Ed Graham Leaves The Darkness

In a tweet just a few minutes ago, The Darkness confirmed that drummer and founder member Ed is no longer working with them.

Sadly, we’re no longer working with Ed Graham. For various reasons, we have all decided to move on. We love Ed and we wish him happiness.

This is not an easy post to write after so many years of Ed-ness. Good luck and much love, Ed. Fare ye well.

Record Store Day Giveaway

Record Store Day 2014 saw the release (amongst very many desirable others) of a limited edition picture disc of Permission To Land by The Darkness.
This couldn’t go past without my queuing relentlessly at two London stores and having lookouts round the rest of the country.
I managed to buy two, so that one of you could have one as well.
Give me a good reason why you should be Holding Your Own copy, and you might well get it in time for a refreshing Friday Night’s dancing.

2014-04-25 19.54.04

Reply to the usual email/twitter/facebook/here places.

Black Roses and Strong Words

Strong – in the sense of passion, commitment and conviction.
On Wednesday this week, I went to Parliament. The Sophie Lancaster Foundation and MP Kerry McCarthy hosted a very special event which started with the emotionally charged radio play ‘Black Roses’ about Sophie’s life and death, then moved on to a discussion about Hate Crime. It was somewhat humbling to be in the presence of so many erudite, eloquent, downright amazing people.  The discussion was tightly focused, yet covered so many areas. Legal, health, educational and social issues were all discussed in depth by experts in their fields, giving valuable insights into procedure or problems. John Robb chaired the meeting with considerable skill.
The room was filled with tears to begin with, but it was also filled with resolve and hope.

I wanted to write a review of it, but John Robb did so rather beautifully. Honestly, I could not have put it better, so I will let you read the master’s words.

The Sophie Lancaster Foundation has aims and goals that make you proud. It also has some damn cool merch.

 

Interview with Fatherson – The Open, Norwich

Interview with Greg, Mark, Ross and Chris of Fatherson

A few weeks ago, I had the pleasure of meeting these great people from Fatherson, a very up and coming Scottish band.  On arriving at the venue, It transpired that the headline band’s singer had been struck by evilness.  No gig going ahead isn’t great, but it did give me more time to talk to fine people. The album is out on 7th April. Some videos and the website link are at the end of the interview. Many thanks to Rhea and Rebecca! 

 It’s not got off to a great start tonight, has it lads?

It’s not ideal, the sound check was fun but unfortunately it looks like Lonely the Brave’s singer  is really ill at the moment and we’ve had to cancel the show sadly  – which isn’t the best thing but it happens to everyone.  It’s better than doing any more damage.

So when is your next one?

 We’ve been on tour with Lonely the Brave for the last week and a half so tomorrow’s the last show and it’s in Cambridge so it’s not too far which should be good. That show’s sold out.

 Is he going to be okay for that one?

 Here’s hoping!  I think it’s going to be one of the reasons why tonight’s not going on – to make sure he’s fit and healthy.  You got to be really putting on a show – when you’re ill you can end up doing pretty serious damage which isn’t good.  If he’s really bad today and does some irreparable damage then it’s the end of this whole career they’re building for themselves.

It’s not happened to us but it’s happened to a lot of our friends’ bands. They’ve had to take the call and I think that everyone feels really horrible. Yeah they’re all really cut up about it

Well it’s happened in a nice place, and you’re in a nice place tomorrow. You could’ve been stuck in erm….I can’t really say where can I?

Somewhere… a not so nice place…

Let’s get back to where we were going to start – I got an email from a friend of mine asking if I wanted to come and see you. Mike said he’d been working with you for a couple of years, which is a long time. We’ve never heard of you down here, so what have you been doing for two years? And how long has it been going on before that?

We’ve actually we’ve been a band for – me, Greg and Ross – have been a band since we were like kids for years and years.  We actually noticed it was 8 years ago a couple of days ago that we put our first live video on You Tube of us playing this song.  We’ve been Fatherson for a couple of years now but we started working with Mike around about the time we became this band.  We spent a long time in Scotland just building up a fan base there because the UK. Its difficult when you’re – cos we’re not signed or anything like that – to go and take on too much at once so we just wanted to be able to play good big shows across Scotland. So we toured there a lot and did a lot of festivals and last year we recorded an album and this year we’ve just been playing a lot more down south and kind of spreading out throughout the whole UK.  So, it’s been like a kind of conscious thing, cos there’s no point going down and playing shows all about England that are rubbish shows where there’s no one there or anything like that.

Win the battle in your front garden.  If you can win the battle in your front garden then it’s much easier for going anywhere else. If you say ‘Well back in Scotland we do this many tickets here, this many tickets here, this is where we’re getting played’ and then they’ll go ‘oh right, okay’

So it’s definitely a conscious decision to win over the whole of Scotland.

 To an extent yeah but we’re nowhere near the biggest bands, but for an unsigned band in Scotland we’ve been doing pretty well.  That I’m pretty happy with and it allows us to come down and do this tour so it’s been nice. We’ve been wanting to come down and play more shows for a long time.  You can’t play about Scotland forever cos it’s not the biggest place in the world so it’s nice to stretch your legs and get the word out to more people.

What is the scene like in Scotland at the moment?

It’s great.

I’m kind of getting that vibe, but you know better than anyone else.

 It’s really one of those things…there’s just a lot of great bands in Scotland and there’s a community aspect. So everyone kind of helps everyone out and does shows together and stuff like that and it’s nice to see bands take that step that we’re trying to take just now. So they’ve won the battle in their front garden and they’re trying to go down south, or they’re going to America or they’re going Australia and they’re going to do all that so it’s just flourishing – there’s hundreds and hundreds of good bands in Scotland.

It’s a good mix

 It’s several layers of how popular or big the bands are but all the bands are aware of each other, like the big bands know who the unsigned bands are and the unsigned bands know who the big bands are and you see the bigger bands helping the smaller bands out.  There’s a nice community spirit going about especially round about Glasgow and stuff – it’s really helped us for the entire time that we’ve been a band and it just it’s really a nice place to BE in a band.

That’s a really big advantage to Scotland not being a huge place?

Definitely.

What about those disadvantages, are there any particularly?

I guess you’re just further away from London.

That’s not always such a bad thing apparently..

 I don’t necessarily see there being any disadvantage with us being a band based in Glasgow.  I know there are bands that will kind of base themselves elsewhere that have moved from Scotland or whatever but I just find it to be really good.  I think we’ve been lucky with some of the people that we’ve met and some of the stuff that we’ve done up there – but I haven’t really seen that there’s too many disadvantages with being a band that’s based up in Glasgow as opposed to anywhere else in the UK.

I guess the only thing is that like how far apart things are so obviously if you’re driving to do a show in London we’d go further than if we were a band in the Midlands if we were driving to London and also wanting to go to Glasgow.  It would be great if we were in the centre of the UK.

 Living in Norwich I think we’ve kind of got that because the road links aren’t  great really – we’ve got two roads out and you have to go a hell of a way to get anywhere out of here.

Exactly.

The genres in Scotland is there a really good mix of that or do you tend to find that everybody…

 Yeah well you can see like if you look at the big bands in Scotland just now you’ve got like Framed Rabbit, Total Antic. Framed Rabbit are a bit more folky, Total Antic who are a bit more rocky and Churches who are electro.  It ranges from really traditional to off the wall and it’s quite creative all over there’s lots of different bands doing lots of different things so no one’s really – I don’t know, it seems that weird way where you can always colour it with Scotland you kind of know it’s Scottish but it doesn’t have to sound like every other Scottish band if that makes sense.

It sounds Scottish but it’s not The Proclaimers it’s not like that. It’s you just hear it, there’s an influence, you hear that sounds like.

It’s funny, we went over and played a couple of shows in America and people went what kind of band are you,  everyone kind of asks that and we say we’re kind of Scottish band and everyone just went ‘oh, stuff like bagpipes and fiddles and stuff like that.’

There is a guy that quite often on a Saturday plays bagpipes in town, in full regalia… we try and walk away. It’s quite loud if you walk right past. Offensive is the term I think we meant.

 It’s the drone…

If you walk past it (it’s normally on street corners ) when the drone’s going it’s not so bad but when it starts again right in your ear that is kind of distressing.

Anyone who comes to see Fatherson will not hear bagpipes…. yet!

That’s always a blessing. So there’s not a national identity to Scottish music apart from that little lilt?

 He sings with a Scottish accent.

Most people do now sing with an accent and it’s become a lot more at the forefront of Scottish music because English bands always sing with an English accent or American.  Just sing in your own accent I think – just when it became more popular and Scottish bands in the charts it became a thing you could do, to sing in your own accent, which I think, is a huge benefit to Scottish music.

It made everything a bit more honest I think maybe the one thing I’d say to the sum of Scottish music is there isn’t much fake Scottish music going on everyone sticking to their guns.  People are singing about what they want to sing about and the way they want to sing it.

They’ve gone away from that ‘we must sound like this and this to get anywhere.’

Absolutely I think it’s a nice idea.

It’s working now though – 20 years ago you did that and that worked and you got accepted in America or whatever. Although I was listening to something on the radio this morning about Cliff never getting accepted in America and I thought that was hilarious… and nobody can work out why!

 The album is coming out soon and that’s self-financed.

With help from Creative Scotland

That’s cool. I was going to ask you why you didn’t go through pledging or crowd sourcing or something like that.

 It kind of goes back to what we were talking about earlier with the way that we’ve kind of done it by playing a lot of shows in Scotland and stuff has managed to get us to the way where it kind of actually is fan funded because we are able to play bigger shows in Scotland. So therefore, we get some more money in which we’ve just put straight into this album.  Basically we’re all still struggling away even though the band gets some money from bigger shows and we’ve just put it all straight into doing this. It’s been like the big focus all last year – we went in and recorded the record and then played about  with it, went down to London, met a whole bunch of people and got a really great team around us to help do it and put the album out. It’s meant we’ve kind of been able to do it on our own terms and our own way and stuff like that.  I like the way we’ve done it and it’s given us lots of control and allowed us to take time on stuff. Cos if you put something up and you go on to pledge music for an album and people are putting all the money in and it’s like people are expecting it at a certain time. And we’ve managed to get this finished article that we’ve taken our time on that we’re really happy with and really proud of and we’ve kind of done it ourselves but with the help of everyone that come to any show.

Anyone that’s bought our t-shirts effectively put money in to make this album which is quite a nice sentiment it’s nice it’s been made by everyone and by us and everyone who likes the band.

Did you have to apply for the grant?

 Applied for it and that paid for a certain percentage of recording and then e just got the money to do everything else.

 No strings attached?

No strings attached.

That sounds good.

It really is – it’s quite amazing cos they help quite a lot of Scottish bands it’s not like an impossible thing like let’s get this grant they give out different amounts of money to different projects.

Is that a necessary thing?

 I don’t know…you obviously get ‘we’ll give you this amount of money this year and you spend it” sort of thing with government stuff. It’s not means tested but there’s a limit to the amount of money that can be given out and I dunno how they work it out I dunno if it’s how good your application was or whatever but say it’s like they’ve got 20 grand max they can give out they’ll give out anything between…

So it doesn’t just go to a couple of bands, they just say right okay we like you, and you…

 So you can get £500. So that’s the deal really.

They’ve been really, really helpful.  We’ve played a creative Scotland showcase at the Great Escape last year and stuff like that. So it’s been very kind of working with their help bit bits and bobs which is the kind of thing you need when you are doing something yourself you need a little bit of cash injected in so you can get the ball rolling which has been great and it’s all worked out really well so far.

So now you’ve done that and it’s all going very well and you’re starting to filter down here.  I’ve met some bands that have got a 5 year plan and that’s that , and I’ve met bands that are going with the flow with a little kind of idea of where they’re going – what’s your balance of stuff?

We’ve got a 5 month plan – a 5 minute plan!

