I had lost good music forever because I was in love with their sound. However, I cannot tell you my excitement to find out that the band weren’t lost; they’d just had some minor vocalist changes.
Having not seen this band, despite all the times they had been to Norwich, due to transport problems; I ended up seeing them twice in one week. The first was on Wednesday 17th February, this was a fantastic gig, although dampened slightly by the array of drunken men in the pub just to watch the football. As thrilling as a Chelsea v Barcelona match is, a band of this scope is much more thrilling. From my position right in front of the stage with beers and the hiccups, the band blew me away. I’d heard some of their songs on their MySpace page and was impressed but there always is something about these kinds of bands that makes them so much better live.
I have always said that Female vocals are the only thing that lets a female fronted band down, despite how good their music is. I just think that girls cannot sing rock vocals as well as boys. Of course The Alive had to come along and change all this. Camilla’s vocals are as powerful as any band could wish for, making the band sound more amazing than I could’ve imagined.
I saw them again on the following Sunday at the Edward VII pub also in Norwich. Here the atmosphere was that of a proper gig, I was stuck behind some guy with a very dodgy haircut and in front of him there was at least another two rows of people. It’s a small pub I hadn’t been to before and The Alive had brought in such a crowd that it was a fight to get to the bar to buy beer. After a few technical problems that almost defended us punters, the set turned out to be amazing. Because of the closeness of the venue everything seemed so much louder, especially the drums.
What I am trying to tell you, lovely readers, is that if you love guitar solos, kick-arse vocals and REAL rock music then you will listen to this band. You will buy their CD (three tracks for two quid, not bad) and you will go and see them, then tell me what you think because I believe that with a bigger following and more gigs under their belt, this band could be big!
Check them out, with their tour dates at www.myspace.com/thealivemusic

Warming up and ready to go…

by Jo

It was a bloody cold night, never mind dusty… home from school, where I’d taught Art all day… ever painted with a feather? Interesting. Try it. Shower, change into a real person again, welcome Jet in, all that..

We arrived early, so we could sit in the bar for a bit. It seemed like such a much better idea than standing out there queuing. Freezing… and anyway we were in 3 mins after the doors opened. Wandered about, got a drink, spoke to all the people we’d hoped to see and hugged them all. Met Mandy and Duane from Team Darkness, who had set off with half an hour’s notice.. aww it was soooo nice to see them again… no news on that quarter for next season, but we’ll let you know as and when.

Rabbited on during Roadstar myself, (so many people I’d not seen for so long and not expected to see) but Jet assures me they were rocking hard. I’m sure she’ll add a bit..

Kept an eye out for our strawberry blonde friend.. apparently he was upstairs ‘doing things’, whatever they might be. But no.. Roadstar off, nattering done, we slipped off to the front to stand between Jus and Dan, great view.. it took us about 3 mins to get there, too. Lovely. All going our way. As is traditional, Jet asks me what the time is far too often and nearly gets a slap. Ooooo lights down.. and the sweet familiar strains of ABBA’s Arrival flooded our aural organs and started the bouncing. Breath held… all that we’ve been waiting for, for so very long, was about to unfold before our eyes. HURRY UP!!!!!

Oh thanks be to the gods of rock, they’re here.. tall Richie, in Hustler T and leather trousers. Ed.. mostly hidden, but in a black T and looking cute. Dan, looking like he hasn’t stepped off the stage in all that time, except for he’s put his jacket on over his Thin Lizzy T. Silly boy.. far too hot for that. Take it off… there. And… Justin. Dark hair. Fatter. Smiley and bouncy, back where he belongs – in the spotlight of the fans’ adoration, soaking it up and using it to fuel his wit and antics. We’re symbiotic, you know.. synergetic as well.. at times like these, the bond is superstrong. White shimmery wraparound shirt, white and gold stripy trousers with odd hairy bits! You can see them on the photos. Flames!

KNOCKERS!!!!!! What a start! Fuck, it sounds good. Jus sounds good. Vocal coach money well spent… sounds smooth and natural and effortless. Ooo look a bra! This is later revealed on forum by the owner as ‘the “Bra” was a Charnos 42 DD Bioform , colour caramel ‘ which is some going.. I hope the lady wasn’t toooo uncomfy without her means of support.. Jus put it on backwards like a prat. If he hasn’t worked out how to use one yet, it’s a sorry tale. Mind you.. his familiarity with everyday objects does seem suss…

