We Are Scientists

by Lou

‘Nobody Move, Nobody Get Hurt’

The first UK single from New York three-piece ‘We Are Scientists’ was released on June 27th and quite frankly should do bloody well!
The title track instantly captivates you with an infectious hook and grabs a firm hold of you to take you along for the ride.
Oozing with screeching guitars, very likeable vocals and a powerfully charismatic melody; a combination that’s very difficult to go wrong with.
Whilst ‘Mucho Mas’ runs its course with nicely simmering instrumentation caressed by smooth vocals with a certain take-notice edge to them.
I see very good things ahead for this band – watch out for them!

The Blue Van

by Lou

‘Revelation of Love’ is the first UK single from Denmark’s hottest new export; ‘The Blue Van’. And don’t their influences shine through like a blinding light?! The Kinks, The Small Faces, The Rolling Stones, The Who….all blatantly embedded in the foundations of The Blue Van’s sound. It’s quite a change to hear this sort of mod-reminiscent music being created by new bands. Well, with bands like The Darkness, Young Heart Attack & Hurricane Party on the scene today, we’ve definitely fallen for a classic rock revival, so maybe these guys are starting the mod revival….before you know it there’ll be thousands on Brighton sea front, clad in parkers or leather pelting one another with fists and glass bottles!!

Switchfoot: Dare You To Move

by Emma

Dare You To Move is the first UK release due 18th July from multi platinum selling US outfit Switchfoot. It will be followed up swiftly by the album A Beautiful Letdown on 25th July. Switchfoot have proved to be hugely popular overseas and are planning to work their magic on the UK this summer.

Dare You To Move is a gentle power ballad on all accounts but without the cheese of many other power ballads! An easy listening track which would appeal not only to soft-rock kids but probably to their folks as well! Tame enough to play for your granny, thoughtful enough for most people to like, it’s easy to see why this has already sold by the bucketload in the states.

Nice and easy, no need to get your air guitars out just yet, guys.

(This also appeared in August 2005 – issue 9)

engerica: My Demise

by Emma

New to the scene trio Engerica are preparing to whip up a storm. New single My Demise will be released on 25th July and is not the first taster of this fun-fuelled three piece that we have heard so far.

My Demise is a nicely noisy track with a wicked opening riff and fist throwing shouts of ‘Hey!’ and fast paced quick changing hooks that let you know that this band have been working together for a fair few years. Vocals are wild and pretty damned variable as the track demonstrates soft vocals, punky verses and rampant screams!

The second track Arsehole is straight down the line punk and professes to be nothing besides that!

Engerica have recently supported the ever-rising Million Dead on tour and look set for success.

(This also appeared in August 2005 – issue 9)

Millionaire

by Lou

‘We Don’t Live There Anymore’ is a seductive track that’s dripping with dirty, grungy licks and an overall air of bad-ass cool. Hoarse guitars grate their way through a sleazy bass line and a complex drum back-bone to invite all listeners into a heaving bosom of filthy-rock. It’s no wonder admirers of this band include Josh Homme and Matt Bellamy. –They know their stuff.

Levellers – Truth & Lies

by Lou

It’s great to see bands standing the test of time like the Levellers have. Formed in 1988 and still going strong with their trademark upbeat-folk-indie-pop-bit-of-something-for-everyone sound. Defining vocals front a healthy, happy concoction of easy listening music that really can appeal to all taste-buds. The Levellers have achieved so much in their careers and this album is just another triumph to add to their collection.

Electric Eel Shock – Beat Me

by Lou

Being previously unfamiliar with Electric Eel Shock’s sound, I’m very pleasantly surprised and can confirm for the other EES virgins out there that it’s just as the name suggests; high power, high energy, riff-fuelled, lively music with a dollop of funk mixed in.
The rabidly vivacious riffs and electric funk make for a remarkable and vibrant sound. Almost like Primal Scream dowsed in heavy rock and proudly set ablaze.
Album opener, ‘Scream For Me’ is an attention-grabbing & infectious number, the rest of the album is of similar calibre and their cover of Sabbath’s Iron Man is brilliantly charismatic and brings the album to a momentous close.
-That, in case you couldn’t tell, was a very positive review!
I definitely recommend these guys!