Some are like we are going to do this next month and in 2 months time we’re gonna do this and in 2 years time we‘ve got to be here… I think they might be setting themselves up for…

There’s a kind of unspoken plan.  I’m quite happy to get this album out and see what happens and then do another album.  I’m quite happy to just go “I wanna write music and make albums” and as long as people are coming to the shows and buying the albums.

We’ve got like as much as we know we’re putting the album out, we’ve got tours planned. We’ve got the rest of this year all sorted out and then we just start off as pessimistic as we can possibly get everything’s planned and the worst possible scenario and then it’s nice. It’s exciting its kind of how we’ve always done it cos things do take longer especially if you’re doing a lot of stuff yourself for it so we just take it as things come but with a general plan.  We know what we’re doing for the rest of this year.

It’s nice when you can go in with certain expectations and then it’s nice when you get the wee surprises like one or two come up in the year or whatever something you didn’t expect to happen and that just makes it even better.

You don’t mind having plans blown out of the water for that, do you?  So a year is kind of long enough?

 It’s all you can really realistically plan for, I mean you can’t plan for outcomes you don’t know are going to happen yet.

No but I’ve met people like that – they’re really driven and they know where they want to go and they really do have –  and I wonder ‘what are you gonna do if….’ it must be so stressful.

 I would personally find it so self-destructive because i couldn’t handle that.  I tried to  – like cos I’m quite –  I like to do a lot of things are going to happen. But we’ve been in a band for a long time so we’ve kind of had ups and downs and stuff like that even in just doing what we’ve been doing for the past few years and you never know what’s going to happen in music and it’s stupid. It took me a long time to realise that, that you can’t plan and work out what you’re going to do cos you have no idea.

At the end of the day it’s about how people react when they click on you and your Soundcloud link and whether they enjoy it.  At the end of the day the most exciting thing I think we’re ever going to do to date in this band is release this album and see what people think of it – what our fans think of it what new people think of it – cos its awesome!

We’ve made our favourite album – we’ve done everything we can to make it as good as we can so it’s just a case of…

Are there gonna be any surprises in there for your hardcore?

 I think so.

We’ve kept some songs – it’s difficult when you’ve been working on an album for so long and playing about and we’ve only released a couple of songs and you just have to play songs that you’ve got on the album because you just have to. You’ve got hour and a bit long sets and we’ve gone to headline tours we’ve made sure consciously to keep a good wee handful of tracks from the record pretty much secret. There’s one that’s never been played live to anyone and another one that’s been played once and that’s it.

It keeps it interesting… we release this album on 7 April we’ve been playing all the songs on it for the last year and a half you’d be like oh it’s great the albums out and you’re doing this exact same set.

We’re all itching to play these new tracks as well.

We’ve done them in sound check a couple of times and gone will we put it in the set and we’re like no, we’re just gonna wait.   The 7th April’s the day and after that they can be played every single show from then on.

You’ll self combust on the day.

 That’s it. It’s going to be the best day ever.

And you pick things up to play out the first time you go ‘oooh.’ (scared voice)

 I think it’s important we made the album we wanted for us to enjoy I remember like when we were younger and thinking about making albums and I was listening to albums, “I wanna do that!” And we’ve managed to translate some of that onto our album, which is really nice and I hope people have that reaction when they listen to it.

Do you take into account what you know the fans like? Cos there’s a balance with every band. They know what fans like and some of them don’t go away from that.

 I think it’s definitely stupid..

Well, you can’t pander to…

 We’re quite a spontaneous band. What happened with this album was we got to record it over March and April last year and we demoed everything in December and got to March and went, “It’s not good enough” and finished it with new songs.

We were like “this is what we could do, it’s acceptable, people will like it, they’ll be listening to it, but let’s just take a chance and add a couple things.” And the one they actually released as a single is the first one that got a good response. And that was not finished until 12 days into the studio.  So it’s like ‘pandering’ is a really hard concept to have when you don’t have an album out yet.

Having said that, I do know a band have been going thirty years and only just released their first one. I think they kind of got the gist of what their fans like.

 You get a sense of playing live, and we played a lot of the songs live, but the songs we’ve had about that we know people like that would be out on the album, cuz we’ve not done a track listing yet. It’s still a secret.

I think it’s unfair to put songs on that have been around for a couple of years but not released that people know onto an album, because they’ll go “I’m not getting anything new here.” (pauses to tie his shoe…hee!) You gotta keep it interesting if people are gonna pay money which, you know, they might not…

I’ve been quite heavily involved in fandom with two or three bands, and I know what it’s like on the expectation and the general excitement side from this end, from the other end to you.  I know that perhaps if a band release an album, there would be a couple of songs that fans would really, really want on there because they haven’t been on an album before, no matter when the next one came out. They would really want it to be there, you know. There as many different opinions of a band as there are fans. (Note, dear readers, this isn’t necessarily TD related)

 It’s about like meeting expectations but also surprising people as well.  I think it’s a very fine line to stand on.

We spent a long time working on the track listings. There’s been quite a lot of people that have heard it that are friends or family that are people that we know like the band and have liked the band for a while and kind of got feedback with that. And on board as well, in terms of what was on the record. I’m pretty confident that we’ve got the right mix on it. I think when people hear it, they’re gonna enjoy it, hopefully.

There’s no songs there I’m sad aren’t on it, if that makes any sense.  It was quite, not brutal, but the way the album turned out is the way that it turned out – I’m happy the songs went on it.

Is it sounding to me like it was a smoother ride than it was?

 I remember we were dreading it for so long cos we were in an argument and we sat down, I made some…

Yeah, it was just one of those days, I was just  like “are we gonna have a massive argument? I don’t have an argument.”

Yeah, but I made homemade chips that day.

They were pretty good.  These chips can make…

Chips always make things better.

 They do! We just wrote a list of every song that could possibly go on our album and then we all numbered them.

You just kept putting the number of chips it was worth.

 That one didn’t have any chips next to it. And the one with the most chips…

Actually it took about half an hour at the end of the day, and we made a couple of changes which is, I think, a good sign, hopefully.

Unprecedented. That’s quite a feat.

 We’re all on the same wavelength when it comes to like…

 Well, I think perhaps maybe you put it off so long and feared it for so long, it wasn’t quite as bad as you thought.  

 Yeah, maybe it was. Maybe it was so passive, we didn’t realize.

Or maybe we’ve made a horrible mistake and now the track listing’s terrible.

That’s 7th of April, it’s out.

 The album is called “I am an island.”

That’s it!, I clicked on it earlier.  I was looking at all your stuff. I’ve got written down here about genre and whether you have genred yourself in your heads or whether you just don’t care or whether it just evolves through things.

 I don’t really care. The way I see it is: listen to it and take what you want from it. That’s it. If you think it’s death metal…

(laughs) it’s definitely not…

If you listen to the songs and you think it sounds folky, that’s cool, that’s absolutely fine.

Well, some love the music that they listen to and they want to play it so much, it’s  “right, that is what we are.”

 I think there’s a lot, and it’s great. There’s not two tracks the same on the album, but it’s all the same band.

We didn’t start this band with an idea of how we wanted to sound. We started a band with the songs; we didn’t know we wanted to be a rock band. The songs just kind of turned out like that.

When I explain to relatives, like aunties and uncles, I just say we’re a rock band, a guitar band.

I’d say there’s not really a point trying to explain it to aunties.

 We always just say we started off playing Stereophonics covers when we started as a band and it doesn’t matter.  It’s kind of weird.

It’s just…Scottish.  Scottish, honest music.  Honest, that’s a good genre.

Honesty rock!

But which Scottish bands would you like to be considered alongside?  Not that you are ‘the next one of…’ But what would be on your roll of honour? Who would be on that with you?

 

 Idlewild would be in that.  Framed Rabbit, for me.

Needs to be up there with Biffy (Clyro) as well.

Deacon Blue.

I saw Deacon Blue in Glastonbury. By accident.  They weren’t the headline. They did the Sunday headline. We were all wet.

 I’d love to be as big as Calvin Harris. That’d be good, wouldn’t it?

That’d be awesome.

I always think that you always get ‘you’ll be the next big band’ ‘you’ll be the next [that] band.’ I’d just like to be the first Fatherson.

Yeah, but you know, it’s not like comparing yourself to them, it’s just who would you want to be up there with?

 I think, like, I mean Idlewild.

I’ve seen them, they’ve been here!

 I think people will appreciate those bands for what they do. I think that’s basically all you really want for being in a band. They’ll do it for a living and know that people like it. Even if one person likes it and ten people hate it, if that is the ratio I’d be happy with that, cos like one person likes it.

Or at least they’re paying you attention. It’s the middle bit you want to avoid.  They don’t care.

 No such thing as bad publicity.

I’ve been listening to the news today. David Cameron’s put his foot in it again with Scotland.  He made a speech in London. He’s telling people to ring and text and talk to their Scottish friends and tell them to vote ‘no’ and say ‘we want you to stay.’ It’s like, please don’t interfere with other people’s political processes. How do you feel about the Independence thing? Would it be a good thing for the Scottish music industry or are you pretty independent up there anyway?

 We’re a Scottish band, we live in Scotland, that’s something that we have spoke about quite a bit. I don’t necessarily think it would make that much of a difference in Scotland in terms of the music. It might do, but it’s one of these things it’s all speculation at the moment.

You never know, if it goes independent more of the music industry would move to Scotland, if that makes any sense. So that London wasn’t a powerhouse.

If.  Nobody really knows cos it’s not happened yet.

What would you like to happen?

 I would like people to read more about it and come up with their own opinions.

Both sides are obviously very biased.

And very passionate.

 There doesn’t seem to be a good overview of any of that yet. So you’ll get people who’ve read the White Paper and they’re like ‘yeah!’ And you get people, you know, have an argument about that, but not enough…

The one thing I have heard on Radio 5, which is very English, they’ve talked to a lot of young people and they seem to know what they’re talking about whatever side they’re on. And that is impressive, really, and kind of heartening.

 I think that like it or lump it, it’s the most important political thing that’s happenning to Scotland for the past three hundred years.

I think people not voting would be the worst thing.  You can vote either way, however you feel about what’s going on, but at the end of the day, I think it’s important that people vote.

It’s always an interesting thing with music and politics. We’re just not having too much to do with that. We’ve always spent a lot of time just getting to know both sides of what’s going on and making up our minds.  I think that we should vote and make our own mind up and have an idea.

And deal with what happens after that.

 Yeah, either way. It’s not the end of the world. Something will happen.

We’re still joined together. Sorry about that, it wasn’t my fault. I don’t think people hate the Scots nearly as much as they think we do.

 To me, it comes down to nothing to do with liking or loving or hating or anything to do with that, which is stuff I’ve always read. I think it just comes down to people doing what they think is the most sensible thing to do.

Let’s hope they do that. You need to vote with your heads.

 That’s why I think everyone should just read more about it, even if you have made your mind up, find the facts out. Just learn about what it actually means. There’s manipulation on both sides and I think it’s important that you learn what’s going on.

And be very wary of both sides as well. Yeah, you don’t get to be this old without being cynical about both sides. Even the one you support, really.

 Yes, exactly!

 Well that’s all I’ve got. Is there anything you’d like to add, say, promote, divulge to anybody? Say to your aunt?

 We’d like to thank Scott, who’s packed away all our stuff.

(To Jo) Thank you very much.

We’ll come back down as soon as we possibly can. We’re in Cambridge tomorrow, then we’ve got a couple of months, just doing a lot of stuff for the album, and we’re going to be going on tour when the album comes out, and then festivals and stuff like that. We’ve got some announcements coming up. Watch this space.

Beer and curry?

Facebook and website

Video – more on their channel.

 

Immaculate Misconception x several

If a thing’s worth doing, it’s worth doing more than once.
Splendid sentiments to take into a new Darkness tour, especially one as laden with nostalgia as this. For us and them, this celebration of Permission To Land was going to be imbued with all sorts of meanings and memories of different sorts and importances.