We rock our way sinously through a mix of old and new, although by now the new is as familiar as the old, to the faithful, and singing along is just so damn easy. The crowd is eager and hyper, desperate for darkness to descend in any form or sound. And it does, song after song… glorious waves of sound. Justin acts the fool, he rocks, he solos and struts with nothing lost. Dan does his own quieter strutting, but he knows how to pose too. He’s a fantastic sight of flying hair and long limbs all by himself. Richie wanders across to the middle from time to time to let us see him. He seems so at ease for his first gig with TD.. smiling, showing his bum.. well I’m not sure he meant to, but there it was. A fine sight, Mr Edwards. Jus did introduce him to the crowd, and he got a rapturous reception. I just hope some prats don’t start heckling for Frankie, later in the tour. Richie looks right, sounds right, and FITS. The band still have balance in every way, and it’s clear that they enjoy each others’ company. Richie even got a sympathy vote when something went wrong with his bass (no idea what, you need a bass geek) during Growing on Me.. spooky, first one of the old songs! And how odd to hear black shuck in the middle of the set… dunno how that will appeal to everyone.. some fans are a bit set in their ways.. Likewise with Love on the Rocks.

Jus was on bloody good form tonight. He took the heckles, did some of his own, looked for his own and Richie’s mum to sing ‘Motherfucker’ to him during GYHOMY.. not to mention the bra incident. He was damn pleased to be there, and it showed. There was a long interlude during which we ‘discussed’ his weight gain. HE STARTED IT!!! (if you don’t want to show your beer belly, stripping after complaining about nipple chafing is not the way forward) Awww. He looks good. And he’s not as fat as they’d have you believe. Chubby, and much healthier looking. Suits his face.. he’s practised his beer belly wobbling! Who on earth taught him that, and why? (there is no truth in the rumour that he’s modelling himself on Rob Shaw.) Gleeful chants of ‘you fat bastard’ ensued, at which he tried miserably to pout in a hurt manner, and failed. One of these days, Dan is gonna get his own back for having his bum pinched, and that will be the funniest thing.. come on Dan. Do something to wind Jus up on stage. I gave Jus my camera to take photos with, but he couldn’t work out how it worked.. sigh… honestly he’s supposed to be a tech geek!

Plenty of opportunity for us to sing to them, and vote whether ‘Blind Man’ should stay in for the tour.. obviously we said yes.. It sounded just fine without any harmonies and production, emphasising its simplicity and emotion more, I thought. SLAGI really needs everything to stop and focus on the brothers’ performance to get the best out of that ballad.. spotlights, stillness and honest sentiment.

ECG and Bald give us a rocking encore, and we’re left wanting so much more but satisfied with seeing what we have. Value for money.. you bet.

A long chat with Rob and a few other people, rescue our stuff, and we seem to be leaving the building long after anyone else.. mind that flight case.. AAAGGGHHH it got colder! We waited for so long. Rich and Dan came out, signed a bit.. Rich scooted quickly. I asked Dan for a few words for his fanzine readers. Despite not being able to pronounce ‘fanzine’ he managed to say ‘Ummm.. hello…’ Words of great wisdom and depth, there. He’s off into a taxi and away.. Other people emerge. Sue, carrying a familiar bag of sweets. Rob, carrying unfinished beer and a bottle of vodka, very much the worse for wear, staggering and slurring.. hee so cute.. so drunk that he let Six kiss him, lmao. We saluted him of course, and arrant wasp toss was mentioned.

Finally. Justin. Pissed as a fart and genial, happy to sign stuff. He even managed to take a picture with my camera this time. I attached it. Perhaps that might give you an idea of his general state… His minder was having none of it and hustled him into the bus, despite what Jus might have thought about it. So cold.. we left, as we couldn’t stand it any longer, even if we did want to see Ed.. sorry Ed, but things were bad enough next morning as it was. Teaching Philosophy to 7 year olds? After that? Eeek.

The Dark Force is back with us! Prepare to be bowled over and rocked and shocked and squiggled.. Back. Bigger and better and just as sexy. Growwwwllll. Absence makes the heart grow fonder, definitely. And, while I think of it, we couldn’t figure out where your figure had gone.. we thought we could try and live without you, but we were so very wrong.

All setlists, jokes, trousers and bras subject to change.

This is what we politely jigged to:

Knockers
One Way Ticket
Is It Just Me
Growing on Me
Dinner Lady Arms
Givin’ Up
Black Shuk (setlist typo, not me!)
Love on the Rocks
Love Is Only A Feeling
Seemed Like A Good Idea
Blind Man
Hazel Eyes
Get Your Hands Off
Friday Night
Girlfriend
I Believe In A Thing Called Love
English Country Garden
Bald