Various…

by Dave

Clor – ‘Clor’ (album)

To the untrained ear, ‘Clor’ is just a big messy mash of nonsensical
music oddities with a constipated singer wailing over the top of it
all. But being an experienced music freak, I can see past this. The
opening track ‘Good Stuff’, is almost perfect; gentler than the other
songs, an experimental bombardment of sound, Barry Dobbin’s strained
vocals complimenting the slick sharpness of the production. Each song
has it’s unique style, often bursting into strange and interesting
crescendos.
Clor bring The Stranglers-esque 80’s eccentricities back to the fore.
About time too.

Idlewild – ‘El Capitan’ (single)

It seems the lovely Idlewild have gone all romanticized on us. ‘El
Capitan’ glows with joyous positivity, while the lyrics bear an
unhappy sentiment. The latter isn’t so uncommon with the band, but a
smile-worthy song from the lads? Blimey. The layered melodies cascade
in that unmistakable soft-rock indie way, and if you’re looking for a
chill-out track, the b-side is an acoustic version of ‘El Capitan’,
drenched in violins and nimble piano work. This song is surely the
jewel in any Idlewild performance.

Headrush – ‘A Thousand Pictures’ EP

You know when you stand up too fast and you go dizzy? It’s called a
headrush. Listening to the band of the same name, you’re more likely
to have a minor haemorrhage – and I mean that in a very good way.
‘Just Bring It On’ strides fearlessly into a drum intro that shows the
unsuspecting listener exactly what Headrush are made of from the very
start; and that’s pure balls-out rock. In a similar Glitterati vein,
the band create an incredibly raw feeling to their music, much sought
after by all fans of groin-led metal.
In a very Guns ‘N’ Roses, the whole EP is an unpredictable ride. Just
when you think things are slowing down, an enormous riff will smack
you in a face.
Headrush’s catchphrase (yes, they have their own already) sums ‘A
Thousand Pictures’ up perfectly:
“Back again… Rock ‘n’ roll.”

The Redwalls – ‘De Nova’ (album)

This is American indie at its purest. Across the pond, indie is a much
overlooked genre. That is, until The Redwalls escaped the confines of
Chicago and let the Brits know that they can do it too. A hot choice
for supporting Oasis, this band’s laid-back approach to music, as
displayed in ‘Falling Down’ is the trick. They don’t try too hard.
This comes naturally to them, these relaxing rock riffs and
smile-inducing melodies. I just hope they don’t turn into egocentric
sods like The Killers did.

Morning Runner – ‘Gone Up In Flames’ (single)

What a wonderful choice for their second single. ‘Gone Up In Flames’
is the warm, light-hearted chewy centre in the midst of all the
darker, soulful stuff of the past EP, ‘Drawing Shapes’. Very
Starsailor, very ‘Drops Of Jupiter’ (Train), very big, and very
clever. It’s like a Coral b-side that got lost somewhere along the
way. Bouncy, energetic and passionate, putting their own spin on
modern indie pop.
Too damn good to be supporting Coldplay. They should be headlining
their own stadium tours

Alamos

by Emma

Photograph It is the forthcoming single from Scottish Trio Alamos. This is the second single and is due for release on July 25th.

Alamos are a funky new wave kind of band, imagine Franz Ferdinand guitar and beat with punk vocals! Photograph It is catchy, upbeat and I think it will live up to the rave reviews earned by the debut single Kill Baby Kill. B Track Lights Out continues the theme although slightly slowed down.

Definitely for fans of trendy rock, Alamos would appeal to a select audience, however they must have a few tricks up their collective sleeve since they were selected to support ace band Biffy Clyro, The Subways and Hell Is For Heroes to name but a few.

(This also appeared in August 2005 – issue 9)

Funeral For A Friend

by Emma

Interview – Leeds Refectory 30 June 2005

Now you will notice that this month’s zine features my review of two of the recent FFAF tour dates…well Ben and I caught up with ace drummer Ryan Richards a couple of hours before he took to the stage for the Leeds show for a chat about the tour, the Hours album and each other. We were ushered onto the tour bus an hour behind schedule (things were a bit hectic, Matt and Darran had both been mobbed by fans outside earlier and previous interviews had run late), as Gareth stood outside having a smoke with a pal and enjoying the peace since the doors had opened a half hour earlier and the crowds had disappeared. We were directed upstairs to find Ryan and his playstation perched on the comfortable leather interior. We were introduced and shook hands with a very friendly and welcoming Mr. Richards, exchanged pleasantries and pressed on with the interview.