Small venues, back to where it all exploded – you know that’s how I love to see my bands. The Darkness do venues of any size brilliantly, but it’s a special thing to watch them play like this. The thrill of all senses being so intimately assaulted by crowd, band and speakers is a thing of sweetness and bruises. It’s real, immediate and utterly satisfying. Addictive.

We won’t dwell on the fact that a certain government agency came to inspect my other raison d’être, causing me to miss the first two days of the tour at 4 hours notice. No, of course we won’t, because I’m not bitter about that at all. I give most of my life to my job, so my job staying out of my life when necessary is a reasonable request, I thought, but no…

Oh well. It was fully three weeks more before I finally broke my tour duck. Brighton. I love the city, and I really like the venue, too. By then I was wound as tight as a watch spring, eager to shake off stresses and enjoy myself. That gig delivered. From the first sight of friends, to first note of  Second Fiddle, to last note of Christmas Time. Every elf, tree, scarf, hat and tank top was savoured and delighted in. We were so close to the stage on the front row – close enough to touch the stage with ease on our side. (To undo shoelaces and tie them together, too, but obviously that would not have been the done thing. They don’t stand still long enough anyway. ) Making Out started the energy flowing, giving several nods back to 2003. After that, the 2 set format was ably explained – first, a ‘generic’ set, then PTL from start to finish, with Christmas Time as a seasonal round up. So, we enjoyed cowbells, the operatic Tollund Man masterpiece, the pulsating Street Spirit – something from every era and album. In the midst – The Horn. Pure classic Darkness – live, it has an even dirtier sound, and is more smirk-worthy than a smirky thing. Ace!
A short break, and the now legendary monologues. Each band member outlying part of PTL’s successes before reappearing, one by one. Frankie’s listing of awards deserves a medal for ‘most record achievements spoken in one breath without dying’. The words ‘One million, three hundred thousand’ and ‘IT. FELT. GREAT. And how do I know?’ are mantras for a Darkling world.
Dan’s knee slide. Justin’s headstand. LIOAF’s atmospheric Swan poses. All part of the show… I was impressed with how little crud Dan ended up with on the knees of his white trousers.
The absolute and undisputed crowned set piece of all the shows, though, was Ed’s drum solo. It was good to see the spotlight on Ed, as he upped the solo stakes to new heights. Amazing what a difference a triangle and a gong can make to anyone’s day!

Feeling much more alive and like myself after that, there was the small matter of a wait until Northampton the following Saturday. The promise of that and meeting up with more favourite fans, American and English, saw me through. The Roadmenders is another great venue with clean toilets, plus finger print recognition systems for the cloakroom. Crikey.
The  noticeable thing was the crowd silences between songs – that’s unusual. During – that was pretty normal, though TD worked harder for it.

Beyond that, back home for Norwich and Lowestoft x 2. Norwich is always a great gig to be at, with so many home fans. More friends, more thrills to sound and light. A camera that went where it shouldn’t to take pictures of… well, to be fair, it’s not easy to tell. The details are missing. All I can say is that it doesn’t smell too bad and the poor thing is still working.

Lowestoft was very interesting. The brand new venue was rather lovely, we even sat on the floor in the bar because it was so clean. The first night seemed to be locals come to see the sons of the East, the second had more Darklings, but both were awesome gigs. They’ll be legendary. The first was HOT. Sweat did drip off the ceiling. It dripped off everywhere. We had Justin hanging off the lighting rig (an unknown and untested quantity) – he must have been missing balconies to dive off on this tour. It rocked the roof nearly off, for a night that was memorable. We must have looked sights when we left – sandblasted and coated in grit by beach and wind before, cooked, basted in sweat, then rained on. I’m surprised the taxi home didn’t drive past us.  Night two had more clement weather, and fans, and opened windows. It was no less rocking than the first, just cooler, and more of an end of term party feel. The boys’ delight to be home at last was palpable. The crowd’s appreciation matched it. Justin’s wedging the mike in the rig and having to climb to rescue it was one of those gloriously silly TD moments that seemed so inevitable and so right it could have been choreographed especially.

The tour ended there, on a singing of a real festive note – not November, like last time, but truly in season for the first in a long time. Drunk on riffs, high on notes, blissed on rhythm is where it got left. Memories and friendships were forged and tempered in the hothouse of crowds. Is that what it should be? How, truly, could it not be.

These are my impressions.
There are some things that were on people’s lips during the tour. During some gigs, cameras were not allowed. Some, they were, but no videoing. We were told no phones at Northampton but then a few songs into TD’s set, security ordered us to put cameras away. Lowestoft first night, told whilst in the queue to put cameras in our cars or they would be taken off us. Car unavailable… and the implication was ‘and not given back or looked after.’ Mine went in my hat then pocket then cloakroom. Second night, cameras allowed.
I have no problem with Justin’s wish not to be videoed, for all the reasons he gave. I applaud that, and back it wholeheartedly. I DO wish that the rules had been applied consistently from/by venue to venue, as we didn’t know where we stood each night. Advance warning by twitter would have been handy, in hindsight, I suppose, but I’ve only just thought of that.
Justin’s rants were pretty well discussed and it didn’t add to the pleasure of the gigs for some who were there. (Nor for some not present, but I’m not keen on that. Unless you were there, the context is missing and it’s impossible to truly know.) For some, it made no difference. For me – we were not in Justin’s shoes at those moments – he was not an idol, angel, saint, sinner, pariah any more than we ever are. Justin would not be Justin if he didn’t say something about what he thought, however it may come across. He’s been opening his mouth for years and causing ripples. I’d rather have that than an anodyne crowd pleaser with honeyed tones and lack of passion, whether I think he’s right/wrong/out of order/bang on.

At the end of a long tour, weeks on the road and shows nearly every night, let’s hope that a good break was had by band and crew. 2014 now stretches out before us. Where will it take us next? Dark places? Oh, GOOD.

 

 

RIP Phil Everly

by Rebecca Martin

The world lost another musical legend when Phil Everly died at age 74 on Friday, January 3, 2014. The moment I heard the news, two thoughts occurred to me. First, my dad played The Everly Brothers’ albums when I was growing up, even telling me that “Bye, Bye Love” was the very first song he learned on the guitar. Second, I used “All I Have To Do Is Dream” to catapult the love story in the novel I’m writing.

I spent an hour that night listening to my favorite songs by the duo and shedding a few tears. I continued to listen to their albums the next day while I cooked breakfast. As I listened, I was flooded with memories: listening to my dad’s albums like Herman and the Hermits Greatest Hits or Buck Owens’ album with special guest Susan Raye The Great White Horse. From a young age, I loved singing the harmonies. The songs of The Everly Brothers instilled this love in me.

Throughout the 80s, radio stations played many Everly covers, most notably Linda Ronstadt’s  1975 pop cover of “When Will I Be Loved,” Reba McEntire’s country cover of  “Cathy’s Clown, and Nazareth’s 1976 rock cover of “Love Hurts.”

I’ve spent the past 18 months reading rock memoirs, doing research for my aforementioned novel. I was surprised at how far the Everly influence reached the souls of the rockers I admired. For instance, Steven Tyler described their bluegrass-influenced harmonies as “heartrending.” Keith Richards sang Everly harmonies with his Aunt Joanna. In 1963, the Stones had the incredible opportunity to share the bills with the duo.

Where would any of us be without the sibling melodies that permeated the music industry in the 1950s and 1960s?

 

Anniversary Competition – The Winner!

Ladies and Gentlemen, please settle back for the Black Shuck Shimmy. Congratulations and a ‘Cor, well bloody marvellously done’ to Jayne Henderson.

Thanks for all the interest in the competition, everyone!

STOP PRESS
I didn’t know our winner Jayne was going to say the following, but top marks!

With a little help from Ed Henderson, I have won a pair of tickets to The Darkness Lowestoft show on 19th December for the final night of the UK tour.

As much as I love The Darkness (and you know I DO), I want to raise some cash for my womb cancer charity.

I am therefore auctioning them off to the highest bidder. Minimum bid face value of 50 quid the pair, last bid accepted midnight on Friday, 6th December so the lovely Optimum Impact can send them out to the successful bidder in time. Comment on this post with your bid. The highest bidder will be sent a link to my charity page to send their donation online.

Simple!

Thanking You!

 

The Platinum Correction – CD up for grabs

Classic Rock had a live CD of the Thetford Forest attached to last month’s magazine – for subscribers only. On eBay, they were going for silly money.

Thanks to the generosity of Darklings (thanks Chris) and teachers (thanks egyptiangirl) I now have two copies to call my own. I only need one, so I’m letting one go far away to a new home. Classic Rock isn’t likely to have reached many of you overseas, so I’m making this a strictly non-UK giveaway. It looks like it’s going to appear on iTunes, but the actual CD is now a collector’s item so come and get it! The magazine isn’t included, and the CD hasn’t been played.

Let me know what one other song you would have put on this CD, and why. Track listing is:

Every Inch Of You / Black Shuck / Get Your Hands Off My Woman / Everybody Have A Good Time / Planning Permission / With A Woman / One Way Ticket / Growing On Me / I Believe In A Thing Called Love

You have a week to contemplate!

The Horn – New Single from The Darkness

The Darkness. The Horn. You just know it’s not going to be on a car insurance ad anytime soon, without even hearing it. One or two latex clothes sites I know of might be interested, maybe…

The Horn is one dirty, relentless little slice of heavy hard rock action. Rhythms drip pornographic grind and everything else adds the slick of oil for a shinier finish, guaranteed to leave stains everywhere it touches. The lyrics are exactly what you’d hope – sexy, naughty, funny and descriptively detailed, laced with little touches of affection.  The sense of a certain wide-eyed gobsmacked innocence lurking at the back  – I don’t know whether to chuckle or raise my eyebrows, as I can’t do both together.

I’m in love all over again. They do this so damn well. I like The Horn far better than other recent releases (which doesn’t mean I don’t like them, far from it) just because the whole song is so darned wonderfully Darkness.

God help us all if there’s a video. There are enough Juslings in the world who have keeled over today, and I don’t think the NHS could cope. You know damned well they knew that was going to happen!

Released today on iTunes, Google whatsit thingy and other places. Played on this tour to popular acclaim, plenty of videos of live performances to view. Oh, and there’s a new version of Christmas Time too, which was released on the 18th of this month (November).

Anniversary Competition Time

I know, another anniversary in a year of them. What NOW? I hear you almost wonder.

Today, 11th of November 2013, is the 10th anniversary of the Carling Homecoming at The Astoria. The first airing of ‘Christmas Time (Don’t Let The Bells End). BUT – it is not that which I wish to commemorate.

TODAY is the 10th anniversary of MY VERY FIRST DARKNESS GIG. 

To mark this momentous occasion/the start of a love affair/the discovery of the meaning of rock spandex (etc, ad infinitum) OI is giving away 2 tickets for the last gig of the Immaculate Misconception extravaganza. You could be in Lowestoft on 19th December to see The Darkness and LostAlone in TD’s home town. In the East, baby, for one hell of a night!

All you have to do  (you have to work a little for this) is to do your own interpretation of a Darkness song, preferably from PTL. Dance, poetry lyric recitals, mime, opera renditions, a piece of glorious art… maybe even a canine singalong to Black Shuck. Photos, Vines, videos, audios all welcome. Post them here, on our Facebook or on twitter. Entries by 1st December, please!

Celebrate with us  – we’ll be there!

Love and eternal Darkness

OI xxxx

 

 

PTL 10th Anniversary – Toby Macfarlaine

Toby has been a friend and colleague of The Darkness for many years, a talented musician, and very good with words.

“At what point did you become aware of The Darkness?”

-Well, let’s start there and just free-form, shall we?

I became aware of them when Dan asked me, pretty much rhetorically, whether he should accept the offer of becoming touring guitarist with Nathalie Imbruglia or start a rock band with his brother. We were in a pub in Camden, as we very often were, and were making each other laugh writing lyrics to an as yet unfinished song entitled “The Box Of Horror”.I think I was still in a band called Thirteen:13 at that point, and I believe we were mere days away from being dropped from our deal with Polydor Records. I answered his question as anyone would have, “Go for it! What, are you nuts?!”
Despite my sage advice, he chose to start a band with his brother.

We ought to remember that the musical landscape was a strange place then.
We were still at the dreggy, bottom-of-barrel, what’s left on the ironic shirt-rail, real tail-end of the death knell of Britpop. Camden certainly was, anyway. There was still a lot of hanging around the Good Mixer trying to convince Andy Ross to hand out deals with Food Records wearing waxed-fishing-hats and Adidas shell-toes.
The big “Arena Rock” band of that time was probably Travis. TRAVIS.
The very idea of an actual rock band who played actual rock music was faintly ludicrous and one which virtually everyone thought couldn’t possibly take off, much less become successful. Which was possibly why I thought it unlikely that they could do anything BUT become huge.

Cut to a little while later, after their first show with the finalized line-up and I thought it was glaringly obvious. Everyone in the room was grinning ear to ear. They made people happy. Fuckin’ weirdos.

I asked them to play at my wedding party.

I’d got married in Finland but we were having a little bash down at Undersolo in Inverness St (next door to The Good Mixer, naturally) for those of our friends who couldn’t make it to Finland. My mum was in charge of the door so we could give the band some money for van-hire or petrol or something. Matt Mower and Graham Coxon also did acoustic sets, I should add.
It was just a little private party for our friends but people I didn’t know kept coming down the stairs and begging to be let in to “the secret Darkness show” because they’d seen “every gig they’ve done and I CANNOT miss this one”.
It was weird. What the fuck is going on?

It didn’t really seem like an awfully long time after that, I was playing bass with Graham Coxon and we were headlining the tent at Reading festival. My mates The Darkness were headlining the main stage. I was just hugely proud that what seemed like my immediate Camden “scene”, me and my shit-kicker pals, were suddenly the main draws at Reading.
On both stages.
I’m still filled with a huge feeling of achievement when I think about that night.
They had been granted permission to land and in many ways I think we all had.

Sometime later I recall being in a cab in LA and the driver turning up the radio saying, “Hey, this is the new one from The Darkness, what do you think of those guys? CRAZY, right??” My pals, The Darkness.
Enjoyed by wedding-crashers and Los Angelean cabbies alike since 2003 (or thereabouts).
Long may it continue.

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PTL 10th Anniversary – Heaven’s Basement and Max Raptor

Heaven’s Basement:

‘Black Shuck’ is a killer riff, we opened for these guys on our first ever U.S show in October 2012, awesome guys and was great to hear so many songs from Permission to Land!’ Chris Rivers

Max Raptor (Support on the Comeback gigs)

I can tell you that my great memory of the band was a show at Leamington Spa pulling Justin’s trousers off with his Tour Manager …the spandex stuck to the sweat and it took two men to pull them off…

(Something that’s been happening since 2001, no doubt…)

 

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PTL 10th Anniversary – Scarlet Page

Scarlet Page is well known for her image-defining photo shoots with The Darkness. Despite being horrendously busy, she was kind enough to note down a few memories:

I remember flying out to Australia for the ‘Love Is Only A Feeling’ video and driving straight up to the Blue Mountains to meet with the boys. Jetlag was taking over but I am sure we saw a wallaby on the way up the mountains.
Justin and the boys were on fine form and it was just brilliant watching them rock out on the top of a mountain, the views were amazing and you could see storms in the far distance approaching, it was all very dramatic.
I got some staged shots of the guys too, Justin was doing headstands, rolling around on the end of the precipice and generally being very amusing. He is the best person to photograph ever, he gives so much and doesn’t take himself too seriously. I loved it when I showed him a shot of himself gurning and he laughed his head off and said ‘brilliant, let’s use that one!!” in all seriousness.
A few months later I was shooting a front cover for Kerrang and we had the idea to take the picture on the beach next to the Jones Beach venue in NY, Justin had recently been given an iridescent shell like guitar from gibson so that being the inspiration, we rented a shell like Boticelli’s Birth of Venus and were hoping to re-enact that picture to a certain extent. When we arrived the beach was one of the grottiest i have ever seen and the shell was about 2 foot high so it all became rather Spinal Tap BUT with the Darkness’s professionalism and a heap of photoshop we got some cracking shots!!
Many thanks to Scarlet for sharing!

PTL 10th Anniversary – Rob Shaw

Rob Shaw is well known to Darklings ‘first time round’ for being in charge of the Official forum on the band’s own website.  A fan first and foremost, he’s as passionate about them as any of us. We met up in a London pub on a warm June evening to  drink drinks, eat pie, and try and out-talk each other. He won, this time, because I’d lost my voice the week before! There was a LOT of Darkness discussion that night, mostly completely irrelevant to this project, AND we didn’t tape anything – but we did manage to cobble something together!

OI: When did you first hear about The Darkness?

Rob: On the Stay Beautiful (Simon Price’s night club night) message board, the punning (of Grandmaster Flash) “The Mess-age”. He had obviously seen them before and talked about their forthcoming show at the club night Uncle Bob’s Wedding Reception at The Water Rats pub. I’d been to UBWR many times before as bands I’d liked had either played there (David Devant and His Spirit Wife) or DJed there (Kenickie). I have no idea what he said but clearly it did the trick because after England demolished Germany 5-1 in the football (for it was that fateful day – 1st September 2001) I rallied two work colleagues and headed down there.

OI: Did they blow you away straight away?

Rob: In a word, yes. I was really more of an indie kid than a rocker so in spite of having an MP3 copy of the Virgin compilation The Best Rock Album in the World… Ever! that contained such chestnuts as Rainbow’s Since You’ve Been Gone and Thin Lizzy’s The Boys Are Back In Town which I both knew and loved intimately, The Darkness weren’t really what you would have expected me to love and yet it was instant. Naturally given the events of that day drink had been taken and there was some wholly understandable euphoria but that wouldn’t…couldn’t explain how strong my – our – reaction to The Darkness was. My colleague Chris who was there with me admits to being a self-described “full music snob” said something to me (and bear in mind nearly 12 years have elapsed, so I’m paraphrasing) “how can something so wrong feel so right?!” And that half-remembered comment sums it up – fist-pumping twin-lead-guitaring ’80s influenced hair rock was so far from being what was fashionable (the relatively minimalist Strokes were the band du jour) and yet…and yet… this was clearly so well done, so *honestly* done, by people who knew their milieu and knew their instruments that it simply blew any preconceptions that you might have had away. I knew immediately that I had to see this band again. I was in luck, because they were playing again the next Saturday at The Monarch in Camden.

OI: How did you end up working for them? Was that before PTL was recorded?

Rob: I didn’t miss a single gig after that. They were playing a lot in those days… after 1st September I saw them another eight times in 2001 alone. My opportunity came in 2002, around the time they went to SXSW. Justin was running the website www.thedarknessrock.co.uk: he was a bit handy with Photoshop – still is I expect – and had put together what was in 2001 a very creditable band website – well ahead of what their contemporaries on the toilet circuit would have been doing.

As a by then professional web producer (working an extended sandwich year placement for a computing firm out in Camberley, Surrey) that piqued my interest and along with the Stay Beautiful: The Mess-age forum, The Darkness website became a regular destination for me. When the boys went to SXSW 2002 in March (where, according to Spinner.com they played Maggie Mae’s to “little fanfare” – a year later they tore the roof of the Blender Bar, but that’s a story for another time) the updates to the website, not unreasonably, dried up.

So it must have been at one of the two shows they played in London in April that I spoke to Justin – having introduced myself, heart racing and voice quavering, months earlier during the load-out after a show at the Monarch, and by then being on at least nodding terms with all of the band even if only because they would have seen me in the front row at every London show – and told him that I’d noticed that the website wasn’t being updated recently and perhaps I could help them out with that, allowing him to devote all of his time to the UK’s hardest rocking rockers™.

I would have met Sue before then too, but if I remember correctly (and there’s every possibility that I don’t), we discussed it and I agreed that I would help out – obviously on a for-the-love-of-it basis. In memory, I started working for them in May 2002; as I look at the Wayback Machine my new design for the website (and ostentatious credit in the website footer) don’t appear until September that year, but I *think* there were updates before that.

PTL was recorded in October 2002, so I was working for them for a few months before that.

OI: What was your exact job?

Rob: Webmaster / gig photographer (with a 2.1 megapixel Nikon digital camera and no skills whatsoever) / phone answerer / general factotum / fan wrangler.

OI: Was there anything that wasn’t pleasant?

Rob: Running the forum was, sometimes. I didn’t like the way some fans spoke about Sue, and getting rid of her. People also forgot that I was a fan as well, sometimes, and I was as affected as they were by what went on – good or bad.  I did stay in touch with one or two people, as friends.

OI: What’s your favourite office memory?

Rob: Ridiculously, I suppose at some point during 2004 when things were going particularly swimmingly and the band could do no wrong, we were convinced that somebody should make a movie of the rise and rise of The Darkness (with all of us hirelings in it too, of course) and we worked out the cast for the whole thing. Sue was going to be played by Fay Ripley and Simon Pegg was going to be me – because he *is* a strawberry blond, irrespective of what he told me at the One Way Ticket to Hell…and Back launch party!

OI: Do you prefer PTL live or on CD?

Rob: The live set that I knew and loved pre-PTL and the PTL tracklist (and hence the the post-PTL live set) were actually quite different. Growing On Me, for instance, which is unquestionably one of the highlights of PTL, I don’t remember being part of the live set before the album was recorded. And Nothin’s Gonna Stop Us and Live ‘Til I Die and The Best of Me were, yet they in time made way for others.

OI: What is your favourite track? Has that changed over the years?

Rob: If I’m honest, not really. It was always Love Is Only A Feeling, right from the earliest days. I remember Justin gave me a signed CD-R copy of what would become the I Believe In a Thing Called Love EP after the show at The Castle, Tooting in November 2001 – to my eternal regret I lost it a couple of house moves ago – and I went straight home and tried to transcribe the lyrics into a notepad, the better for singing along. I wrote down “and I saw my defensive system adequately fail to withstand” (instead of “an assault my defences systematically failed to withstand”) and if I’m honest I probably still sing it that way at least half of the time.

Dan and Justin played the whole show on only one guitar each in the early days (Dune, Dan’s 1998 sunburst Les Paul Standard and Black Shuck, Justin’s 1998 black Les Paul Standard) and when Dan brought the capo out you knew it was Love Is Only A Feeling time. That solo practically brought me to my knees then, it still does now. The amazing video that Alex Smith made out in the Blue Mountains of Australia only served to burnish the song’s legend as far as I am concerned. The gestures that Justin makes in the cave (here: https://www.youtube.com/watch?v=YGPyUSVtpZM&t=1m46s) – he used to do those on stage and the intro to the track was always heralded by Justin crossing his arms and doing air drums. I later discovered he stole that particular move from Nigel Tufnel of Spinal Tap.

OI: What would you have loved to have happened to mark the anniversary?

Rob: I have one cherished, unachievable dream… For The Darkness to have released a 10 year anniversary Edition of PTL, and for them to have let me choose the tracklist. There are rarities galore: demos, radio sessions, videos that never got a proper release (like Friday Night, which inexplicably leaked on the Internet, through an Italian broadcaster if I remember correctly) – definitely enough to have made a great package for fans. Maybe they can do it for the 20th instead!

OI: Any regrets?

Rob: That I didn’t go to America to see them play there.  There turned out not to be all the time in the world.