E. We all know what roles each band member plays musically within Funeral For A Friend, but what role would you say each of you has on a personal level within the group?
R. I would say that I am the joker of the band, but I guess that we would all say that! I think Kris is the intense one, Darren is the wiser one being the eldest, Gareth is the excitable zany one and Matt, well Matt is just the odd one!

E. Have the last ten days or so been a whirlwind for you? The album is selling like hotcakes and you’re well into the tour, did you imagine that it would be so well received and so quickly too?
R. Yes, it’s been great just to get the new material out there and heard, it’s so different from our last album. We wouldn’t be really upset if it didn’t do so well because it reflects where we all are at this stage but it has been brilliant so far.

E. There is virtually no screaming on the new album, was that an intentional thing or did it just happen that way?
R. It wasn’t really intended that way, we just felt that the screaming wasn’t really needed with the feel of this album. We didn’t just want to put it in there for the sake of it if it doesn’t fit. It actually puts me off some other bands when they do that…not mentioning any names though! The earlier EP had a lot more screaming because the tracks were much heavier and fast and furious.

E. How have your family and friends reacted to some of the new tracks, there are some really personal songs.
R. The album really reflects what has been going on in our lives over the past two years so they already knew what we have all been through, so I don’t think they were surprised to hear it coming out in the songs. I think that some of the lyrics are quite obvious so everyone will get them and know what they relate to but then there are a lot of cryptic lyrics in there too which some people including some of the fans will get, and some won’t.

E. How have you enjoyed touring with Bullet For My Valentine so far?
R. It’s been great, we have all known each other for about ten years, back in Wales we all played within different bands in the circuit so it’s really good to all tour together and to see them doing really well after all this time. They have been working really hard for years so they deserve it.
B. Has there been a lot of craziness, are there any funny stories from being on the road?
R. Oh there is always something crazy going on…It’s mad enough when there are five welsh men together on the road, never mind when there are nine!

E. Did you enjoy the Give It A Name show? Did you get the chance to hang out with any of the other bands?
R. Yeah it was good to see some of our old friends. We had just flown in that day so we were all a bit tired and we had to just get straight in there. Some of the other guys are good friends of ours – Coheed and Cambria, Finch, and Alexisonfire are good friends of ours.

E. What are your planned once the UK tour has ended – will you get any down time or are you taking the tour overseas?
R. Oh no, we won’t get any down time at all! We are doing the Warped Tour, then we have Leeds and Reading Festivals and the Taste of Chaos tour which we are doing all over, including Japan. Then we’ll be doing a US tour and going to places like Germany etc.
E. You’ll be absolutely knackered by the end of the year then!
R. Yeah, yeah we definitely will be!

E. What happened with you guys being the mystery guest at Download this month – were you pulled in at short notice and did you replace Motley Crue?
R. Ha ha, I think the Motley Crue thing was just a product of the rumour mill! We always knew that we wanted to play Download and so we made sure we could do that, and we got to see some other great bands there too.

(At this point Kris came sneaking into the room on tiptoes mouthing ‘sorry” and grinning as he looked for something on the table between Ryan and us).

E. I know that Matt has been doing some publicity for the Kerrang and Samaritans Rock For Life Campaign – is that something that you have all been involved with?
R. Yes, we all thought that it was something great that we could all get behind, there are a lot of celebrities supporting the campaign. We have all designed some wristbands for the campaign, I think it’s a great thing to get involved with.

E. Finally, what music do you like to listen to – do you have a favorite band at the moment or are there too many to choose from?
R. Oh there are loads that I like! I think it would be hard to choose an actual favorite as it changes all the time as I see and hear more bands. I think we all really like the old classics – Metallica, Pantera, ACDC.
B. What do you think of Trivium? I think they are brilliant.
R. Oh god yeah I think they are really great. When I first heard them I though they were technically brilliant and then Ii heard how old they were! They were only sixteen at the time and they were amazing! I know the Bullet guys really love Trivium and they have met them quite a few times.