 

Rob was, as always, a joy to talk with.  We could have done with another few days just to talk about PTL. The pie is on me next time.

 

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PTL 10th Anniversary – Hedda and Ben

Years ago, two young Darklings from different countries and time zones met in cyberspace. Love wasn’t just Only A Feeling… they got married only a few weeks ago.

OI: Morning, everyone!

Hedda: Morning!

Ben: 




Morning!

OI: Is everyone comfy? Right then… How did both of you discover The Darkness? Or was it less of a discovery and more of a running into a wall of Rock?

Hedda: I heard/saw IBIATCL on TV, thought it was a great song and didn’t actually think much more of it. Then I went on holiday to London with a friend and TD was on the cover of Kerrang. She thought they looked awesome (they did, in their circus gear) but hadn’t heard them. I had, of course but couldn’t remember the song properly, so we looked them up when we got home and that was it. Hooked!

Ben: The person who introduced me to the delights of Tenacious D recommended them (and their forum) to me, so I had a listen, and signed up. Wasn’t long before I was hooked 








.

OI: What was the thing that really jumped out at you first?

Ben: Justin’s crotch. But I tried not to let that put me off.

Hedda: Justin’s lyrca clad bum and the opening riff to IBIATCL









.

OI: They’re prominent sort of Darkness features 




So, Hedda had good reasons to stay around, but what about you, Ben?

Ben: After that, it was the sheer ROCK of it all, plus the humour… I like my music with some funny in it, especially puns and double entendres.

OI: I think they’re everywhere in Darkness being. Once you had PTL in your own hands, what happened to your lives?

Hedda: I went to see them in February 2004 and joined the forum in the summer (didn’t have internet access in my old flat).

OI: Ben was already there, I believe

Ben:I had Justin’s falsetto ringing in my ears pretty much 24-7, and spent long hours squinting at their forum, getting to know the lovely Darklings.

Hedda: He was indeed! I did notice 😉

OI: I think everyone noticed Ben! There was a large but tight-knit community spirit back then.

Ben: There was, it was a very good crowd of people, united by epic rock, and emoticons









.

Hedda: Yes, everyone was very welcoming to newbies!

OI: The forum was exploding then. It was the golden age of fora.

Hedda: It was awesome









.

Ben: It was…. The Dampness, The TPBs, plus puns, banter and the spirit of friendly rock n roll.

OI: It was a great place! As, indeed, you two found out.

Ben: Yep. It’s where we met. I believe the word “thunk” may have been involved.

Hedda: Indeed! Aaaah had forgotten about thunk









.

OI: What happened to attract two anonymous people from different countries into a corner? 




’Thud’ was also quite prevalent, I understand









.

Ben: The Darkness happened, and the power of rock brought us together.

Hedda: And you were funny. And I saw your photo.

Ben: And it was so funny




I saw your photo, and thunk.

OI: Which TD event finally saw the physical meeting of thunks?

Hedda: We’ve never actually been to a TD event together!

OI: Pardon? HOW?

Ben: Strangely we’ve only ever seen them separately, pesky scheduling issues have stopped us both getting to see them at the same time!

OI: This has to stop!

Hedda: It will in november, we’re seeing them in Plymouth














.

OI: Thank the Gods of Rock for that!

Ben: It’s lucky they got back to together, I think it was probably just so that they could perform for both of us at the same time




.

Hedda: I think so.

OI: Two Darklings, brought together by the power of PTL… never seen them perform it together! Of course. They’re very good at doing stuff for their fans.

Hedda: They are, as we noticed the day after the wedding!

Ben:  Maybe you could ask the gods of rock to get them to perform at Exmouth Pavilion for our anniversary?

Hedda 




Don’t push it darling.

OI:  I will offer up a prayer

Ben: Rock Master, who art in Lowestoft, Justin be thy name..”

OI: Right, so you were bought together by the power of Rock, Spandex and Justin’s Bum (the Holy Trinity), in the physical form of PTL. Which little bit of PTL grabbed you by the bum most?

Hedda: IBIATCL and Friday night are my favourite tracks off that album I think. Closely followed by Growing On Me









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Ben: Every bit of it was pure rock gold, but Growing On Me was probably the track that got me the most









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Hedda: And I love the Friday Night video









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OI: It is a gem that needs to be seen more often!




 Over the last ten years, do you think you’ve shifted towards other tracks?

Ben: I’ve shifted more to IBIATCL, as the love of my life is here thanks to The Darkness We used it at our wedding, so it has special sentimental value now. Plus it rocks. 









Hedda: Not really, they’re all good but those ones have always been my favourites.

OI: I guess you two have had your lives changed more than most by this band/album.

Ben: Yes, the Darkness bought us together, despite us never having seen them together. The powers of love and rock are great indeed, but together, nothing can stop us now.

Hedda: Yeah it’s pretty changed but for the better!

OI: I’d hope so 




What’s your favourite memory from that time?

Hedda: From when we met?

OI: Any of the PTL era









.

Hedda: When I went to Oslo to see them with a friend, The Wildhearts were the warm up, and we were at the very front. That must have been February 2004 I think









.

Ben: Seeing the Darkness at Wembley was pretty amazing, a whole bunch of Darklings met up at the hotel before going basking in the power of rock, was great to meet them all, and them, well…..Justin on a flying tiger is a sight I’ll never forget.

OI: Do you have anything to say to The Darkness on this great occasion?

Hedda: Don’t. EVER. Stop!




And thank you for bringing us together









.

Ben: Thanks for believing in a thing called love, and rock the f*ck on.

Ben has planned to make new, slightly larger version of his ‘The Dampness’ T for November and Hedda has a purple Frankie T from that there America. Look out for them!

 

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PTL 10th Anniversary – Steel Panther

Steel Panther quite frankly are a band that need to be seen and heard – Rock and Sex at their headiest mix. To be nice to their old muckers The Darkness, they recorded this message from Las Vegas.

Thanks to Michael, Lexxi, Satchel and especially Stix for making it happen. Nick deserves a special mention for beating the file size until it was small enough. Dudes, you rock harder than a hard thing, and I love you for it.

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PTL 10th Anniversary – The Webb Brothers

The Webb Brothers go WAY back with The Darkness, as you’ll see:

The moment we laid eyes on the Darkness in a dingy little bar in Austin Texas we knew they were going to be stars. They were insanely good, had great songs and most importantly they were absolutely fearless. The next year we met randomly at the same festival and learned that they were also true gentlemen. Dan and I agreed to guitar tech for each other since we were both touring with skeleton crews. I only hope I came close to doing as good a job for him as he did for me. Later they gave us the privilege of accompanying them on one of the great adventures of our lives, their first major tour after the release of ‘Permission to Land.’ I could write a whole edition here with the stories from that tour but I’m gonna do you all a favor and keep it neat. A giant congratulations from The Webb brothers on 10 years of great music and fearlessness. Thank you. The Darkness Rock!

 

The Webb Brothers were most charming – thank you for your help!

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PTL 10th Anniversary – Dave Ashworth and Karl Eisenhauer

One Monday evening in The Lucas Arms, three Darklings of long standing and high audience participation met to discuss The Darkness. Or, rather, I promised beer if they turned up at 7ish and gave me an indepth interview on the ‘Old Days’. What follows is basically a pub chat between three old timers – memories, banter, opinion, anecdotes and a high regard for silliness in the quest to record a large amount of little known Darkness-related bollocks. We did that admirably.

OI: Right then, Dave, your turn first. When and where was the first time?

Dave: The first time I heard about The Darkness was when Justin approached me at 3 o’clock in the morning outside Stay Beautiful Club.

Karl: This story’s already better than mine!

OI: That’s a good place to start!

Dave: Because they were playing upstairs in a pub the night after, so he just handed over a flyer. You meet someone at 3am, and think brilliant, we can do something tomorrow now! I think we ended up helping him hand out the flyers for some reason, because that’s the kind of thing you do at 3 in the morning.

OI: It is!

Dave: So we went to see them play, it was September 2001, and that was at the Barfly in Camden, back in the days when the Barfly literally was just the upstairs room of a pub where bands played sometimes. And they were brilliant! Ridiculous amounts of fun, really.

OI: Was that it, then? When the love affair started?

Dave: Well, it wasn’t so much of an immediate love affair of ‘This is my new favourite band’. It was that kind of thing where you see a band in a pub and think ‘Fuck, that was good, and we’ll go again next week’.

OI: Was that when they were doing the weekly Barfly?

Dave: They weren’t doing anything weekly at that point. Every couple of weeks.

Karl: Was that the thing called ‘Uncle Bob’s Wedding Reception’ or something like that?

Dave: Uncle Bob’s Wedding Reception was when they were doing gigs at the Verge, which was slightly less well known than the Barfly. I can never remember what they’re calling it these days. It literally was just that. I saw them in a pub, thought they were a good band, saw them a couple of weeks later, and again, and it just goes from there really.

OI: and you never thought ‘Actually, this isn’t as good as it promised to be, at the beginning?

Dave: How do you mean?

OI: You know when you go and see a band the first couple of times and then start to get bored of it. Clearly not…

Dave: Certainly going through the Camden pub days, at no point did the joke ever show signs of wearing thin.

OI: Best joke in Camden at the time?

Dave: It’s funny, they must have been doing reasonably well, because they were able to headline a Saturday night in a Camden pub. Its not like they spent an awful lot of time toiling around playing third on, on a Thursday.

Karl: It always seems that some don’t have the talent, though, headlining, just be in the right place at the right time.

Dave: I’m sure there were plenty of bills back then where they were headlining because everyone else wanted to get on, get off and get pissed.

Karl: I guess so, but they evolved out of Empire as well, who had a following as such.

Dave: They were a known pubbing band.

Karl: Yeah, there were people in that band that were known around, in Dan and Frankie’s case. And they had management kind of pre-attached to them in some form, didn’t they.

Dave: And also, as well as Empire, there was Thirteen:13…

Karl: And two members of the Britpop band Catch…

Dave: So obviously there were some connections from that. In fact, I remember a couple of months after I first saw them, I bumped into them at a Thirteen:13 gig. The stated reason at the time was that Dan wanted to check up on his bass amp, cos he did still want it back at some point. I don’t know if he did get it back.

Karl: Were you around for the buffet?

Dave: There was more than one buffet!

Karl: There was one where they cut their fingers.

OI: That was Dan.

Dave: I don’t remember any bloody buffet! I do remember them playing at the Verge in Camden, they had a nice little trestle table up at the back with breadsticks and dip and little bowls of Smarties.

OI: Oh, to go back to those days.. do you think they’ll do that again at the end of the year?

Karl: I don’t think they’ll cook, no.

Dave: They didn’t cook then! It was mainly cold.

Karl: Disgraceful, really…

Dave: To be fair, it’s not bad for £4.50 in…

OI: A gig, and all the finger food

Karl: You can look at

OI: And think ‘I wonder who sneezed on that’

Karl: Is it my turn now?

OI: You’ve already chipped in, but yes.

Karl: Mine was a while after that – about 11 months. I wasn’t in London, I was a country boy.

Dave: You still are a country boy!

Karl: I was in the back of beyond in Lincolnshire. I used to go to the record shop on a Saturday (a non work day), the big old Virgin Megastore in Grimsby… no, I tell a lie, I used to go to WH Smith, look at the magazines, and picked up an issue of Kerrang. It was full of the usual bollocks of around that time. Long goatee beards and cut off jeans – Limp Biskit and Korn and that kinda stuff. There was a little half page picture from the same shoot as the I Believe EP. I remember looking at it and reading about the band – Justin saying his biggest influences were Bon Scott from AC/DC or something like that. It was round the same time as The Datsuns as well, who were getting a lot of hype in the NME. You look at these bands who say they love AC/DC or  wear an Iron Maiden tshirt, and when you come to hear the actual music you won’t hear fuck all of it. I saw all this, didn’t think any more of it. Went to Virgin, bought a couple of albums and as I was queueing up I was standing next to the singles section. Sure enough, right down there in the top 200 was a little EP for about £1.79, so I thought I might as well get that! When I got home I listened to the albums and was about to throw the bag out and remembered the EP. I was a bit different to Dave. As soon as I heard the opening riff on the EP version I’ve got, I just thought ‘Hello, there’s something here. The sound of someone who likes AC/DC and can sound like AC/DC’. I played that EP to death for about a month or so. Being stuck in the middle of nowhere I went to the internet and found the website that Webbie had then – the old guestbook. I wanted to go to a gig but London was a million miles away at that time. I remember the I Believe EP getting airplay on Jo Whiley. Not a lot happened for a while apart from listening to it until November/December time – 2002. Darklings happened before my first gig. You remember the guestbook?