Cue more Trivium appreciation between Ben and Ryan…we then thanked Ryan for his time and let him go as the interview was an hour behind schedule anyway. Ryan thanked us and we had a couple of cheeky photos before shaking his hand and saying our goodbyes. On our way downstairs we bumped into a surprised looking Matt Davies who was just coming onto the bus, and exchanged ‘ello’s as we passed.

(This also appeared in August 2005, issue 9)

Bullet for My Valentine

by Emma

2005 is Bullet For My Valentine’s year, no doubt whatsoever. My last Bullet review from February closed with the words ‘This was undoubtedly the single most amazing gig I have ever attended, and the guys surpassed my every hope and expectation of them’. Well since February I have been fortunate enough to attend a number of the best gigs and this year so far has been totally amazing, but Bullet have just gone from strength to strength. Not only are they supporting Funeral For A Friend on their fantastic UK tour, they are also simultaneously headlining their own tour, fitting in dates between the Funeral dates. There is just no stopping these four Welshmen! They are certainly up to the punishment and grueling hard work is no feat for Bullet For My Valentine.

My first round of Bullet was on June 30th supporting FFAF, where they kicked up a storm and created such a wild frenzy in the pit that you would be forgiven for thinking that they could be the main act if we didn’t all know better. This was round two, a night at the Leeds Cockpit slotted in before going back to support FFAF in Manchester the next night (which also kicked big time ass…I proudly even instigated a nice rough circle myself at that one!). Supports for the Bullet tour were New Legends and Beyond All Reason, both deliciously heavy ‘proper’ rock bands. The crowd was really receptive to both support acts, and the pit was in full swing during both sets. My favorite moment during Beyond All Reason was when one of the many crowd surfers landed on stage and managed to kick the microphone into the frontman’s teeth! He took it well, joking about nearly getting his teeth smashed out and playing on though it must have hurt like hell. So much so that he soon had to move to the back of the stage to vomit, but the show went on and he came right back to rock through the remainder of the excellent set.

No sooner had they left the stage than the hardcore including my group moved straight in to the front lines and the atmosphere was brilliant between the crowd, people getting complete strangers up onto their backs and shoulders, chanting for Bullet and singing their songs triumphantly…and all this before Matt and Co even threatened to walk onstage! As soon as Bullet’s intro music started, the crowd moved around and created circle space, all holding each other back until that very first beat of Hand Of Blood, when the room immediately transformed into one almighty pit. Bear in mind that the Cockpit is a pretty small venue, this was off the scale and I have never ever seen anything quite like it! Rough, but with everyone in such high spirits everyone was looking out for each other, boys and girls being hauled up from the floor every couple of seconds and hoisting each other up for the surf. It was incredible and Matt proudly commented on how fucked up it was! Bullet stormed through a set including a couple of brand new and consistently heavy tracks from the forthcoming album (due for release in September). Bullet are undoubtedly technically superb and are masters of their art. In full command of their instruments and of their fans they ruled the evening. Cries In Vain was played to a growling audience who pumped their fists and rock fingers in the desperately hot and sweaty air as they sang along with every single word. Just Another Star followed to the absolute joy of everyone present. As Matt announced that they had time for just one more song people turned to one another deliriously yelling ‘No Control!” And we were right. The circle reached it’s peak at this point as this track, favored by most for its genius riffs, seriously thumping beat and throaty roars obliterated the audience and every last drop of energy was thrown into this last tune. What an amazing night, Bullet just get better, and the happy exhaustion on the faces and bodies of all who emerged from the Cockpit was enough to signify an awesome, awesome night. I really can’t wait for the next time.

Funeral For A Friend – Gig Review

by Emma

Funeral For A Friend – Leeds Refectory/ Manchester Academy
30 June 2005/ 8 July 2005

What a lucky girl am I…Funeral For A Friend not once but twice in a week! And what a top class performance they put on for us. There is no doubt that I have just had two of the best nights ever, nights I will never ever forget.

First supports were Gratitude (also see album review) and A Static Lullaby. I have to come clean at this point and admit that I didn’t get to see Gratitude on either night – in Leeds I was busy interviewing Funeral drummer Ryan Richards on the FFAF tour bus, and in Manchester an error on the tickets meant that the gig started an hour and a half before stated! Nevertheless I did hear from a friend that they played an impressive set. A Static Lullaby are considerably more upbeat and began to really woo the crowd with their grinding emo tunes.

Next on the bill were Bullet For My Valentine, and the fellow welsh rockers proved to be hugely popular with the crowd; in Leeds before they had even began to play a note there were several circles formed waiting excitedly holding one another back until the very first note! In Manchester Bullet received a smaller scale but equally enthusiastic welcome. Bullet ripped apart the room and furiously ploughed straight into Hand Of Blood whipping the crowd into a frenzy. In Leeds the whole room went mental and the jumping and screaming spread right to the edges of the room. The pits were rough as hell and by the time they finished their set the crowds were dripping in sweat and already exhausted. Funeral For Friend couldn’t have selected a better and more appropriate warm up act. See my Bullet For My Valentine review from their Leeds Cockpit gig for more!

A well deserved beer later and Funeral took to the stage to the delight of a wildly excited audience. Kicking in with Streetcar in Leeds and Juno in Manchester, the welsh rockers blistered through an absolutely amazing set featuring a mix of songs from latest album Hours, debut album Casually Dressed And Deep In Conversation and the fantastic EP Seven Ways To Scream Your Name. The circle pits resumed and everyone went crazy jumping crowd surfing and singing/screaming along with every single word that Matt, Gareth and Ryan sang. I was most impressed with Ryan’s ability to beat the skins like there was no tomorrow and scream his lyrics from the pit of his stomach at the same time.

Funeral’s superb set included a gorgeously heavy Recovery, The Art of American Football, Rookie of the Year, All The Rage, Bend Your Arms to Look Like Wings, She Drove Me To Daytime Television and of course Red is The New Black. More chilled and definitely emotional moments were the heart wrenching performances of Roses For The Dead, the beautiful History, The End of Nothing, and Juno (the screamo version). The guys also blessed the audience with a cracking rendition of Alvarez, and then of course Escape Artists Never Die to close. Throughout the gig Matt Davies giddily spoke to the audience, yelling ‘Are you guys having a good fucking time?’ and clearly having a great time himself, joked ‘Can Everybody sing along to the next one if possible? That was fucking terrible! Can everybody sing along to the next one please? Can you all sweat a lot too?’

A truly awesome experience – I can’t tell you how much you need to experience Funeral For A Friend firsthand. There aren’t many better ways to spend your money, trust me. I walked out of these gigs feeling enriched and totally contented.

KAZZA’S WEEKEND OF ROCK ™

by Kazza

Green Day, Milton Keynes Bowl, Saturday 18th June

My Weekend of Rock began with a hot, sweaty traffic jam into Milton Keynes. Once past the security Nazis however, the discomfort of the journey was soon forgotten, and the fabulous atmosphere soaked up instead. The best feature of the National Bowl is just that – it’s a bowl (!) so wherever you stand/sit, you get a good view, perfect for those of us who are vertically challenged!

The place was rammed with bodies already so we quickly found ourselves a spot to make our own for the day, and settled down with a much-needed cold beer for the first couple of bands, namely Hard Fi and Taking Back Sunday. Unfortunately neither of these bands made much impression on this writer, but that may have been more to do with not knowing their material – however, I was not inspired to get to know their material having seen what can only be described as lacklustre performances from both bands.

This is approximately where the anticipation started building to fever pitch for the Kazza-camp. Sure enough, Jimmy Eat World played a blistering set, albeit to a largely apathetic audience. Consisting largely of material from Bleed American, they were perfect listening for a sunny Saturday afternoon. Even the mostly disinterested crowd were forced to sit up and take notice when they blasted out The Middle. Obviously thrilled to be there and on top form, Jimmy Eat World deserved a far better reception than they actually got. Predictably the largest cheer came when they announced that Green Day were next before they left the stage.

During the break, you could feel the anticipation and excitement amongst the crowd rise a few hundred notches. Mexican waves were started (and failed!), and as the crowd got more impatient, bottles of water started to be thrown around.