Dave: I remember it. I remember you harvesting me off that guestbook!

Karl: I prefer the term ‘grooming…’ There were a few names around on that guestbook – Graham Burgess, the guy from Bandannaman, Helen, Rada and Mike turned up with a load of photos. Anyway.. it got to the point where.. you can’t really have a conversation on a guestbook. I could see that people wanted to do a bit more talking with each other rather than just going ‘I went to this gig, it was great’. Being a bit of a sad geek stuck out in the countryside without many friends, I was familiar with web forums.

Dave: You still are, to this day!

Karl: I though ‘hang on a minute, there’s a gap in the market here’ so when I had a bit of time off at Christmas I sat round one evening and registered a web board, thinking ‘I don’t want to call it the Darkness Web Board’ because they might get a bit angry that I’ve stolen their name.  So I thought ‘what can I say that’s a bit like The Darkness

All: but isn’t!

Karl: So I made up some random bollocks, and the board was born round about Christmas Eve 2002.

OI: Your present to the world!

Karl: I like to think Christmas morning, but most likely Boxing Day, I woke up, went on to see how my little baby was growing and found some oik had followed me from the guestbook… And there was a ‘Justin’  who had registered. I though someone was taking the piss and that I should have put a block on those names. About 13 people had registered by then. No. 6 was Justin, and No 7 was someone called Justin’s Dad. I was a bit dubious and challenged this man by DM. He said no, it really was him and it really was his dad. Apparently got a bit excited that someone had done something for them fanwise and gone and shown his parents over turkey sandwiches on Boxing Day, which is always my favourite memory.  I like the idea that I penetrated the Hawkins’ Christmas.

OI: It is an image. ‘DAD! MUM! Someone’s built me a forum!’ Oh heck, I can just see an overexcited Justin bouncing around with a laptop!

Karl: I dunno what this old timer thought of this upstart and his ideas?

Dave: I’ve seen worse – it just seemed like a logical step at the time.

Karl: That’s the nicest thing you’ve ever said to me!

Dave: What, you being a logical step?

OI: Karl’s logical?

Dave: It made sense. There was enough of a buzz that people wanted to start talking about it. Not just with their mates around a pub table, but with other people who’d seen the same things that they’d seen.

Karl: Two of the nice things that I remember over the first three months – a good six months before they got signed and three or four before Growing on Me – was that you’d get new people every day. It was a slow process but steady. It was really friendly because everyone kind of knew each other. Another nice thing was – whereas now, your ‘typical’ Darkness fan is heavily locked into  Steel Panther or other rock bands, in those days a lot of the people signing in were from indie backgrounds. There were some from metal backgrounds, but people like Helen and Colin were more indie. There was a real mix of people.

Dave: Without wanting to put them down, they WERE an indie band at the time, playing the indie circuit. The idea of doing something like that didn’t exist on a circuit that was really alive at that time. There wasn’t a Classic Rock circuit that was getting any real exposure at the time so they were playing on an indie circuit.

Karl: I’m guessing from what I was told later that year, there weren’t many bands doing anything like that. Some, but it was a bleak time.

Dave: I think that at that time, that sort of music was looked on as a bikers’ dark alley.

Karl: In terms of rock, you’d gone from grunge to post grunge to your pop punk stuff around that time. In terms of rock and metal bands, old school, it was dire.

Dave: There wasn’t a grass roots rock circuit, not enough for anyone to take any notice of it.

Karl: The previous generation was dying on its arse around that time.

Dave: The nostalgia trip hadn’t kicked in yet.

Karl:  I think Radiohead and Coldplay were the biggest bands at the time, you can imagine why they didn’t really fit in.

Dave: They drove their own wedge into proceedings on that score, really!

OI: I remember when I first started seeing them – from radio to seeing the videos – I never thought of placing them. It never occurred to me to place them anywhere because I didn’t think they were actually anything (in terms of genre). Which was good for attracting those indie Goths.  Indie Goths? Sorry, mixing my genres!

Karl: I guess my next chronological incident was – preamble is that I had spent 12 months getting massively into Def Leppard. In those days if you were signed up, you used to get mailouts from Sue Whitehouse. I was very excited because Leppard were touring. This email dropped in at Christmas to say that The Darkness had been chosen, which was very bizarre as it started off a chain of events where if I like two bands they end up playing on the same bill. Like Gaga – who would have thought that The Darkness would have opened for her?

Dave:  A genius move though!

General agreement

Karl: So that happened, and at the end of January Justin came back on the board for the first time in a while to say ‘This seems like a logical place to put this, we need a load of people to come down to film a video’ which was the GYHOMW video. Now I couldn’t go because I was still a country bumpkin and had my factory job in Lincolnshire, but this slender hipped Brett Anderson/Brian Malko lookalike here (fresh off his Japanese centrefold modelling career) went to that, and Dave can carry on.

Dave: Yeah, they put up they were doing this thing and they wanted people to come. They essentially did it in two stages. They had an evening gig where they wanted a big crowd and everything else like that, and filmed all these lead up scenes to go and set a little story. We had to go to the LA2 under what used to be the Astoria at 10 o’clock on a fucking Saturday morning which was fairly difficult. We spent the whole day filming all these little cutaway scenes an other bollocks like that – I think about 3 got used in the end. It was an LA club scene vibe with people dancing on the tables. For part of one scene someone was supposed to come and whisper something in my ear to draw me away to do something or other, and it turned out to be Helen from the boards, who I’d never met before. So she whispered ‘I’m Helen, you’re Dave, aren’t you, how are you doing?’ right in the middle of the scene. She’s probably the only person I’ve ever met live on camera. That was a fucking long day, and by the end of that day, I tell you we fucking hated GYHOMW. We had listened to it 30-40 times on repeat over the course of the day, and been told to go mental on cue each time. I’ve just about made my peace with it now. It’s a great song.

OI: It’s been ten years!

Karl: You never see the video much any more these days.

Dave: I can’t find it on YouTube, I think there’s been some legal reason they had to delete it or something.

Karl: You probably can’t find it on YouTube, but if you google it, it turns up on French YouTube or something. It’s out there.

Dave: There must have been some legal reason why they couldn’t show it.

Karl: You’re in it.

Dave: I have a horrible feeling I didn’t have very many clothes on at the time.

Karl: (moving on swiftly) At that point I should point out that Dave had been posting on the board and we hadn’t got into picture sharing yet. No one knew what anyone looked like.

Dave: People didn’t share then, they stayed anonymous on the internet at that time.

Karl: Dave did. We knew who he was but I had no idea what he looked like and wouldn’t, for about another 11 months. Hence he became the very nearly mythical Sexy Dave, to many of us.

Dave: Have we got to your first gig yet?

Karl: No!

Dave: See, I never realised you’d been so involved in this without ever seeing the fucking band!

Karl: From that point on, for the next 12 months, there was basically something happening every week or fortnight. We’re talking about the 10 year anniversary here. Basically it feels like 10 years worth of memories happening in about a year.

Dave: So much happened in such a short space of time.

OI: My first year was a bit like that.

Karl: It came up to the Leppard tour, and I went of to see them at Sheffield Arena with my best mate from school. I was at his house a week or two before we were going back to see them. He loves AC/DC, so I thought I’d give him this CD. I warned him that he’d love it but might not like it so much when the singer starts. I didn’t know if he’d like it, but it was the band opening for Def Leppard so I gave it to him. Randomly one night I got a text out of the blue going ‘These are fucking amazing!’ so we both got very excited. I didn’t tell him I’d got this message board.

Dave: He kept it a Dark secret!

Karl: Yup, a Dark secret. Anyway, on that board there was a message saying they were doing a warm up gig at the Peterborough Met Lounge, one of my favourite venues. That was my first gig, round about Valentine’s Day in 2003. Even though they were on the up, they had so many tickets to give away. The Met Lounge was about 80-100 people. I remember Graham Burgess had won about 13 pairs of tickets! He was giving them away to everybody left right and centre. So even though I was going to see them with Def Leppard, I wanted to see them on their own first. I came home, said hello, found out I’d won these tickets, jumped on the train of to Peterborough. The gipsy rock and roll lifestyle began! I got to the Met Lounge hours fucking early, stupidly not wearing a coat.

Dave: As prepared as you ever are!

Karl: The doors were half an hour to an hour late being opened, in February, in Peterborough High Street, freezing fucking cold. There was one other guy I was talking to, his mate had mentioned this band so he’d decided to come and see them. I remember him saying ‘I haven’t listened to a rock band in 15 years’ even though he looked younger than me. He would have been 5! There were two local support bands. The first one was called ‘The Dark’.

Dave: Promoter logic!

Karl: I don’t know what happened to the Dark, they were very heavy.  There was a VIP bit upstairs, Justin wandered down in his catsuit to watch one of the supports. I was standing at the bottom of the stairs looking across, thinking ‘that’s a famous person!’ even back then. Didn’t try and talk to him though. I loved everything they did. By that point we only knew three songs, from the EP and GYHOMW. They only knew about 7! The famous bit about that gig is that it had one of those false ceilings, fantastic gig but at the end Justin jumped up to grab something off the ceiling. He ended up swinging off it, his weight made it give way. He didn’t land on his arse but was back on the ground and the ceiling started to fall in on him. This dry ice cloud of dust from behind the false ceiling smothered them all at the end and it looked very dramatic.

OI: He’s not learned anything since!

Karl: The story I was told was that they were so impressed that they didn’t bother putting in for damage! So that was my first gig and I loved it. I then went to see Def Leppard. Unfortunately in the intervening four days, I had basically caught mild pneumonia or hypothermia. I was shaking and couldn’t breathe, really ill, but no way was I missing Leppard! They were very important to me at that time. I dosed myself up on packets of Beechams (well into hardcore drugs). The only things I remember from the gig was when The Darkness came on, the only people in the crowd who knew any of their songs were me and my mate who were singing merrily along. We didn’t actually know the lyrics because we couldn’t make them out, but we could mouth the right sounds. I think they came out to Arrival, even then. They did Bareback. Everyone loved it, 7-8000 people milling around thinking the support band were gonna be shit – heads rocking, really going for it. People were obviously surprised that there was a decent support band. And then – I guess they would have gone into Best of Me next – opening riff, everyone’s loving it. As soon as Justin opened his mouth with those high pitched vocals coming out, the audience literally halved down the middle. People either loved it or hated it, literally ‘what the fuck is that?’. But I don’t remember much else of that gig because all the cold remedies had kicked in. My brother and Wayne insist it was a fucking brilliant gig, I can’t remember fuck all about it. I was so pissed off that I went and got another train to Manchester Apollo to see them there. One of my favourite gigs I’ve ever been to. The Darkness were brilliant, Leppard were brilliant. Suddenly from seeing no Darkness gigs I’d seen three in a row, something that would continue for much of that year.

Dave: It’s a shame actually because when they did Brixton Academy on that tour I got offered guestlist but ‘I actually can’t take this’.

Karl: I think as well, that would have been before the first Carling Astoria gig, in March, they definitely opened for an old school rock band – Deep Purple or someone like that, because I remember people coming onto the board on the back on that. 70’s rock people, not 80’s rock like me, so you suddenly had more diversity.