The roar of appreciation that went up from the masses on Green Day’s appearance was absolutely immense. This is the band we were all there for, and they certainly didn’t let us down. From the opening bars of American Idiot, to the closing strains of Time Of Your Life, they showed the crowd in no uncertain terms that Billie Joe has evolved into one of this generations greatest frontmen.

Too many highlights to mention here, but of particular note were When September Ends, a full-on, lighters-aloft goosebumps moment! With such a wealth of material to choose from, it was inevitable that not everyone’s favourites would be heard, from the Warning album they only played Minority, and barely more from Dookie. But why would they, when they’ve got such an amazing current album to draw from? Much of American Idiot was played, St Jimmy and Jesus of Suburbia being particularly outstanding.

Billie Joe did not stand still for a second, seemingly full to the brim with cheeky grins and mischief. At one point a young kid was pulled up onto the stage to help BJ spray the crowd with some much-needed water from a SuperSoaker gun. It was a particularly moving moment when during their rendition of Operation Ivy’s Knowledge, 3 members of the crowd were picked out to play bass, guitar and drums respectively and finish the song. On being told he could keep the guitar afterwards, the young guitarist almost wept!

This has to have been surely the best gig of Green Day’s entire career to date. I would’ve gone back and done it all again on the Sunday, were it not for . . .

Motley Crue, Wembley Pavilion, Sunday June 19th

Having never had the chance to see Motley Crue before, this was a gig not to be missed. We did nearly miss the start however, due to the tickets being wrongly printed with a door opening time of 7.30. We arrived at 8 and both supports had already finished, which was disappointing. Not the only disappointment of the night.

The venue itself is absolutely terrible, I urge anyone reading this to avoid this venue if at all possible. The Wembley Pavilion has been thrown up as a temporary gig venue whilst the Arena is being refurbished. An all-seated venue, I was one of the luckier ones, being in row 15, but anyone much further back would have seen precisely nothing, as the entire seating is flat. Advertised as being ‘climactically controlled’ on their website, we took our seats on the hottest day of the year to find ourselves in an almost unbearably scorching, airless tent.

All whinges were quickly forgotten about when Motley hit the stage and blasted straight into Shout at the Devil, a perfect fist-pumping, headbanging choice of an opener.

This was a totally full on and energetic show from start to finish, the first set consisting of mainly earlier stuff. Despite the intense heat, energy levels were running high. Music aside for a moment, the theatrics of the show were second-to-none, we had fire-breathing midgets, scantily-clad acrobats, circus freaks, and one particularly scary lady with metal pants and an angle grinder!

Vince’s voice in particular was in top form, as was Mick Mars who, resplendent in drawn-on tash and beard, still looked like death, but was a lot more agile than I’d expected! Not much can be said about Nikki without getting ridiculously fangirly, but suffice to say it was great to see the 4 of them united and seeming to be having a great time on this tour.

A much needed interval followed, which was a welcome chance to get out and grab a few lungfuls of cooler air, before hearing the first few lines of Girls Girls Girls and dashing back to my seat. The second set was even better, if that’s possible, than the first.

Sadly Without You was cut from the set, but we got our fix of power-balladry in the form of the anthemic Home Sweet Home

Then came the section of the show with Tommy Lee’s TittyCam, where plenty of boobage was displayed (not by myself I hasten to add!). Funniest moment was from Tommy on trying to coax a reluctant girlie out of her clothes: “Aww, don’t get all pissy, what do you think this is, a Bon Jovi Concert?!”

For the encore, we were treated to covers of Anarchy in the UK, and Helter Skelter, for which Nikki Sixx’s son Gunner joined them on guitar, Nikki Sixx’s pride to have his son up there with him was plain for all to see.

And all too soon it was over, and time to head back to the hotel, sweaty, tired, but deliriously happy after one of the best weekends of my gigging career!

SixSister go to Kirkley High

Sixsister go to Kirkley High

by Jo

Sixsister go to Kirkley High (without the lashings and lashings of ginger beer)

Polling Day. What better way to spend it that trotting down to your local friendly rock stars’ high school? So that’s what I did. It was Thursday afternoon, and I’d spent the morning teaching Year 4 how to do a forward roll without breaking their necks, so light relief was in order. Let’s see how Lowestoft’s finest repay their debts to their educators.

I arrived. Some of you are rather more familiar with high schools than I am. I haven’t been in one for nearly 20 years, and mine only went from 14-18, so I was totally unprepared for how big it was… It took me ten minutes to follow the signs and get down to the Vocational Centre. The children are all so big.. but then I’m a titch.

A couple of minutes or so on the comfy seats, and the delightful Phil Spencer came to whisk me off. You’ll remember his name.. Justin’s said before what an inspiration he was, as a teacher. He’s been namechecked at gigs too, I was there! We’d all like that.. I was swept of to the Music Suite. Are all secondary schools like this? There were code-locked doors and ones opening automatically for us.. very Enterprise. We didn’t have the technology in my day. You had to open it yourself.

And there we were. In the room where The Darkness opened the school’s new Music Suite, a year ago, after Hazel Johnson’s invitation. It was all very hush-hush, with staff and pupils alike startled to find the lads in their midst. There’s a very nice plaque (see?). The piano Justin tinkled on is there (no, I didn’t. I’m obsessed, not sad). The donated drum kit and guitars were there. Amps and keyboards.
It was a very busy day that day. Justin had also been to see his namesake baby giraffe, and some of the South Bank Show was recorded at The Swan too.

This is fantastic. It was all refurbished and updated to provide soundproof rock and recital rooms. The school uses it for the usual Music curriculum, and specialist musicians have one to one tuition here.

It was Dan that wanted a rock music school built, and it looks like it will all slot into place… The Darkness have shown to their school that dreams DO come true, and you CAN make it to the big time. The band have given resources and recognition back to the school which had such an influence on them. We’ll let you know if anything else wonderful comes from Kirkley High.

Oh, and when I left, it was by a different door.. thankfully nearer the school gates. Lost, or what?

Many thanks to Julie Jones for arranging for me to pop in, to Hazel Johnson for the extra information, and to Phil Spencer for showing me round and chatting..

Let it be a lesson to you. Follow your dreams, and one day, your high school might let you back in for the day. Without having you arrested.


 

What’s On?

by Emma

What’s on?

Forthcoming unmissable events…

Greenday
June 18-19
Milton Keynes Bowl

Audioslave
June 20-24
London Brixton Academy, Manchester MEN Arena

Ginger
June 17-July 2
Glasgow Barfly, Newcastle Archers, Wrexham Talbot, Manchester Dry Bar, Leeds Josephs Well, Liverpool Barfly, London Camden Barfly, Southampton Joiners, Plymouth Phoenix, Wolverhampton Civic Hall, Hull Adelphi, Nottingham Rock City

Funeral For A Friend
June 22 – July 10
Dublin Ambassador, Belfast Mandela Hall, Glasgow Barrowland, Newcastle Northumbria University, Norwich UEA, London Astoria, Leeds University, Cambridge Corn Exchange, Folkestone Leas Cliff Hall, Sheffield Octagon, Southampton Guildhall, Nottingham Rock City, Manchester Academy, Birmingham Academy, Cardiff University

Finch
June 29 – July 7
Bristol Academy, Nottingham Rock City, Manchester Academy, London Charing Cross, Birmingham Academy, Leeds Met Univerity, Glasgow Barrowland, Plymouth Pyramid Centre

Death From Above 1979
August 23
London Charing Cross Mean Fiddler

Leeds/Reading Carling Weekend
August 26-28

Posted in OI

The Rogers Sisters – Three Fingers – Album Review

by Emma

Three Fingers is the second album from New Yorkers The Rogers Sisters, follow up to the debut Purely Evil that received high acclaim in 2003.

The Rogers Sisters are an energetic punk/garage band with a raw sound that is quire rare. The contrast of masculine sounding low vocals with high sweet girly vocals works well for the trio. The vocals are spat out in sing-speak with a humourous nursery rhyme quality.

Three Fingers is a collection of punky girl power tracks full of feist and grit. The guitar and drums have a nice clean sound. From the squeaky Fantasies Are Nice to the dark and upbeat freight train, the songs are all upbeat and funky, with catchy and high-spirited ‘one, two, three’ style lyrics and some good whispery creeping-up-on-someone music.