The board became more of a website as people posted stuff and we organised different threads.

Dave: It needed a lot of management.

Karl: I was there one night changing the background, noting that only me, SexyDave and Justin were online. Just the three of us.
OI/Dave: The Unholy Trinity!

Karl: It was changing to the GYHOMW sleeve cover and I messaged Justin because he was online, and he messaged back moaning cos there was a giant picture of his face staring back at him.

Dave: Well, if you will visit your own fansite!

Karl: So I changed that, then he made some comment about two blokes in the front rows at Sheffield who seemed to know all the lyrics. I was famous!
After that they did what I think was their first UK headline tour – Brixton Academy, Stoke Sugarmill etc, and I think it was at the end of that tour that they did the Astoria Homecoming. No, not the Homecoming, the.. umm.. Upcoming one.

OI: The ‘Leaving Home’ one?

Dave: The one where they said ‘Yeah, it’s totally sold out’ and it was very busy, but you couldn’t shift the tickets for more than £3 apiece.

Karl: They were supposedly the first unsigned band to have sold it out, which is what they claimed at the time. It was on Wikipedia, it must be true.

Dave: It was definitely going that way but I wouldn’t give you odds.

Karl: I converted my mate into ‘Let’s go and see this band a lot’ so we went to Stoke Sugarmill when they supported a band called Livid.

Dave: I remember Livid, that was about 7 years before they got that record out!

Karl: There was a lot of waiting around in the cold and rain for the doors to open

OI: We’ve done a lot of that together!

Dave: What is it about certain bands where you never seem to turn up at the right time? Always hours before? I used to do that with Placebo a lot.

Karl: We waited for about an hour to get in. The first thing we saw was this guy in a multicoloured coat screaming into the mic ‘Hello, we’re Livid’ and the crowd shouting back ‘YOU’RE fucking Livid, we’ve been outside for an hour!’ For The Darkness, the mics kept failing, and during Best of Me Justin decided to have a little hand puppet to sing into the mic. During the crowd participation bits, he would put the mic forward – not that it worked.  We decided to hang about to see if we could talk to them. We sat on the stage watching Justin, trying to work out who Robert Shaw was because we knew he was going to be there. Suddenly there was some bloke on our right hand side going ‘Do you guys want a beer?’  Sounds generous, let’s see who it.. oh. Frankie! He was basically giving away the rider crate of beer.

OI: I think the first thing Ed ever said to me was ‘Would you like some champagne?’

Karl: The second thing Frankie said to us was ‘I haven’t got a bottle opener’ so there we were with bottles we couldn’t open. Being the sad bastards that we were, we’d already been to the merch stall and bought those little lighters with bottle openers on the back. So suddenly we were the band’s designated bottle openers

Dave: With their own merch!

Karl: So we talked to Frankie, talked to Justin and there was lots of talk about ‘we’ll have to do something more official, maybe integrate the board’ but I think they were only being friendly at the time. It was nice to finally actually talk to them. Dan couldn’t talk to us because Dan was always hounded by ridiculously attractive women, constantly. They weren’t even at the gig, they just appeared when Dan walked into a room. That was March, and it can’t have been long after that, that Growing on Me came out.

Dave: I forget that one.

Karl: It was a couple of months before the album, definitely April time.

(Check google on phones time!)

Karl: Oh no, June! It was announced in April, then, that GOM was the single. I distinctly remember the reaction on the board being ‘What the fuck are they doing releasing that as a single? ‘Best of Me’ should be the single.’ People weren’t particularly.. the majority weren’t happy with that.

Dave:   ‘Best of Me’ was already a B-side, though, yeah?

Karl: There was other stuff – ‘Stuck in a Rut’ – GOM didn’t seem that popular and it seemed really weird.

Dave: It’s strange that because I remember when they first started playing that one, and everyone – by everyone I mean the three people that came to all the shows, me Rob and Simon Price – were standing in a huddle at the back of the pub thinking ‘not sure about this one’.

Karl: It was definitely their most poppy radio friendly one. Even more than IBIATCL, because that was quite raw. Graham Burgess said it should be GOM, and he was clearly right.

Dave: Mr Burgess has a lot of pop sensibilties!

Karl: From that point on the build up and support slots had won them a lot of fans. I think they supported Disturbed which was weird, at a big gig in London. They supported everyone in those first few months! All credit to them, they just went everywhere.  Didn’t care what stick they got, if they won a couple of fans. They were winning them, not losing them. I always thought ‘good on ‘em’. I wouldn’t go to see Disturbed, but Im glad they went to that audience, getting airplay where they can.

Dave: Again, it’s back to the fact that there wasn’t a ready-made place where they should be.

OI: So they were everywhere.

Dave: They might as well play with Disturbed, as much as they might well play with the Libertines at the Barfly, which they did a couple of times.

Karl: That was the XFM Xmas show! I had the bootleg of that, it was 2002. Was it The Libertines, or Pete?

Dave: No, it was The Libertines headlining, supported by The Darkness. Sponsored by Jameson’s whisky. I’ve got that bootleg too.

Karl: Can you do me another copy? I’ve only got it on minidisc! As you say, there wasn’t a readymade scene for them, but they had a groundswell of support in certain places. Simon Price, for instance, was well on them by then. I was told they got a lot of airplay from Stay Beautiful.

Dave: They used to DJ at Stay Beautiful (Simon’s club night). Lots of the people doing the early shows and videos were Stay Beautiful people.

Karl: There was nothing in places like Classic Rock Magazine though.

Dave: Classic Rock didn’t touch new bands then, because there wasn’t a classic rock scene.

Karl: You’d open it and there’d be a 20 page Hawkwind special. For me, everything exploded when they got video and GOM turned up. I remember that being the first time that there was hardcore fan activity. People ringing up to get a video played at a certain time. If there was a daily top ten show, making sure that they got their votes in all on the same day. It did the trick, it got them on, and we were aiming to get them on at peak times. We cared about shit like that. I was excited to see the video the first time and realising it was us that did that. It was so busy – everything that happened between April and August, I’d be very jumbled up on.  Every other week something happened. Did you go to the album launch?

Dave: Where was it?

Karl: Basically, it was over there (points over his left shoulder).

Dave: What, at La Scala?

Karl: Well, we walked round the back of St Pancras over some waste ground somewhere over the back there. Where they had the album launch  – I assume it was a venue of some description as it obviously had a proper bar and different rooms, and a marquee erected outside and stuff. From my memory, it was in a mini field, not in a building in a row of buildings.

Dave: If I did go to that one I don’t recall. That doesn’t mean it wasn’t there. Ah! Yes! I was visiting my gran that week so I missed all that!

Karl: There was the XFM breakfast show on one day. We drove down at stupid o’clock, trying to find the Swiss Centre near Leicester Square. AS we turned up, as big white van turned up next to us and four recognisable men fell out. Dan immedicately put a fag in his mouth and muttered something about it being too early to rock. He was just so instinctively cool in those days. Justin was chanting the line ‘We’re the band that brings you rock before breakfast’. Later that day there was an instore at the big HMV on Oxford Street. Someonewas saying that there were three times the number of people they normally got for instores. A lot of people got turned away. Rada and Mike turned up and couldn’t get in, so we got Justin and the otheres on the phones to talk to them – they’d just got married. After the signing we went to the pub, had a few, left, and bumped into them going to the pub we’d just been in. I felt someone grab my arse and swung round angrily to find it was the man who wears a catsuit…

Dave: He used to do that you as well? He did have a habit of doing that though. He would introduce himself to you by either squeezing your bum or putting his hand between your legs and giving it a yank!

Karl: We spent the rest of the evening boring the band senseless, which they were very nice about.

Dave: Probably doesn’t hurt too bad when people are adoring you!

Karl: There was a girl called Kitten who was a drummer. She had got all the drums down pat except for one bit at the start of ‘Holding My Own’ where she couldn’t get the timing right. She gleaned from Ed that the reason for that was because it wasn’t right on the record. We always wondered if that’s why they didn’t play it live for so long! She told the story much better…

There was the time at Download where we got to meet them and had a bit picture taken – four of them, 6-7 of us – only to find out later that Justin’s mum had that picure on her kitchen matelpiece or wall of something. That was weird!

Dave: It was chaos after that.

Karl: Did you have any more questions?

Dave: That was all off the back of the first one!

(We had been talking for an hour and a half by then.)

OI: I told you I didn’t need any questions!

Dave goes to get a round in. OI has vodka and coke on the rocks with no ice. Dave comes back to confess he has no money, and to borrow some from Karl to buy his round. Ha!

Karl: I remember the board getting so big that there were arguments happening that didn’t include me! And stupidly, there were vigilante attacks between mine and the official one.

OI: I never understood that. Or why people would bother.

Karl: I went on the official board too, I was friends with Webbie! But you’d get things like people asking where the term ‘Darklings’ came from, and some authority answering with a load of bollocks that they’d made up and second hand rumours. People would start putting words into your mouth that weren’t yours. On the official board people would say ‘Oh, they get funny about people using that term’ – bollocks! It’s my board, and that ain’t right!

OI: I didn’t even know about the Darklings, because I came straight into the official board.

Karl: That was it, the one you knew first was probably determined by when you got into the band. The majority of people up to ‘Growing on Me’ went that way to Darklings, and after, to the official board. Which had it’s own heritage by then.

Dave (to OI): Are there any questions in your book?

OI: No! But what I’ve asked other people is about favourite tracks, has that changed over the years, and how PTL has changed your life? Has it been been a constant background to your life, or really done something to turn it upside down?

Karl: It has absolutely changed things. I have a social life! I’ve completely corrupted some of my friends. Ian even commented at meetups ‘these people really like Karl!’

OI: A shock!

Karl: It confused me for a long time! That band changed my life completely. I made a point of telling Justin that a lot… there was a drunken, deep and profound moment at the album launch party. It changed things in a way that nothing probably will ever again. As a kid you grow up with a band that turns you on to something musically – more than one. Blur were probably my first passion as a teenager. Leppard were the first I obsessively collected B-sides and knew trivia for. The Darkness were the ones I actually got to meet.

Dave: There are important bands, and important bands you’re involved with.

Karl: Even if none of that had happened, they’d still be one of my favourite bands of all time because I loved what they did musically and changed the landscape of what was going on. It’s weird sometimes to think that if Justin was walking on the other side of the road, he would know who you were and and cross over to speak to you. That’s an honour that kinda blows my mind.

Dave: It’s a strange thing, and I do think it’s a thing that won’t happen again as a phenomena. The Darkness were probably the last band that started out playing pubs and went to playing arenas after that.

Karl: ‘Taking the pubs to the stadiums and stadiums to the pubs’ or something.

Dave: Yeah! They must be the last band to start in a pub and become a household name. Lots of bands started small and got big, but they’re the last band I’m aware of that did that without being an industry creation.

Karl: They did it through gigging and through word of mouth. Everyone who has done it since has done it through MySpace, Facebook or YouTube. The web has broken them.

Dave: They’ve not had to do the hours.

OI: Or the sleeping on floors, etc.

Karl: They achieved the level of fame and stardom that ended up with them on the front page of The Sun more than once in a week. There are no rock bands that have gne through the process and ended up there, now.

Karl: The next band that got even near the hype – more, because the NME were involved – were the Arctic Monkeys. They were worshipped by industry people. Everyone was telling you tha they were the best thing.

Dave: With them it was the ‘novelty’ of ‘here’s a band that started small’!

OI: Funny, we’ve done that…

Dave: They were sold on that for so long.

Karl: There’s a tradition in this country for indie guitar music. Rock music isn’t worshipped in the same way as it is in America, wher you get 24/7 rock stations.

Dave: Do you remember the time they went to America for the frst time to do SxSW, and blew the entire budget on a stupid car?

OI: Wasn’t it a donkey?

Dave: No, a Cadillac!

OI: Oh, no, the donkey was for New York Fashion Week!

Karl: Rock and metal was never as big, here. Even Leppard, Whitesnake, Sabbath. In America it was huge. Here, you had the Rock Show for a coupel of hours a week. It was like a little club. It wasn’t played for the rest of the day. It wasn’t until 2004-5 ish –  when Guitar Hero came out – that there was a seismic shift. I was in a Game Station and there were two 11 year olds who ere having an argument about a song. One of them hummed this tune, and it was Hocus Pocus by Focus! I knew something had musically had changed! I think all of that owes a debt to The Darkness. There was this whole thing about whether they were a joke band. They were an indie in-joke, was the thing for the first six months, because they came up that way. There are still hardcore rock fans who think they’re a joke, because they have fun with rock music.

OI: I said before that I couldn’t place them, and I’m not a rock girl. None of the comments about riffs or influences from thius band or that meant anything to me. It was all over my head, and I just accepted them for what they were. I dodn’t care about the rock heritage, it’s not my thing, though I’ve learned a bit over time.

Karl: I always thought that if you aw them live you would see far more rock than the image promoted necessarily had. The image for some people made them think ‘It’s Spinal Tap, and we’ve had that, so why do we need The Darkness?’

Dave: Because Spinal Tap stopped touring?

Kar;: Out of everything they’ve ever done, put on ‘Love on the Rocks’ live version – ‘We’ve only got one song left, but don’t worry, it’s 12 minutes long’ – that’s my fave live song. Crowd participation, crowd walk. It’s just so powerful. Anyone who can see that live and say they’re a novelty band- WHAT? It’s rock opera. There’s more in that song than most bands ever put out.

Agreement!

OI: Where were we? The favourite track thing. I’ve said that I don’t have a favourite track because I like them all for different things and there’s a vast difference between hearing on them on CD and seeing them live. Live, they are different, and they shift. They’re not the same song, almost. There are different things attached to live and CD – where you were, who with, what happened on stage, how you felt at the time. There’s a different reaction to them, live.

Karl: Good point. After the album came out, on the October tour, they were still doing small places, but £10 tickets were going for £50-60.

OI: The UEA gig, they were going for £175. I couldn’t get to that one.

Karl: It was in Sheffield that during LOTR that the crowd randomly decided to do the clap from ‘We Will Rock You’ and break into the chorus. I’d love to have a bootleg of that! It was the first time I’d heard it.

OI: They don’t do it any more.

Karl: They need a live album. They’ve got three albums of material, for nostalgia and memories. You hear musical progressions. I think they do stuff nowadays faster on some tracks.

OI: That first comeback gig was the fastest I’ve ever heard – manic.

Dave: I don’t have a favourite song to be honest, when you invest so much of yourself in a band, over so much time, the idea of a favourite song is ridiculous. Favourite month, maybe?

OI: The people I’ve spoken to have all said that if they had to choose, it would be ‘this, because I attach this to it’. Not because it’s a musically better song, it’s an emotional response.

Karl: What I like is just the sheer diversity, even around the PTL era. IF you include the B-sides, you have a greatest hits off one album. Every type of song, though I don’t think it was written this way.

OI: There’s ‘Best of Me’, ‘Physical Sex’, LOTR – are these the same band, you could ask.

Karl: When you randomly listen to B-sides there are rock songs next to completely different genres. I loved Christmas Time at the Astoria when they brought on the children’s choir. That was a beautiful moment. If they’d never nade a comeback, I would have smiled for the rest of my life every Christmas because of that.

Dave: It was a genius step to write a NEW Christmas song, a proper one. We are so fed up of recycling the 70’s ones.

OI: Dave, you;ve not answered this one – talk about how they’ve changed your life.

Karl: They introduced you to a lot of strange people?

Dave: When I first started seeing them is was 16. I ended up drinking with them on my 17th birthday. They were buying me cider on Steve Lamacq’s theory that if you only drank cider you would never get fat. For that reason they bought me a lot of it, The whole time they were having their meteoric rise and all the rest of it, I was in my teens and early twenties. That’s going to be an important and changeable time anyway. The stupid thing is, at the time I thought it was perfectly normal and what everyone did was follow a band who would end up on the front page of The Sun. This is a totally normal thing to do when you’re 18.

OI: Is it a totally normal thing to do when you’re 35?

Dave: This is the alarming thing. This is the thing that happens to other people!

Karl: Yes, I know people who’ve gone to their first gig to see The Darkness and met them, and been incredibly excited. I still am! But then I remember that nearly everyone I know has met them and got pissed with them, and I’m incredibly lucky.

Dave: It’s only when I look back on it that I realise that it’s not a normal turn of events.

Karl: In terms of venue size, I’m for selfish reasons bloody glad we’re going back to small ones in the winter.
OI: I can’r wait for that. That’s kind of where they’re at their best.

Dave: You look back to then and think about all the ridiculous things that you’ve done that you never would have got anywhere near, without that band.

OI: I certainly wouldn’t have put my skirt on upside down in the back of a French taxi…

Karl: We’ve all done that.

Dave: I distinctly remember what was possibly The Darkness’ most Spinal Tap moment where they got lost on the way to their own aftershow, in the same building. It was the first time they did Hammersmith, we ended up with half the band and people they recognised from outside, wlaking up and down, backwards and forwards, across the stage three times at the Spollo. Trying to find the party. Everyone had a bottle of champagne in their hand going ‘YEAAHHHHH!’.

Karl: Wasn’t that perfectly normal at the time?

Dave: It’s been quite striking to realise that life isn’t that exciting normally.

Karl: Everyone goes to see bands they really like and get passionate about and want to get big – and they split up 2 weeks later. But The Darkness were the band that you told everyone about, and it DID happen. Even them splitting up and getting back together was part of the essential experience.

Dave: How could be a classic rock opera without it?

OI: It’s like being in a rock theme park  -we’ll go on this ride now!

Karl: I knew in my heart that when they broke up in 2006 that they’d get back together, however long it took.

OI: I didn’t think about it – probably on purpose, really. Didn’t want to get my hopes up. And not worth thinking about toomuch because at the time it just wasn’t happening. Playing a waiting game, and seeing what happened in the meantime.

Karl: One of the weirdest things about them getting back together was seeing people you hadn’t seen for years and them calling ‘Switch’ at you! (userid of long standing)!

There was the most random discussion about daybeds here. Bizarre.

Karl: Anyway, back to the band. I felt that it all started to go wrong when they signed to Atlantic. If you look at the singles – GOM, etc – and what came after except the Christmas song, it never felt right.

OI: No, they don’t suit it. They’re too independent.

Karl: Like in Frankie’s book when he talks about the video for LIOAF, and what they did at the Brit Awards – that was the maverick streak.

OI They need to do things their own way. There’s a danger of actually sticking someone in charge of them.

Karl: The only thing a big label could bring them was marketing. The real strength is the music. If they’d put out a shit album, the hardcore fans would have left, but that hasn’t happened. We’ve stayed around, right from the beginning.

Dave: I don’t know how we ended up not going to the same gigs for so long. Between us, we have a coherent history.

After that, we agreed that we had had amazing, lucky times, going to places that wouldn’t have been possible, otherwise. We are all grateful for the experiences we’ve had, friends we’ve made and the things we’ve achieved. All thanks to one band. Naturally, our agreement was more long winded than that, but we clinked our glasses at the end of three great hours.

The ‘NOT FOR TAPE’ bits were very funny, too. 😀

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PTL 10th Anniversary: Ian Johnsen

Ian Johnsen of the Must Destroy label was, and is, a major figure in the life of The Darkness. A man busier than you can possibly imagine, he managed to find a few minutes to answer one or two questions:

OI: At what point did you become aware of The Darkness?

Ian: March 2001. a show at the Barfly.

OI: How did you get involved in working with them?

Ian: They approached us when they heard that Alan and I had started a label. I believe it was at a Datsuns show at the Garage when first moves were made… maybe around eight months after that initial Barfly sighting. Although, we had previously put them on at a night we were doing at Notting Hill Arts Club at the time, so there was prior contact before talk of releasing anything.

OI: Was their potential immediately obvious to you?

Ian: They appealed to us. That was what mattered.

OI: What made you want to work with them?

Ian: They were / are a good music band.

OI: What made them want to work with you?

Ian: Kindred spirits? No other options?

OI: Was PTL under way before or after you got involved?

Ian: Not at the time, no. They had the three ‘Love’ songs recorded… ‘…On The Rocks’, ‘…Is Only A Feeling’ and ‘I Believe In A Thing Called…’.

OI:How knowledgeable about the music business were they, back then?

Ian: Probably more than we were.

OI:What impact did the album have on you, both in a business and personal sense?

Ian: Its an album I still listen to and enjoy. Business-wise, the whole experience opened some doors, introduced us to some people that would influence our lives greatly, and allowed us to do what we did as a job.

OI: What are your favourite tracks, and why?

Ian: ‘I Believe In A Thing Called Love’ – instantly recognisable as a killer pop song from the opening line. ‘Planning Permission’ (is a B-side allowed?) – lyrically perfect.

OI: Has that changed over the years?

Ian: Not really.

OI: From inside the music business, what impact can you say The Darkness had in 2003, and have you seen any lasting effects?

Ian: They made a mockery of the media’s notions of ‘cool’ and made bands that take themselves too seriously look a bit stupid. Lasting effects? Well, in media-land, not really… perceived ‘cool’ is back on top as the most important thing, regardless of whether the artist has anything approaching even one decent song in them or not. Luckily, there’s not much of a media left that anyone takes any notice of.

OI: Was there alternative artwork for the cover? What was that like?

Ian: No.. there was never time for an alternate cover! It was super last minute as it is… Bruce hardly slept during the time he was finishing it off.

OI: What is it that gives both the band and PTL their special something?

Ian: An incredible sense of melody. A lack of fear of the word ‘pop’. A sense of humour. Not giving a fuck what anyone says about them, good or bad.

 

Thanks to Ian for his time.

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PTL 10th Anniversary – Colin Murray

Colin Murray was a Radio 1 DJ in 2003. He was the first person I ever heard play The Darkness, or talk about them. It’s all his fault that I’m doing this for today!

I remember clearly hearing Get Your Hands Off My Woman for the first time. You have to put it in context, and consider the other British music around at the time. Along came this fucking headcase in a jumpsuit singing about love and sexually transmitted diseases, tattooing L and R on the soles of his feet.It was a breath of fresh air and, beyond the outlandishness and pantomime, here was a band who were super tight, talented and had a singer with such a brilliant voice and range. When I first started playing it on Radio 1 in the evenings I remember someone senior saying to me ”They’ll go on the playlist over my dead body”. That was red rag to a bull for me.

History can be rewritten but truth is they weren’t originally industry favourites and most people wrote them off or made fun of them, but the good people of UK agreed to disagree and bought the music. It was after ‘real’ people embraced them that the media luvvies caught up. Before long they were on ‘the playlist’ and opening the Pyramid Stage at Glastonbury. They finished with  Get Your Hands Off My Woman and just before the last two words they stopped dead and Justin said “Thanks to Colin Murray, by the way”, and it was one of the proudest moments of my life.

Fast forward a little bit and they were successfully headlining Leeds/Reading, rolling out that ridiculous sparkly logo thing at the end.
I don’t look back through rose tinted glasses though. The next album didn’t deliver as it should have and after such an amazing impact it was hard to recover. Most bands would have been forgiven for the cliched difficult second album but you either loved or hated the darkness and the sharpened knives struck deep and hard after ‘One Way Ticket…’ came out.

I will alway think of  The Darkness as the band who dreamt of conquering the world without needing the right haircut or the right jeans or a certain image and, for a while, they did just that and it was a beautiful thing.

Thanks to Colin for this and kickstarting it all.

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