This one definitely grows on you – its one of those albums that gets more impressive with each listen, and I do really like it. The bonus tracks even include the French and Japanese versions of a couple of tracks so you can sing along in three languages!

The Boxer Rebellion – Exits – Album Review

by Emma

Exits is The Boxer Rebellion’s debut album, following the first single release All You Do Is Talk.

Exits doesn’t fit cleanly into any of the categories of current rock music and is almost reminiscent of some indie music going back seven or eight years. This album is meaningful and has been written from the heart for all to hear. Lay me down is a fine example, combining light headed guitars and soft drums with pleading vocals.

Echoey vocals and spooky tunes make up several of the tunes from Flight to Cowboys And Engines. Watermelon, All You Do Is Talk and The New Heavy bring in a fuller sound, adding more power to the mix and making music of feedback. World Without End and The Absentee are gentle melodies, slow and graceful allowing the vocals to take more of the spotlight. It is on these tracks you can really appreciate the vocals, which are sad and haunting. You can hear the emotion that has been poured into Exits, and it certainly shows – a very good debut available to buy now.

The Marble Index – Album Review

by Emma

Canadian outfit The Marble Index are refreshingly honest in their music. They remind me of the Violent Femmes in that they are fearless to experimenting with their sound and it almost seems that whatever pops out from vocalist Brad Germain’s mouth is what you get…and it sounds really good!

This album is fairly low key and mellow and is sweet enough to make you smile. The gentle tones of Alright by now and Not so bright and the funky twang of I Believe are quite delightful and I do really like this band. Easy listening and cute I think that The Marble Index will generate a lot of interest and command a great affection from listeners.

Hulk – Cowboy Coffee & Burned Knives – Album Review

by Emma

Brussels trio Hulk are knocking on the door of the big time with their forthcoming album release Cowboy Coffee… available from 27 June 2005 on Suburban Records.

Hulk were lucky enough to be invited to the Rancho de la Luna studio (home to Queens of the Stone Age Desert Sessions recordings) where this album was nailed in little over a week!

The tracks sparkle with cutting guitars, smooth intoxicating vocals and some splendid riffs. Cowboy Coffee… is original and mixes the fast hard rock of It’s Allright and my favorite Real Rocker (which is catchy as hell by the way) with the velvety tones of Sorry and Down. There are a handful of real gems on here and only one or two weaker tracks out of twelve. A reminder of how rock music used to be and a taster of things to come.

Hulk are most definitely worth checking out, and if Cowboy Coffee & Burned Knives… hits the spot get hold of a copy of the debut album ‘Party Time’.

Funeral For A Friend – Streetcar – Single Review

by Emma

Released 30 May 2005, Streetcar is the sterling follow up to the forthcoming Hours, follow up to the magnificent Casually Dressed and Deep in Conversation.

Streetcar is an upbeat track that hides a painful underlying message about being away from family and friends, as always beautifully written and executed by the FFAF guys. The song digs deep from the guys’ experience, as Hours was written and produced in Seattle and entailed a lengthy stint in the states.

If Streetcar is anything to go by then we are most definitely in for a treat with Hours, due for release on 13 June. The track includes most of the FFAF traits that we all know and love – deliciously heavy guitars at the intro, melancholy lyrics, strong sweet vocals over a solid and creative drum beat (my personal favorite, Ryan’s triangle is back)!! No screams on this track though – we will just have to hold out for the album!

Funeral For A Friend are about to embark upon a 16 date sold out tour of the UK commencing 22 June supported by the mighty Bullet For My Valentine, A Static Lullaby and Gratitude, dates shown below. Tune in next month for the full gig review.

*****

June 22 Dublin Ambassador
June 23 Belfast Mandela Hall
June 24 Glasgow Barrowland
June 26 Newcastle Northumbria University
June 27 Norwich UEA
June 28 London Astoria
June 30 Leeds University
July 01 Cambridge Corn Exchange
July 03 Folkestone Leas Cliff Hall
July 04 Sheffield Octagon
July 05 Southampton Guildhall
July 06 Nottingham Rock City
July 08 Manchester Academy
July 09 Birmingham Academy
July 10 Cardiff University
July 12 London Astoria